Kaplan-Valencia dúo brings together two distinctive voices from the international free improvisation scene: María Valencia (alto saxophone and clarinet) and Leonel Kaplan (cornet, trumpet). Drawing on decades of combined experience across Latin America, Europe, and the United States, the duo creates a live performance rooted in spontaneous interaction, extended techniques, and a shared sensitivity to […]
La Cuerda y el Grito La Cuerda y el Grito, translated as “The String and the Scream”, is a multidisciplinary performance that blends contemporary music, free improvisation, body, and object. Yuko Cornale and Sofía Escamilla work from a place of depth and in the quest for the intangible – each from a different language: one […]
Die aus Brüssel stammende Pianistin Anaïs Tuerlinckx zog 2008 nach Berlin und ist seitdem Teil der lebendigen und vielseitigen berlinischen Musikszene, die sich der Improvisation widmet. In Ihrer Arbeit erforscht Anaïs Tuerlinckx das Innenklavier. Ihre musikalischen Wurzeln hat Anaïs Tuerlinckx in der freien Improvisation und lässt sich von der Ästhetik der zeitgenössischen Musik, des Free […]
Two trumpets, two very diferent approaches: one electronic, the other acoustic. While Collins works with a computer program and cobbled hardware, Ulher uses metal sheets, radios, milk frothers and other everyday objects. The diametrically opposed sound production leads to oddly similar sonic results. Concerts in Berlin, at blurred edges festival in Hamburg, Ensemblia Festival in […]
Susanna Gartmayer – SPEICHER 12 Stücke für Bass und Kontraaltklarinette Livekonzert Präsentation Partituren & Plattencover & Hörstation Testpressung Die CD erscheint im Dezember 2026 auf relative pitch (NY) und die LP 2027. Susanna Gartmayer studierte Malerei und Druckgrafik und arbeitet seit Anfang der 2000er Jahre als Bassklarinettistin und Komponistin in diversen Feldern der Experimentalmusik. Sie […]
Free improvisation trio Rapid Zen crafts an unexpected sonic dimension that constantly reshapes itself between chaotic and meditative collages. Thru layers of turntablism, extended double bass, inventive percussion and fragmented vocal interventions, RZ interacts fluently standing far from any predictable label. Since 2024 Rapid Zen is active in the avant garde jazz and free improvisation […]
Mit Steve Bates · Martin Brandlmayr · Stephanie Casonguay · Gabriela Gordillo · Michaela Grill · Christof Kurzmann · Mark Molnar · Noid · Sophie Trudeau · Elizabeth A. Vagagic · Sara Zlanabitnig What’s up Vienna! What’s up Montréal! ist eine kulturübergreifende Veranstaltungsreihe und Multimedia-Festival, das Wien und Montréal als lebendige Zentren experimenteller Musik, Klangkunst, […]
Mit Steve Bates · Martin Brandlmayr · Stephanie Casonguay · Gabriela Gordillo · Michaela Grill · Christof Kurzmann · Mark Molnar · Noid · Sophie Trudeau · Elizabeth A. Vagagic · Sara Zlanabitnig What’s up Vienna! What’s up Montréal! ist eine kulturübergreifende Veranstaltungsreihe und Multimedia-Festival, das Wien und Montréal als lebendige Zentren experimenteller Musik, Klangkunst, […]
Sylvia Bruckner (Konzert) · Oleg Soulimenko & Franz Hautzinger (Performance) · Jonah Parzen-Johnson & Lau Nau (Konzert)
Yii Laura Zöschg: Stimme Luka Zabric: Altsaxophon Yii consists of two individuals that meet each other in a world of strange, surreal dreams, where narratives take unexpected turns and somehow familiar faces remain unknown. Wandering through these outlandish realms, they find their bearings with nothing but each other to relate to, while their set course […]
Eli Wallace solo: präpariertes Klavier Pianist/improviser/composer/sound artist Eli Wallace approaches every facet of his musical endeavors (whether playing solo piano, interpreting compositions, or improvising/creating with others) with a singular intensity and attention to detail. For this solo piano concert, Wallace will play an extended, uninterrupted improvisation. When playing alone, he marries his instinct for visceral […]
Lisa Ullén: Klavier AFTER SUN 2.0 “My music reflects a musical practice spanning three decades. I make music that does not really belong to any known genre, but shifts between, through and outside various idioms — jazz, new music, and more — until a distinct genre nevertheless emerges. This is music that stems from an […]