• Steve Bates, knuRRhahn

    kv.r Hernalser Hauptstraße 86, Wien, Wien, Austria
    Concert

    Steve Bates Steve Bates is an artist and musician. Through his work he listens to thresholds, boundaries and borders, points of contact and conflict. Information and signal feed back onto themselves creating new situations and events. Sometimes unpredictable and chaotic, at other times this same feedback is used as a way to provide stability. The […]

  • Minten & González, Kasho Chualan & Ivar Roban Krizic & Thomas Grill

    kv.r Hernalser Hauptstraße 86, Wien, Wien, Austria
    Concert

    Minten & González This duo starts from the desire to create a common language beyond any aesthetic line or tradition, as well as from the conviction that musical understanding goes beyond these categories. In this project Luz González (live electronics) and Rebecca Minten (bass clarinet) provoke and support each other in equal parts by the […]

  • Matthew Ryals, Neda Rimaitè

    kv.r Hernalser Hauptstraße 86, Wien, Wien, Austria
    Concert

    Matthew Ryals is a NYC-based synthesist and composer-improviser. He has released four studio albums and a series of EPs on 3OP, SØVN, and dingn\dents. His newest album, Exalge, was released on Infrequent Seams in fall 2025. Matthew performs internationally and was recently featured on High Zero Festival 2025 and Ex Nihilo Festival. He has collaborated […]

  • RUG

    kv.r Hernalser Hauptstraße 86, Wien, Wien, Austria
    Concert

    RUG consists of internationally renowned jazz drummer Hari Ganglberger and composer for contemporary music and guitarist Mario Bergamasco. The duo operates at the interface between New York School Minimal and an updated expression of Krautrock. https://rugmusic1.bandcamp.com/album/dark-matter Fri, 10.7.2026 Doors: 19:30 · Start: 20:30

  • Workshop with Luc Döbereiner: Composing Thresholds – Digital Synthesis with Feedback, Nonlinearity, and Chaos

    kv.r Hernalser Hauptstraße 86, Wien, Wien, Austria

    Registration: Please register by email at info@kvr.or.at. For musicians, feedback and nonlinearity are productive because they make systems behave less like tools and more like material. Instead of simply carrying out instructions, these systems develop tendencies, thresholds, and instabilities of their own. They invite a musical practice based less on control than on setting conditions […]