Two trumpets, two very diferent approaches: one electronic, the other acoustic. While Collins works with a computer program and cobbled hardware, Ulher uses metal sheets, radios, milk frothers and other […]
Hosted by HOMO PHASER Edith Steyer (amplified clarinet) Beat Keller (feedbacker guitar) Eintritt € 5,- Session-Einsteigerinnen frei
The SFIEMA Improvised Music Club Sept 2026 in der ART LOUNGE im Café Korb SFIEMA – SOCIETY FOR SOUND ART, FREE IMPROVISATION AND EXPERIMENTAL MUSIC AUSTRIA lädt zum nächsten Konzert: […]
IM SCHLAF ENTWEICHEN MIR WORTE * LouMer // Sofia Labropoulou – Kanun & Thomas Berghammer – Trompete ** DEINE MUTTER! // Luigi Guerrieri *** Luurankouni // Félicie Bazelaire – double […]
Circuit Fantôme - series of octophonic / acousmatic listening sessions and performances, curated by Daniel Teruggi and Anton Iakhontov (Patrick K.-H.) Season 6 Episode 12: Valentin Sismann LIVE Octophonic performances […]
Minten & González This duo starts from the desire to create a common language beyond any aesthetic line or tradition, as well as from the conviction that musical understanding goes […]
de_semble On September 19 we are warming up for the festival with a free event at Apartment Acht (@apartment.acht) 🤍 Reindorfgasse 44, 1150. Presenting: Mina Naomi (@mina.naomii) and Sanna Lu […]
Die aus Brüssel stammende Pianistin Anaïs Tuerlinckx zog 2008 nach Berlin und ist seitdem Teil der lebendigen und vielseitigen berlinischen Musikszene, die sich der Improvisation widmet. In Ihrer Arbeit erforscht […]
Rebecca Minten & Luz Gonzalez Das Duo stellt eine elektroakustische Begegnung zwischen den musikalischen Welten von Luz Gonzalez und Rebecca Minten dar. Im Mittelpunkt ihrer klanglichen Forschung steht die Entwicklung […]
Initial session: Linda Sharrock |voice Mario Rechtern |saxophone Georg Edlinger |percussion
La Cuerda y el Grito La Cuerda y el Grito, translated as “The String and the Scream”, is a multidisciplinary performance that blends contemporary music, free improvisation, body, and object. […]
Swallowing space and time, this durational performance swings dangerously close to its surround in simultaneously evoking theatrical perception and uneventful meditative drama. In it, object, sound and motion churn in […]