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DTSTART;TZID=Europe/Vienna:20260403T200000
DTEND;TZID=Europe/Vienna:20260403T220000
DTSTAMP:20260316T114950Z
CREATED:20260316T114950Z
LAST-MODIFIED:20260316T114950Z
UID:10000517-1775246400-1775253600@www.phantanoise.com
SUMMARY:Maria Salamon | Alessandro Vicard & Salvoandrea Lucifer
DESCRIPTION:Maria Salamon – trance-cendence\na string theory of foreign origin / frequency flowing through the veins of the observer / synesthetic soundscapes emerging out of the void / creating singularities between noise and silence / a sometimes musical journey through self and counterparts / transforming echoes of awareness into sonic waves / Maria Salamon – concept\, electronics\, electric violin\, launedda\, percussion electric violin\, sound effects and loops\, building a bridge between the now and the unknown. investigations into the disappearance of time in the artistic process. exploring music-induced trance as a state of being. a non-linear approach Maria Salamon is a transdisciplinary musician\, composer and artist from Vienna\, Austria. Their work includes live concerts\, sound performances as well as composition and arrangements for different ensembles and film. Maria Salamon is known for their multidisciplinary approach and collaborations with artists from various genres. \n 
URL:https://www.phantanoise.com/event/maria-salamon-alessandro-vicard-salvoandrea-lucifer/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260401T200000
DTEND;TZID=Europe/Vienna:20260401T220000
DTSTAMP:20260316T114839Z
CREATED:20260316T114839Z
LAST-MODIFIED:20260316T114839Z
UID:10000516-1775073600-1775080800@www.phantanoise.com
SUMMARY:Teatro Tetrix
DESCRIPTION:Gaudenz Badrutt – Elektronik (Biel/Bienne) \nJean-Luc Guionnet – Altsaxophon (Paris) \nFrantz Loriot – Bratsche (Zürich) \nTetrao Tetrix erschafft in ihren Konzerten wahrhaftige Klangskulpturen – dafür sind die durchaus unterschiedlichen Ansätze vom Zürcher Bratschisten Frantz Loriot\, dem Bieler Elektronikmusiker Gaudenz Badrutt und dem französischen Altsaxophonisten\, Elektroniker und Organisten Jean-Luc Guionnet wie gemacht füreinander. Anfang März 2025 erschien ihre erste CD unter dem Titel Nyctalopia.\n“Comme le mot nyctalope dit\, en français\, la capacité de voir la nuit\, alors que le mot nyctalop dit en anglais l’incapacité de le faire\, faux amis à la perfection : ce qui fait notre musique. Peut-on savoir sans savoir que l’on sait ? Musique faite de faux-amis.” Jean-Luc Guionnet\, Liner notes \nDas Trio Tetrao Tetrix\, bestehend aus Gaudenz Badrutt\, Jean-Luc Guionnet und Frantz Loriot\, traf sich zum ersten Mal im Dezember 2018 im Rahmen der Bieler Veranstaltungsreihe Joyful Noise (organisiert von Hans Koch und Martin Schütz). Sehr schnell einigten sich die drei auf ein formales und klangliches Verständnis\, was dem Trio einen besonderen\, spezifischen Klang verleiht. Verschiedene Aesthetiken von Jazz\, elektroakustischer Musik bis hin zu zeitgenössischer Musik werden miteinander 2 verbunden\, miteinander verflechtet. Das Trio setzte seine musikalische Arbeit im Jahr 2020 fort: erfreulicherweise konnte das Trio im Februar 2020 für eine dreitägige Residenz im Kulturraum Les Instants Chavirés in Montreuil bei Paris zusammenkommen\, einer Hochburg für experimentelle Jazzmusik. Das Trio konnte dort seine klangliche und musikalische Identität finden. Das Konzert war eines der letzten stattgefundenen Konzerte vor der Pandemie. Diese blockierte anschliessend die Arbeit des Trios für mehr als zwei Jahre\, bis das Trio im September 2022 endlich die Gelegenheit hatte\, sich für einige Konzerte in der Schweiz in Biel/Bienne und Zürich zusammenzufinden\, gefolgt von einer Tour im März 2023 (Frankreich / Schweiz) und einer Tour im März 2025 in Osteuropa. Im März 2025 erschien auch die CD Nyctalopia.\nAus künstlerisch-musikalischer Sicht geht es im Trio Tetrao Tetrix um Affinität. Es geht um ein Dreieck\, bestehend aus zwei verschiedenartigen Altstimmen – die eine gekennzeichnet von Saiten\, Holz und Pferdehaaren\, die andere von Metall\, Schilf\, Leder und Kunststoff – und einer dritte Stimme – die letzte Ecke des Dreiecks\, hauptsächlich Elektronen und Membranen. Es geht um Unendlichkeit\, aber wir sind zu dritt. Wahlverwandtschaften & elektrische Affinitäten. Extreme. Spannung. Absicht\, ohne Zeichnung. Reibung\, Blasen und Membranen. Alles durchsetzt von wahrscheinlichen Stillen. Und mindestens einmal – ein Maximum\, ohne vorheriges Verbot. Wahrscheinlich\, zumindest. Es gibt auch Lärm. Es ist eine dreiecksförmige Klangskulptur. \n 
URL:https://www.phantanoise.com/event/teatro-tetrix/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260329T200000
DTEND;TZID=Europe/Vienna:20260329T220000
DTSTAMP:20260316T114620Z
CREATED:20260316T114620Z
LAST-MODIFIED:20260316T114620Z
UID:10000515-1774814400-1774821600@www.phantanoise.com
SUMMARY:Corinna Eikmeier & Libero Mureddu
DESCRIPTION:Rumeik \nImprovisationskonzert mit\nCorinna Eikmeier (Cello) und\nLibero Mureddu (Klavier) \nCorinna Eikmeier (Cello) und Libero Mureddu (Klavier) lernten sich 2024 kennen\, als sie beide bei einem internationalen Improvisationsworkshop in Antwerpen unterrichteten. Im folgenden Jahr spielten sie erneut in Helsinki und Berlin und beschlossen\, ihre Zusammenarbeit fortzusetzen. Ihr Ansatz zur improvisierten Musik ist stark von Unerwartetem und Unvorhersehbarem geprägt. Manchmal sind in den Klängen leise Anklänge an das westliche klassische Cello-Klavier-Duo zu hören. \nLibero Mureddu ist ein italienisch-finnischer Pianist und Improvisator\, dessen Arbeit sich mit der Spannung zwischen menschlicher Intuition und algorithmischen Prozessen beschäftigt. Er lebt in Helsinki und bewegt sich in seiner Praxis zwischen zeitgenössischer\, experimenteller und Jazz-Tradition\, wobei er oft Technologie einsetzt\, um das verkörperte Wissen des Interpreten herauszufordern. Seine jüngsten Projekte – The Avatars and I\, Sonic Avatars und Joy Against the Machine – verbinden Improvisation mit digitalen audiovisuellen Elementen und generativen Partituren\, um unvorhersehbare performative Rahmenbedingungen zu schaffen. Als vielseitiger Musiker leitet er das in Mailand ansässige Murmur Trio und ist Mitglied des finnischen Mother’s Delight Quartetts. Er unterrichtet zeitgenössische freie und elektroakustische Improvisation an der Sibelius-Akademie. \n 
URL:https://www.phantanoise.com/event/corinna-eikmeier-libero-mureddu/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260325T200000
DTEND;TZID=Europe/Vienna:20260325T220000
DTSTAMP:20260316T114504Z
CREATED:20260316T114504Z
LAST-MODIFIED:20260316T114504Z
UID:10000514-1774468800-1774476000@www.phantanoise.com
SUMMARY:GRŪ___ & JD ZAZIE | Pepa & Jonas
DESCRIPTION:GRŪ___ & JD ZAZIE\noperate at the intersection of experimental sound\, performance\, and real-time manipulation. Their duo combines object-based sonic research with radical approaches to recorded media\, creating performances that unfold between composition\, improvisation\, and technological systems. Working under the alias Grū___\, Grgur Savić explores sound as a physical\, transformable material through performance\, composition\, and visual–sonic systems. By deconstructing objects\, most notably the saxophone\, and employing MAX/MSP-based processes\, his practice investigates resonance\, vibration\, and human–machine co-creation in real time. Coming from a DJ and radiophonic background\, JD ZAZIE develops live performances through the real-time manipulation of fixed recorded sound\, redefining DJing and electroacoustic practice toward free improvisation and composed forms. Together\, they create dynamic performance systems based on listening\, decoding\, and response\, where sound\, objects\, and recorded matter are continuously transformed and re-heard. \nPepa  & Jonas \nJonas und Pepa spielen gern mit Zeit und Raum. \nIhre Werkzeuge:\n-der Körper\, geprägt durch Tanz und Kampfkunst\n-synths\, keys\, and other toys\n-Stimme\, Stimmung\, Stimmigkeit\n-der Dialog: zwischen Ihnen; zwischen Tanz und Musik; movement and noise. \nEin Gespräch mit dem Raum und alles innerhalb und ausserhalb von ihm.\nGeschichten versteckt in Surrealitäten des Moments\, instant compositions\, Improvisationen:\neine Performance.
URL:https://www.phantanoise.com/event/gru___-jd-zazie-pepa-jonas/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Performance,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260325T200000
DTEND;TZID=Europe/Vienna:20260325T220000
DTSTAMP:20260216T115156Z
CREATED:20260216T115156Z
LAST-MODIFIED:20260216T115156Z
UID:10000495-1774468800-1774476000@www.phantanoise.com
SUMMARY:Augustin Braud | Georg Zichy
DESCRIPTION:Augustin Braud\nis a composer\, musician\, and researcher. A permanent musicologist at RicercarLab in Tours (CESR)\, his practice ranges from written instrumental music to electroacoustic performances such as Trônes Amoncelés\, a 36-minute piece recorded at La Muse en Circuit and released on Opal Tapes label in March 2025\, inspired by Antonin Artaud’s Les dix-huit secondes. \nHe is also the winner of the 2020 Claude Arrieu Prize from SACEM\, and has collaborated with ensembles such as the Radio France Philharmonic Orchestra\, the Ensemble Intercontemporain\, and the Klangforum Wien (GOLEM)\, at festivals such as ECLAT\, Gaudeamus\, Musica\, and Présences. \nGeorg Zichy\nis a sound\, clang\, rattle\, screech and noise artist. In his solo practice\, he performs with found objects and electronics: containers\, tablets\, bins\, rods\, etc. Acoustically scratched\, bowed and hammered\, electronically amplified\, distorted\, and fed back.\nZichy lives and works as a freelance artist and musician in Vienna\, moving between noise\, free improvisation\, and a phenomenology of sounds. 2025 saw the release of Vleisch (Opal Tapes)\, a duo with Reinhold Friedl and a_kustisches (self-released) in a duo with Fabian Wutti.\nhttps://www.instagram.com/musterkoffer/ \nhttps://gzgz.bandcamp.com/
URL:https://www.phantanoise.com/event/augustin-braud-georg-zichy/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260319T200000
DTEND;TZID=Europe/Vienna:20260319T220000
DTSTAMP:20260316T114259Z
CREATED:20260316T114259Z
LAST-MODIFIED:20260316T114259Z
UID:10000513-1773950400-1773957600@www.phantanoise.com
SUMMARY:Anouck Genthon\, Marina Tantanozi\, Anna-Kaisa Meklin | TRIAGNOSIS
DESCRIPTION:Anouck Genthon\,\nMarina Tantanozi\,\nAnna-Kaisa Meklin\nThe music of the trio is an open-ended sonic space. Dense\, broken\, the sound surfaces and structures are continuous\, oscillating between noise\, drone and traces of folk music fragments that remain rather distant associations. The trio gently leads the listener into the sounds themselves\, using memory as a process as well as a research method: focusing on their countries of origin over the past years\, the trio re-traces their sonic soil and endlessly reactivates its language. \nThe music on our new CD is recorded on a cold week of November 2023 in the Benedictine Abbey of Soréze\, during a GMEA residency. The recording takes place in two halls\, that we like to call the blue room and the white room; different in acoustics\, both generous in reverberation and overtones. The space itself is essential in shaping the pieces.We begin improvising without any material or concept in mind. We let our talks\, travels\, the light and vastness of the Abbey flow into the music.We improvise\, record\, listen back and select the fragments that intrigue us. We develop this material\, distort\, record and modulate it\, we shift and reshape it until the final version emerges – the music. \nTRIAGNOSIS \nDie 3 MusikerInnen Edith Steyer\, Edith Lettner und Angelina Ertel haben sich zu einem Erstgespräch verabredet. Ein spannendes Unterfangen\, da sie stilistisch aus unterschiedlichen Regionen anreisen. Jazz\, Weltmusik und freie Improvisation treffen hier aufeinander. Todesmutig stürzen sich die 3 MusikerInnen in das Abenteuer. Genußvolles Scheitern optional \nAngelina Ertel\, Querflöten\, Gemshorn \nEdith Lettner\, Sax\, Duduk \nEdith Steyer\, Klarinetten \nangelina-ertel.org
URL:https://www.phantanoise.com/event/anouck-genthon-marina-tantanozi-anna-kaisa-meklin-triagnosis/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260317T200000
DTEND;TZID=Europe/Vienna:20260317T220000
DTSTAMP:20260316T134218Z
CREATED:20260316T134218Z
LAST-MODIFIED:20260316T134218Z
UID:10000531-1773777600-1773784800@www.phantanoise.com
SUMMARY:Alexander Chernyshkov & Dario Fariello
DESCRIPTION:MISTAKEN FRUITS\nMistaken Fruits ist eine musikalische Versuchsanordnung über Beziehung\, Übersetzung und Missverständnis. Aus einer langjährigen Zusammenarbeit von Komponist und Performer entstanden\, untersucht das Stück die Syntax zwischen improvisiertem und komponiertem Material. Im Zentrum steht eine rein akustische Kommunikation: Klang wird geformt\, umgeleitet und transformiert\, Sprache erscheint als Material\, das sich ebenso verschiebt wie Bedeutung. Ein Elektromagnet fungiert dabei als eine Art klanglicher Übersetzer zwischen den beiden Musikern. In dieser surrealen Situation verschwimmen die Grenzen zwischen ihren Intentionen\, Gesten und Rollen. Handlung und Reaktion werden ununterscheidbar\, Ursache und Wirkung gleiten ineinander. Mistaken Fruits versteht das Missverständnis nicht als Fehler\, sondern als produktiven Raum – einen Ort\, an dem Klang\, Körper und Sprache neue\, unerwartete Beziehungen eingehen.\nDario Fariello ist Saxophonist mit Schwerpunkt auf improvisierter Musik. Nach seinem Studium der Musikwissenschaft in Bologna gründete er das Bologna Improvisers Orchestra und tourte international mit verschiedenen Projekten\, u. a. der Jazz-Core-Band Luther Blissett. Seit 2011 arbeitete er von Berlin aus mit Musikerinnen wie Tristan Honsinger und DJ Kolonel Blip und gründete die nomadische Festivalreihe Multiversal. Heute lebt er in Oslo und ist in zahlreichen Improvisationsprojekten aktiv. Er arbeitete mit Künstlerinnen wie Gino Robair\, Eugene Chadbourne\, Butch Morris oder Harri Sjöström zusammen\, kuratiert Konzerte bei der Oslo Badstuforening und ist Mitglied des Konzertkollektivs Fritt Fall.\nAlexander Chernyshkov ist Komponist\, Improvisator und Instrumentenbauer. Er studierte Komposition in Wien u. a. bei Chaya Czernowin und Karlheinz Essl. In seiner Arbeit erforscht er akustische und mechanische Klangkörper – etwa Rohre\, Motoren\, Relais oder Elektromagnete –\, mit denen er Instrumente transformiert und erweitert. Zentral ist dabei sein Konzept des Error Theater: ein performatives Musiktheater\, das mit provozierten Missverständnissen\, Instabilität und Wandel arbeitet. Seine Werke wurden international von Ensembles und auf Festivals wie Wien Modern\, der Biennale Musica Venedig oder dem Steirischen Herbst aufgeführt. Neben seiner kompositorischen Tätigkeit ist er als Performer in der Wiener Improvisationsszene aktiv und arbeitet regelmäßig mit internationalen Musiker*innen. Er lebt und arbeitet in Wien. \nwww.vekks.com\nwww.instagram.com/_vekks_
URL:https://www.phantanoise.com/event/alexander-chernyshkov-dario-fariello/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260312T200000
DTEND;TZID=Europe/Vienna:20260312T220000
DTSTAMP:20260216T115653Z
CREATED:20260216T115653Z
LAST-MODIFIED:20260216T115653Z
UID:10000498-1773345600-1773352800@www.phantanoise.com
SUMMARY:Free Forms of Arts 2603 Wien
DESCRIPTION:ein freier dialog der kreativen : tänzerinnen\, musikerinnen\, malerinnen\, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;\n-> frei im sinne von in „augenhöhe\, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“\, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien\, offenen\, kreativen dialog aussetzen wollen.\n-> JUST MUSIC ist teil der internationalen FREE FORMS bewegung.
URL:https://www.phantanoise.com/event/free-forms-of-arts-2603-wien/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Session,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260306T200000
DTEND;TZID=Europe/Vienna:20260306T220000
DTSTAMP:20260216T115436Z
CREATED:20260216T115436Z
LAST-MODIFIED:20260216T115436Z
UID:10000497-1772827200-1772834400@www.phantanoise.com
SUMMARY:Caterina Palazzi "ZALESKA" | Versta (Roberto Dossi\, Alessandro D’Arcangeli)
DESCRIPTION:CONCEPT \nLeader of Italian band Sudoku Killer\, Caterina Palazzi currently introduces ZALESKA\, a dark\, more intimate and hypnotic project\, in which melodic lines are mixed with dissonant and noisy moments\, creating a sort of lonely funeral orchestra. Every musical composition is inspired by an actor who has impersonated Dracula’s character in movies. The show is conceived not as a normal concert but as an interactive performance\, which spectators live an experience of tension and catharsis. Zaleska is the illegitimate daughter of voivoda Vlad Țepeș III\, well know as Drăculea. \nCaterina Palazzi From 2007 she’s leader and composer of italian band Sudoku Killer\, well known in jazz\, psychedelic\, noise and experimental scene\, which released the albums Sudoku Killer (ZdM\, 2010)\, Infanticide (Auand Records\, 2015)\, Asperger (Clean Feed\, 2018) and which she played over 700 concerts in all Europe. In 2010 she won the Jazzit Award as best italian jazz composer. From 2010–2015\, she was named best new talent on TOP JAZZ\, by Musica Jazz magazine. On 2022 she’s mentioned as one of 20 best italian bassists ever on prestigious journal Rockit. On 2023 she opened Kim Gordon’s italian tour. Actually Caterina is envolved in her solo project Zaleska and many others collaborations in experimental and cinematographic music. She often interacts live with performances of video designers\, painters and visual artists. \nhttps://en.wikipedia.org/wiki/Caterina_Palazzi\nwww.instagram.com/caterina_palazzi_zaleska\nwww.facebook.com/zaleskadracula \n \n \n \nVersta\nare an electronic/ambient/psychedelic duo from Rome. They are Roberto Dossi and Alessandro D’Arcangeli. \nThe name Versta comes from an old russian measured unity\, it’s about 1066\,52 metres and it literally means “this is a real step” (from russian “verstovoy”).\nThey formed in 2020 and in 2024 have published their first album “Trip Corners” out for the label “Light Item”. You can imagine a “Trip Corners” as a place where physical experiences and mental perceptions meet each other.\nThey play analogical and digital synths\, drum machines\, electric guitar and tenor sax in an immersive A / V (GEORG\, IF YOU DON’T HAVE A PROJECTOR YOU CAN REMOVE “A / V”) show. \nHere you can listen and download for free their first album “Trip Corners”: \nhttps://versta.bandcamp.com/album/trip-corners
URL:https://www.phantanoise.com/event/caterina-palazzi-zaleska-versta-roberto-dossi-alessandro-darcangeli/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260228T200000
DTEND;TZID=Europe/Vienna:20260228T220000
DTSTAMP:20260216T115322Z
CREATED:20260216T115322Z
LAST-MODIFIED:20260216T115322Z
UID:10000496-1772308800-1772316000@www.phantanoise.com
SUMMARY:Rovar17 | EMERGE
DESCRIPTION:The Rovar17\n(Insect17 in English) is basically Kálmán Pongrácz’s solo project\, but different kinds of collaboration often occur with musicians\, visual artists\, performers as well as theater. The music is made by audio-audio collage technique\, which rejects the traditional sound system\, harmony\, melody\, even rhythm\, and creates compositions from inconsistent and untempered sounds\, noises\, natural or electronic- but mostly human voices. This act has already seen more than 400 concerts and performances\, and has played all across Hungary\, in Austria\, Belarus\, Belgium\, Bulgaria\, Croatia\, the Czech Republic\, Denmark\, Estonia\, France\, Germany\, Indonesia\, Italy\, Latvia\, Lithuania\, Macedonia\, Malaysia\, Mexico\, Netherlands\, Norway\, Poland\, Portugal\, Romania\, Russia\, Serbia\, Slovakia\, Slovenia\, Spain\, Switzerland\, Thailand\, Turkey\, United Kingdom and the United States of America. The method of the Rovar17 audio collage technique: – first step: Creation. We create some artificial organisms. Because we have not got pure laboratory\, and we cannot groom test-tubes and instruments; the generated living beings are black-hearted. – second step: Sampling. We investigate the evil beings & make video and audio record of their behaviour. Eventually\, finds are presented live to the audience.\nhttps://www.facebook.com/rovar17\nhttps://havizaj.bandcamp.com/album/csonkolt-t-nd-r\n \nSascha Stadlmeier (b. 1977)\nhas been releasing electroacoustic music with his project EMERGE on international labels such as Drone Records\, aufabwegen\, Tâalem and Frozen Light since 2001. A composer working at the intersections of musique concrète\, drone\, and noise\, he has also been an increasingly active presence in the field of free improvisation since 2016. In addition to live electronics\, his improvisation practice involves guitar\, bass\, and amplified objects. Collaborations with other musicians from a very wide range of styles form an important part of his work\, with collaborators including RLW\, If\,Bwana\, Doc Wör Mirran and Toy Bizarre. He has been touring Europe extensively\, with concerts in France\, Belgium\, Italy\, Spain\, Switzerland\, Austria\, Russia\, Poland\, the Czech Republic\, Slovakia\, Hungary\, Slovenia\, Serbia\, and Bulgaria. His music has been presented at many international festivals including Avantgarde Festival\, lab30\, 20 years of MGNM\, Zasavje Noisefest\, Ecological Sound of Varna Fest and Autistic Campaign Fest. While a prolific composer and performer\, Stadlmeier has also created various sound installations and a radiophonic composition for West German Radio’s renowned Studio of Acoustic Art. Since 2010\, his label attenuation circuit has established itself as an important hub in the international experimental music scene\, with releases by more than 100 artists from numerous countries to date. attenuation circuit also regularly organised concerts of experimental music at Stadlmeier’s home base in Augsburg\, Germany.\n\nhttps://emergeac.wordpress.com/\nhttps://www.facebook.com/emerge.dependenz/\nhttps://immerge.bandcamp.com/
URL:https://www.phantanoise.com/event/rovar17-emerge/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260221T200000
DTEND;TZID=Europe/Vienna:20260221T220000
DTSTAMP:20260206T090109Z
CREATED:20260206T090109Z
LAST-MODIFIED:20260206T090109Z
UID:10000454-1771704000-1771711200@www.phantanoise.com
SUMMARY:Joaquin Ortega & Daniel Bierdümpfl | Cicale Cicale Cicale
DESCRIPTION:In this new duo\, Joaquin Ortega and Daniel Bierdümpfl explore musical dialogue through the guitar. As two guitarists with different approaches to the instrument\, they create a unique conversation shaped by contrast\, curiosity\, and collaboration. Their music moves between written structures and spontaneous interaction\, in which rhythmic counterpoint and noise function as organizing elements that generate spaces of tension\, overlap\, and exchange. \nJoaquin Ortega (Argentina/France) Argentin musician based in France\, Joaquín Ortega explores the connections between guitar\, electronic devices\, and field recordings. His work draws inspiration from bodily movement and contemporary musical languages. Alongside his instrumental practice\, he also develops projects involving installations and dance. His work has been presented at the Desired Lines pavilion of the Venice Biennale\, the Centre Wallonie-Bruxelles\, and the Fondation Fiminco\, among others. \nDaniel Bierdümpfl is an Vienna – Austria based interdisciplinary Artist. Daniel is a former luthier of plucked & bowed string instruments\, he studied time based & interactive media arts at the Kunst Universität Linz (AT) and works as a free lance artist in the fields of music\, performance\, theater\, choreography\, poetry\, film & photography. He was nominated among five other finalists for the Oe1 Jazz scholarship 2023 as well as one of six finalists I AM ABROAD 2024 Open Call (New European Project for Free Improvisation Artists) Vienna AT. He is the head of programming & production for Raumschiff Linz with a focus on contemporary\, improvised and off-genre music & performance. \nBierdümpfl INSTA \nbieri-bier WEB \nhttps://youtube.com/@danielbierdumpfl?si=iwkSkmoFX8hVKUqd
URL:https://www.phantanoise.com/event/joaquin-ortega-daniel-bierdumpfl-cicale-cicale-cicale/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260212T200000
DTEND;TZID=Europe/Vienna:20260212T220000
DTSTAMP:20260206T085834Z
CREATED:20260206T085834Z
LAST-MODIFIED:20260206T085834Z
UID:10000453-1770926400-1770933600@www.phantanoise.com
SUMMARY:FreeForms of Art
DESCRIPTION:Eliah Antoine Ebner – drumsChristoph Wundrak – euphonium\, trumpetEmil Gross – drumsGero von Randow – electronicsSepp Wejwar – Electronics \nein freier dialog der kreativen : tänzerinnen\, musikerinnen\, malerinnen\, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;\n-> frei im sinne von in „augenhöhe\, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“\, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien\, offenen\, kreativen dialog aussetzen wollen.\n-> JUST MUSIC ist teil der internationalen FREE FORMS bewegung.
URL:https://www.phantanoise.com/event/freeforms-of-art-2/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Session,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260208T200000
DTEND;TZID=Europe/Vienna:20260208T220000
DTSTAMP:20260206T085517Z
CREATED:20260206T085517Z
LAST-MODIFIED:20260206T085517Z
UID:10000452-1770580800-1770588000@www.phantanoise.com
SUMMARY:Jošt Drašler & Cene Resnik & Eric Arn & Vid Drašler | Bneleti (Ben Wheeler)
DESCRIPTION:Improvising quartet: \nJošt Drašler – acoustic bass\nCene Resnik – tenor saxophone\nEric Arn – electric guitar\nVid Drašler – drums \nDieses Improvisations/Free Jazz–Quartett ist eine Zusammenarbeit zwischen den slowenischen Musikern\, Vid Drašler – Schlagzeug (DKD-Trio\, trójnik\, Orchester Senza Confini\, Orkestrada)\, Jošt Drašler – Akustikbass (DKD-Trio\, Orch Senza. Confini\, Jani Moder Trio\, Vito marence Gruppe ..)\, Cene Resnik – Tenor Saxophon (Cene Resnik Quartet\, trójnik\, Watch for dogs–Trio\, Orch. Senza Confini) und Wiener-Ami Eric Arn – E-Gitarre (Vienna Improvisers Orchestra\, Alle Formen Trio\, Mieryela ensemble)\nDies ist ein Forschungs-Quartett. Sie versuchen Melodien zu umarmen\, alle Arten von Klängen und Rhythmen\, jedoch keine Strukturen. Sie spielen am schmalen Grad\, wo ihr musikalisches Material wahrnehmbar\, greifbar\, aber auch zerbrechlich bleibt. Somit fühlen sie sich involviert an der Profilierung eines musikalischen Handwerks in einem der großen kreativen Bereiche neuer Musik. Das Ziel ist es neue Erfahrungen\, und neue Verbindungen in andere Teile Europas\, zu schaffen. \n \n \nBneleti (ბნელეთი) is a solo project by Ben Wheeler\, an experimental musician\, composer\, and ethnomusicologist based in Tbilisi\, Georgia. Performing with an electric guitar\, saz\, and modular synthesizer\, Wheeler integrates his impressions of the music of Caucasus\, particularly Azerbaijani traditional music and Georgian polyphony\, with dark ambient\, drone\, and experimental composition\, and the aesthetic of Seattle hardcore and black metal\, creating a musical world that is beyond genre classifications. \nHis first full-length release under the moniker “Bneleti” is set to be released in February 2026 on Inverted Spectrum Records\, and will be followed by a three-week tour of Central and Eastern Europe \nBen Wheeler is the co-founder of Mountains of Tongues\, a project dedicated to preserving and promoting lesser known music from the Caucasus region. He has recorded songs in languages that have rarely been caught on tape\, instruments that only exist in extremely small numbers\, and performances from a variety of underrepresented ethnic\, religious\, and linguistic minority communities throughout the region. He is also the Senior Editor of EastEast\, a journal that covers culture and society in Eastern Europe\, Central Asia\, and the Caucasus\, and the founder of the Caucasus All Frequency festival. He is an instructor on synthesizers at Creative Education Studio in Tbilisi. Besides his Bneleti project\, Wheeler also published under his own name\, composed music for multiple independent films\, performed and written for a diverse selection of bands\, and worked as a music director and composer. \n 
URL:https://www.phantanoise.com/event/jost-drasler-cene-resnik-eric-arn-vid-drasler-bneleti-ben-wheeler/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260207T200000
DTEND;TZID=Europe/Vienna:20260207T220000
DTSTAMP:20260206T085350Z
CREATED:20260206T085350Z
LAST-MODIFIED:20260206T085350Z
UID:10000451-1770494400-1770501600@www.phantanoise.com
SUMMARY:Life Aquatic Quartett
DESCRIPTION:Liquid wie die Lyrik ihrer Lieder liebäugelt dieses Kollektiv mit den transparenten Übergängen zwischen Komposition und Improvisation. So darf streng Notiertes manchmal frei interpretiert werden während die tänzerische Freiheit auch mal als adretter Hörgenuss ertönen soll – Ansätze\,die das Repertoire der Band prägen. Die Kompositionen von Life Aquatic variieren zwischen verschiedenen musikalischen Genres. Contemporary Jazz\, freie Improvisation und Kammermusik verweben sich mit Einflüssen aus dem Indie Rock\, dem Alternative sowie aus osteuropäischer Musik – ein einzigartiges Konstrukt\, dessen Existenz auf die unterschiedlichen musikalischen Einflüsse der Bandmitglieder zurückzuführen ist. Life Aquatic sind raffinierte Geschichtenerzähler und laden den Zuhörer ein\, an ihrer Reise teilzunehmen – eine Reise ins Unbekannte.
URL:https://www.phantanoise.com/event/life-aquatic-quartett/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260204T200000
DTEND;TZID=Europe/Vienna:20260204T220000
DTSTAMP:20260105T160811Z
CREATED:20260105T160811Z
LAST-MODIFIED:20260105T160811Z
UID:10000424-1770235200-1770242400@www.phantanoise.com
SUMMARY:Federico Pozzer
DESCRIPTION:TRANSCRIPTIONS OF MY PIANO STUDENTS’ PLAYING \nIn this solo piano performance\, composer-performer Federico Pozzer plays transcriptions of recordings of his piano students attempting to interpret famous pieces. These recordings—captured during one-to-one piano lessons—are filled with irregular rhythms\, hesitations\, long silences\, “wrong” notes\, and unexpected dynamic choices.\nFederico transcribed them precisely and is going to perform them himself. The result is a tender\, strange\, and subtly disorienting collection of pieces that hover between recognition and distortion.\nWell-known melodies emerge but altered by the fragile gestures of children in the act of learning.\nThis project treats error as expression and listening as a form of\ncare. By inviting us to hear the beauty in musical imperfection\, both humorous and haunting\, the performance aims to challenge what we expect from music\, memory\, and the so-called “correct.”\nAudio Examples:\n\nWebsite: \nhome
URL:https://www.phantanoise.com/event/federico-pozzer/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260124T193000
DTEND;TZID=Europe/Vienna:20260124T220000
DTSTAMP:20260105T160553Z
CREATED:20260105T160553Z
LAST-MODIFIED:20260105T160553Z
UID:10000423-1769283000-1769292000@www.phantanoise.com
SUMMARY:Ippio Payo
DESCRIPTION:Ist es doch Jazz? \nTeilweise in Rockmusik Verpacktes? \nIst es Improvisationsmusik? \nDie Musik von Ippio Payo in Worte fassen zu wollen ist ziemlich aussichtslos. Zu zahlreich die stilistischen Einflüsse und Wendungen. \nIhre Instrumentalkompositionen verschmelzen Seiteninstrumente\, Blasinstrumente mit Percussion und elektronischen Sounds zu einem polyrhythmischen Netz. \nDabei ist es egal wieviel Jazz\, Weltmusik\, klassische Musik\, Krautrock\, Postrock\, Punk oder elektronische Musik in den jeweiligen Stücken enthalten ist. \nMan sollte sich voll und ganz darauf einlassen und nicht jeden Takt einzeln analysieren. \nDann bemerkt man die eindrucksvolle Homogenität. \nMusik\, die Spaß macht\, weil sie keine Schubladen\, keine Grenzen kennt. \nJosip Pavlov – guitar\nMartin Lehmann – trumpet\nDaniel Tanner – drums \n \n \n \nhttps://ippiopayo.bandcamp.com \nhttps://www.instagram.com/ippio_payo
URL:https://www.phantanoise.com/event/ippio-payo/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260117T200000
DTEND;TZID=Europe/Vienna:20260117T220000
DTSTAMP:20260105T160432Z
CREATED:20260105T160432Z
LAST-MODIFIED:20260105T160432Z
UID:10000422-1768680000-1768687200@www.phantanoise.com
SUMMARY:Jukka Kääriäinen\, Richard "Richie" Herbst\, Michael Masen
DESCRIPTION:Jukka Kääriäinen is a musician focused on experimental music. Depending on the situation\, Jukka’s instruments of choice include an acoustic guitar with preparations or an electric guitar with a bag full of effects. Kääriäinen has performed in many European countries and at international festivals in the United Kingdom\, Spain\, and France. In addition to solo concerts\, he regularly performs in bands and has collaborated with many leading European improvisers such as Teppo Hauta-Aho\, Kalle Kalima\, Harri Sjöström\, Axel Dörner\, Kriton Beyer\, Rieko Okuda\, Anil Eraslan\, Mikko Innanen\, and Joel Grip\, premiering works by composers such as Riikka Talvitie\, Sebastian Hilli\, Sami Klemola\, Clara de Asis\, and Tytti Arola. \nRichard “Richie” Herbst  is an austrian sound activist based in Graz\, often simply credited as Herbst. Besides being passionate about field recordings\, his interest lies in the creation of soundscapes with modular synth and effects. \nIn addition to his solo work he is a regular member of ASTRO BLACK (/w Michael Masen)\, the MRM Trio (/w Marina Džukljev & Miodrag Gladović)\, MULM (/w Sara Zlanabitnik & Stephan Roiss) and Regolith (/w Christian Zollner). \nIn 2019 he started the Bordone Ensemble\, an improvisation group of musicians and artists with varying line-up\, who focus on drone\, noise and ambient music. He is frequently involved in collaborations with Yvonne Hofmeister\, Stephan Roiss\, Sara Zlanabitnig\, Rudi Fischerlehner\, Michl Laab\, Michael Masen\, Michael Eisl\, Max Winter\, Markus Krispel\, Irene Kepl\, Harald Hofmeister\, Gigi Gratt\, Angélica Castelló\, Alexandra Steßl… . Herbst is part of the vibrant free impro music scene in Graz and Bistrica Ob Sotli\, participating in STIO (Styrian Improvisers Orchestra) and the GIS orchestra (Schl8hof Wels). \nIn 2001 he cofounded Interstellar Records\, a noise-experimental label. He organizes concerts in irregular intervals\, most recently the concert series Soundscapes\, and contributes articles and reviews for the Freistil Magazin. Richie Herbst is part of the klingt.org-collective. \nMICHAEL MASEN spielt Saxophon in den Bands FS Massaker\, Mozo Mozo\, Ouls und Astro Black. Konzert- und Festivalauftritte führten ihn neben Locations in ganz Österreich bisher auch nach Deutschland\, Slowenien\, Kroatien und Tschechien\, wo er mit lokalen und internationalen Musiker*innen die Bühne teilte\, darunter Linda Sharrock (US)\, Mario Rechtern (AT)\, Eric Zinman (US)\, Virginia Genta (IT)\, David Vanzan (IT)\, Michael Fischer (AT) uva. Zwischendurch wirkte er auch in den Bands BANANA CHAIN und DARWINISM 4 DUMMIES und war an Studioaufnahmen und Konzerten von Pulverin\, Hella Comet\, Rolltreppe\, Meltdowner und Desolat als Gastmusiker beteiligt. Michael Masen lebt und arbeitet in Wien.
URL:https://www.phantanoise.com/event/jukka-kaariainen-richard-richie-herbst-michael-masen/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260115T193000
DTEND;TZID=Europe/Vienna:20260115T220000
DTSTAMP:20260105T160323Z
CREATED:20260105T160323Z
LAST-MODIFIED:20260105T160323Z
UID:10000421-1768505400-1768514400@www.phantanoise.com
SUMMARY:FreeForms of Art
DESCRIPTION:ein freier dialog der kreativen : tänzerinnen\, musikerinnen\, malerinnen\, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;\n-> frei im sinne von in „augenhöhe\, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“\, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien\, offenen\, kreativen dialog aussetzen wollen.
URL:https://www.phantanoise.com/event/freeforms-of-art/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Session,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260110T200000
DTEND;TZID=Europe/Vienna:20260110T220000
DTSTAMP:20260105T160104Z
CREATED:20260105T160104Z
LAST-MODIFIED:20260105T160104Z
UID:10000420-1768075200-1768082400@www.phantanoise.com
SUMMARY:The Tree Trio
DESCRIPTION:Sylvia Bruckner: Klavier\, Akkordeon\, Zither\nStefan Krist: Posaune\, Stimme\, Kleininstrumente\nJohannes Fritz: Kontrabass
URL:https://www.phantanoise.com/event/the-tree-trio/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251211T193000
DTEND;TZID=Europe/Vienna:20251211T220000
DTSTAMP:20250817T120358Z
CREATED:20250804T153403Z
LAST-MODIFIED:20250817T120358Z
UID:10000023-1765481400-1765490400@www.phantanoise.com
SUMMARY:Free Forms of Arts 2512 Vienna
DESCRIPTION:Each and every month the Free Forms of Arts collective meets for free improvising more: https://www.freeformsof.art
URL:https://www.phantanoise.com/event/free-forms-of-arts-2512/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Session,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251111T200000
DTEND;TZID=Europe/Vienna:20251111T220000
DTSTAMP:20251027T113959Z
CREATED:20251027T113959Z
LAST-MODIFIED:20251027T113959Z
UID:10000419-1762891200-1762898400@www.phantanoise.com
SUMMARY:Berke Can Özcan  & Jonah Parzen-Johnson | Phantanoise© Kollektiv feat. Ayşe Deniz Birdal
DESCRIPTION:The music meticulously builds on itself\, as two strangers from across the world weave percussive explosions\, field samples\, and forceful baritone saxophone melodies into something instantly solid & joyful. In an era of apathy and cynicism\, this music is a reminder that the antidote to polarization is curiosity. Recent press:\n• “An arresting tangle of minimalist electronic drones\, rumbling drums and modal jazz sax freakouts.” – The Guardian\n• “Their shared rapport has led to a frequently tuneful unspooling.” **** – Downbeat Magazine\n• “Sofisticanti tentativi di fourth world music che da Hassell portano alle vibrazioni contemporanee di Natural Information Society” – Blow Up Magazine \nhttps://bit.ly/bandcamp-wjlp77\nhttps://bit.ly/spotify-wjlp77\n \nThe Shape of Uncertainty – Phantanoise© Kollektiv feat. Ayşe Deniz Birdal\nNo script\, no safety net — only the fragile geometry of sound unfolding in the moment.\nThe Phantanoise© collective creates sonic spaces between structure and dissolution\, between resonance and resistance. Electronics\, B-flat clarinet\, soprano saxophone\, trumpet\, bass\, percussion\, and cello intertwine to form a vibrant fabric of tension and silence.\nFree improvisation as a collective process – immediate\, risky\, open to whatever emerges. \nGero von Randow – electronics\nPalatinszky Márton – bass clarinet\, soprano saxophone\, percussion\nHelmut Steininger – trumpet\nMilan Konrad – bass\nPhantanoise© artist – electronics\nGuest: Ayşe Deniz Birdal – cello \n“Die Form der Ungewissheit”
URL:https://www.phantanoise.com/event/berke-can-ozcan-jonah-parzen-johnson-phantanoise-kollektiv-feat-ayse-deniz-birdal/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251111T200000
DTEND;TZID=Europe/Vienna:20251111T220000
DTSTAMP:20250822T084055Z
CREATED:20250822T084055Z
LAST-MODIFIED:20250822T084055Z
UID:10000202-1762891200-1762898400@www.phantanoise.com
SUMMARY:Phantanoise plays the TERRA
DESCRIPTION:plus another Artist – tba \nPhantanoise© Artist Solo with his SOMA TERRA \n 
URL:https://www.phantanoise.com/event/phantanoise-plays-the-terra/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251107T200000
DTEND;TZID=Europe/Vienna:20251107T220000
DTSTAMP:20251027T113805Z
CREATED:20251027T113805Z
LAST-MODIFIED:20251027T113805Z
UID:10000418-1762545600-1762552800@www.phantanoise.com
SUMMARY:Pet Retina & I.O.
DESCRIPTION:more infos soon…
URL:https://www.phantanoise.com/event/pet-retina-i-o/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251104T200000
DTEND;TZID=Europe/Vienna:20251104T220000
DTSTAMP:20251027T113657Z
CREATED:20251027T113657Z
LAST-MODIFIED:20251027T113657Z
UID:10000417-1762286400-1762293600@www.phantanoise.com
SUMMARY:SJi Youn Kang & Clara de Asís | Luc Döbereiner & Leonie Strecker | Vanessa Scarpaccini & Ayşe Deniz Birdal
DESCRIPTION:This evening consists of three sets: \nJi Youn Kang\nA performance as a live construction of an unstable sonic machine\, circuits\, metal plates\, and electromagnetic feedback form a system where sound emerges from shifting relations between material\, performer\, and signal. Through acts of tinkering\, the piece reveals the hidden vitality of matter and its dynamic behaviors. \nJi Youn Kang is a composer and performer of electronic and instrumental music. Her work often draws from Korean shamanistic traditions while exploring spatial sound and handmade electronics. She teaches at the Institute of Sonology in The Hague and performs internationally. \n– Clara de Asís & Luc Döbereiner\nThe duo unfolds reduced sound textures with synthetic (analog and digital) sources\, moving between isolated harmonic states and noise. The music emphasizes spatiality\, the materiality of listening and sound reproduction\, and the interplay between reduction and multiplicity of sound sources. \nClara de Asís is an artist and composer working with electronics\, objects\, and instruments to investigate listening\, perception\, and social-material contexts. She creates works of different formats encompassing performance\, audio pieces and installations. \nLuc Döbereiner is a composer\, musician and researcher exploring the fragility and materiality of sound\, often using generative processes and synthesis. \n– Leonie Strecker\nIn her solo performance\, Strecker explores presence\, absence\, and memory through concrete and synthetic sound\, evoking ambiguous meanings and creating spaces for individual and collective listening. \nLeonie Strecker is a composer and sound artist based in Vienna. Her work includes electronic and electro-acoustic music\, compositions for soloists and ensembles\, as well as performances and installations. She explores ideas around the hybridity of form\, presence and absence\, the connection of memory and experience\, and the meaning of concrete and synthetic sound. \nAyşe Deniz Birdal (Istanbul\, 1996) started studying at the Istanbul University State Conservatory at age 10. She continued her studies with Julius Berger in Augsburg. She won first place in the Rudolf Matz Strings Competition and second place in the International Johan Andreas Stein Strings Competition\, where she played\, among others\, her own composition Sky-Cut.\nBirdal played multiple festivals\, including the Menuhin Festival Gstaad String Academy and the Kronbeg Academy Cello Festival\, and played as a soloist with the Kaunas Philharmonic Orchestra\, among others.\nShe has a strong interest for contemporary classical music and music from her home country. She is also an enthusiastic improviser.\nWith her artistic identity\, she is building a bridge between genres and cultures\, to express her identity as a human being and a woman who migrated from Turkey through Europe to pursue an artistic career\, and to narrate her experience through life and cultures. \nVanessa Mattei Scarpaccini (2004) is an Italian-Polish dance artist currently based in Florence. She collaborates with Sosta Palmizi and develops her own choreographic work. Her practice moves through improvisation\, composition and interdisciplinary dialogue — working with musicians and visual artists across Europe. \nShe has performed in works by choreographers such as Virgilio Sieni\, Natalia Di Cosmo\, and Paulina Rewucka\, and is part of the improvisation collective FREE FORMS OF ART. \nVanessa trained between Florence and Vienna\, with formative experiences also in Germany\, Belgium\, and Spain. Alongside her artistic practice\, she is currently studying philosophy.
URL:https://www.phantanoise.com/event/sji-youn-kang-clara-de-asis-luc-dobereiner-leonie-strecker-vanessa-scarpaccini-ayse-deniz-birdal/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251026T200000
DTEND;TZID=Europe/Vienna:20251026T220000
DTSTAMP:20250927T064115Z
CREATED:20250927T064028Z
LAST-MODIFIED:20250927T064115Z
UID:10000408-1761508800-1761516000@www.phantanoise.com
SUMMARY:Kvadrata Supro | Alexander Babikov & Valentin Duit
DESCRIPTION:Trio Kvadrata Supro was formed in 2021 as an improvisational group based on double wind instruments – mainly saxophones and clarinets – and a rhythmic system made up of drums and vibraphone. The fabric of their music unfolds in the polarity between trance-eruptive free jazz with various folkloric atavisms and free improvisation with elements of minimalism and ambient. For the autumn tour in 2025 the group invited Hungarian double bassist and composer Ernö Hock to collaborate\, who straddles jazz\, folklore\, experimental rock and free improvisation. \nErnö Hock (H) – bass \nElia Moretti (I) – drums\, vibraphone\nhttps://database.shareimpro.eu/en/person/elia-moretti \nMichal Hrubý (CZ) – tenor saxophone\, clarinets\, flutes\nmichalhruby.bandcamp.com \nZdeněk Závodný (CZ) – saxophones\, clarinet\nhttps://frisk.band \n____ \nValentin Duit & Alexander Babikov
URL:https://www.phantanoise.com/event/kvadrata-supro-alexander-babikov-valentin-duit/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251018T200000
DTEND;TZID=Europe/Vienna:20251018T220000
DTSTAMP:20250927T063851Z
CREATED:20250927T063851Z
LAST-MODIFIED:20250927T063851Z
UID:10000407-1760817600-1760824800@www.phantanoise.com
SUMMARY:Matthew Ryals
DESCRIPTION:Matthew Ryals is an award-winning synthesist and composer-improviser based in New York. Working primarily with modular synthesizer\, his music explores improvisation\, generative composition\, cybernetics\, and experiments in archiving. Recognized for his tactile approach to synthesis and innovative use of esoteric techniques\, Ryals’ recent accolades include a ’22-’23 New Music USA Award and a ’21 IEA Electronic Media Residency. He has released music on Oxtail Recordings\, sound as language\, SØVN\, 3OP\, and more. He also co-curates the Brooklyn experimental music series Artifact.
URL:https://www.phantanoise.com/event/matthew-ryals/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251012T200000
DTEND;TZID=Europe/Vienna:20251012T220000
DTSTAMP:20250927T063746Z
CREATED:20250927T063746Z
LAST-MODIFIED:20250927T063746Z
UID:10000406-1760299200-1760306400@www.phantanoise.com
SUMMARY:Blumer & Dell & Geisser & Morgenthaler | Guilio Stermieri
DESCRIPTION:Robert Morgenthaler – Trombone\nChristopher Dell – Vibraphone\nFridolin Blumer – Bass\nHeinz Geisser – Drums & Percussion \nBlumer-Dell-Geisser-Morgenthaler bilden die Realität durch musikalische Handlungen\, deren Folgen nicht vorhersehbar sind ab und lassen so ein Spiegelbild der menschlichen Existenz erklingen.\nDie grosse Suggestionskraft der Musik steht im direkten Verhältnis zu der Stärke\, mit der sie konzipiert ist und ist bedingt durch die Feinheit und Freiheit der Sinne der vier Musiker\, welche die Beziehung zwischen der individuellen und der kollektiven Identität ausloten.\nAlle Musiker gehören seit langem zur europäischen Jazz- und Improszene: Morgenthaler\, Blumer und Geisser erschaffen im Ensemble 5 seit über 10 Jahren neue Klangwelten\, Dell kreiert mit seinem Kollektiv Dell-Lillinger-Westergaard “neue Neue Musik”. Das Quartett ist aus der Zusammenarbeit von Ensemble 5 und Christopher Dell entstanden\, welche auf dem Album „The Human Factor“ (Hat Hut) dokumentiert ist.Nach einer Tournee und Aufnahmen im Herbst 2024 ist die Band im Oktober 2025 wieder in Deutschland\, der Schweiz und Österreich unterwegs\, im Gepäck das neue Album “Beyond Scope” (Hat Hut). \nGiulio Stermieri – Farfisa organ\, toy piano\, sampler \nGiulio Stermieri is a pianist\, keyboard player\, and composer. His musical path merges his love for the African American piano tradition and improvisation with a focus on timbral exploration of piano and electronics. His work honors the present moment as the privileged dimension for an artist-listener communication. He also explores the way musical material affects form\, following the instant composing utopia. Fort Da\, Stermieri’s solo performance\, is rooted in these beliefs; the Farfisa organ and the sampler become a living machine\, together suggesting new creative trajectories. Fragmented melodies appear and disappear\, rising from the contemplation of simple sonic stratifications or sinking into polyrhythmic trance\, revealing a game in which we can experience the symbolic value of repetition.
URL:https://www.phantanoise.com/event/blumer-dell-geisser-morgenthaler-guilio-stermieri/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251009T193000
DTEND;TZID=Europe/Vienna:20251009T220000
DTSTAMP:20250927T064416Z
CREATED:20250804T153235Z
LAST-MODIFIED:20250927T064416Z
UID:10000021-1760038200-1760047200@www.phantanoise.com
SUMMARY:Free Forms of Arts 2510
DESCRIPTION:ein freier dialog der kreativen : tänzerinnen\, musikerinnen\, malerinnen\, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;\n-> frei im sinne von in „augenhöhe\, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“\, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien\, offenen\, kreativen dialog aussetzen wollen.\n-> JUST MUSIC ist teil der internationalen FREE FORMS bewegung. \nEach and every month the Free Forms of Arts collective meets for free improvising more: https://www.freeformsof.art \n 
URL:https://www.phantanoise.com/event/free-forms-of-arts-2510/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Session,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251004T200000
DTEND;TZID=Europe/Vienna:20251004T220000
DTSTAMP:20250927T064233Z
CREATED:20250927T063616Z
LAST-MODIFIED:20250927T064233Z
UID:10000405-1759608000-1759615200@www.phantanoise.com
SUMMARY:Sapient Paradox Duo (Christopher Cox & Zeynep Sarikartal) | Shoz
DESCRIPTION:Born in Los Angeles and raised in Northern California\, trombonist Christopher Robin Cox has performed creative music since 1987. Combining multiphonics\, split-tones\, and electronics\, Cox has begun to build his own approach that is at once ambient and saturated. He has worked with legendary blues\, funk\, and hip-hop artists\, as well as a long list of creative improvisers like Marco Eneidi\, Glenn Spearman\, George Cremaschi\, Elliot Humberto Kavee\, Jason Robinson\, Damon Smith\, and many others. After returning from a long hiatus\, Cox moved to Budapest in 2019\, where he has worked with Aram Shelton\, Miklos Szylveszter\, Robert Benkő\, and Franz Hautzinger. His trio with bassist Péter Ajtai and drummer Attila Gyárfás is in high demand in Hungary. In the Spring\, he plans to perform in Germany and Italy and will tour the West Coast of the United States with Transient a.k.a. David R. Molina. \n​Zeynep Sarıkartal\nis a sound-artist\, improviser and researcher. She studied classical Piano in Ankara Bilkent Music School\, had her Bachelor from Musicology in Istanbul Yildiz Technical University and her MA in University of Vienna in Ethnomusicology. Since 2010 she is based in Vienna and works as composer\, improviser and sound artist in theater\, film and multimedia projects\, curates events\, publishes articles\, performs under the moniker ZS ZS. She mostly collaborated with musicians from the fields of experimental\, noise\, flashcore\, extratone and other related genres. From 2016 on\, she started to develop creative research projects that focuses on the concept of social death. ZS ZS live performances are about exploring and merging harsh\, rhythmical and atmospheric soundscapes together with text and field recordings within a dramaturgical concept. \nShoz \nis a sound artist based in the Shenandoah Valley of Virginia (USA) and their work explores relationship to Place and spirit. Starting on a foundation of field recordings\, their pieces are expressions of embodied connection to a location\, stratifying textures of site-specific channelled melody and movement in various instrumentations\, digital processing\, and rhythms made from environmental sounds. Their work addresses issues of dis/connection guided by the intention to develop and strengthen relationship to the emergent knowing alive in collaboration with The Unseen\, creating containers for presence both individually and collectively.
URL:https://www.phantanoise.com/event/sapient-paradox-duo-christopher-cox-zeynep-sarikartal-shoz/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250928T200000
DTEND;TZID=Europe/Vienna:20250928T220000
DTSTAMP:20250925T140149Z
CREATED:20250821T071704Z
LAST-MODIFIED:20250925T140149Z
UID:10000191-1759089600-1759096800@www.phantanoise.com
SUMMARY:Hanousek\, Årdestrup\, Jorgen | Adriano Cava
DESCRIPTION:Adriano CavaPlaying with phonography to shape NoFi environments. Adriano Cava play “mikrokosmos” in a low-volume listening ground aired by a self-assembled\, cheap multi-speakers system.\n\n\nThis trio was put together in early 2024 by bassist Jonathan Aardestrup who had found a great connection with both the other players.Since Peter Ole and Jonathan already had joined forces as a duo and facilitated meetings with international guests in Denmark and internationally\, in February they invited the Czech saxophonist Radim Hanousek and that was a magical music meeting. The 3 had an instant connection and played 4 concerts for much pleased audiences around Denmark. In October the trio had a small tour in Czech and Austria with similar reactions.These days we are finishing a live album of the recordings in Denmark\, are planning to record a studio album this spring and are organizing another tour to central Europe in October 2025.\nRadim Hanousek – sopranosax & bassclarinet\nJonathan Aardestrup – bass\nP.O.Jorgens – drums\n(vekks – fb)
URL:https://www.phantanoise.com/event/hanousel-ardestrup-jorgen-adriano-cava/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
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END:VCALENDAR