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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251026T183000
DTEND;TZID=Europe/Vienna:20251026T213000
DTSTAMP:20250814T163542Z
CREATED:20250814T163542Z
LAST-MODIFIED:20250814T163542Z
UID:10000069-1761503400-1761514200@www.phantanoise.com
SUMMARY:Organ Sequences XXVIII
DESCRIPTION:Frank and Zeynep Ayşe Hatipoğlu at Taborkirche – Kreuzberg. \nZeynep Ayşe Hatipoğlu performs with cello\, electronic processes\, sound recording\, and voice\, moving between free improvisation and composition. Background is rooted in Istanbul: Turkish Makam music\, Eurogenetic classical music\, experimental\, and sonic practices. Music switches between musical genres\, creating through gestural and embodied movements of textural acoustic and electroacoustic sounds. \nAside from performing-composing practices\, interested in the social dynamics of musical acts as a creative\, interpretative way of synchronization\, exploring ‚oneness with others‘ and fostering small-scale supportive communities. Holds a PhD from Istanbul ITU MIAM on improvisational playful thinking as a tool for supporting creative communities. Lives and works in Berlin since 2023.
URL:https://www.phantanoise.com/event/organ-sequences-xxviii/
LOCATION:Taborkirche Berlin Kreuzberg\, Taborstraße 17\, Berlin\, Berlin-Kreuzberg\, 10997\, Germany
CATEGORIES:Berlin
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251005T150000
DTEND;TZID=Europe/Vienna:20251005T163000
DTSTAMP:20250908T090203Z
CREATED:20250908T090203Z
LAST-MODIFIED:20250908T090203Z
UID:10000360-1759676400-1759681800@www.phantanoise.com
SUMMARY:Trans-traditionelles Encounter IV: Mikrotonalität
DESCRIPTION:Grégoire Simon | Viola\nTilmann Dehnhard | Flöten\nBassem Alkhouri | Kanun\, Stimme\nMohamad Fityan | Nay\, Kawala\nMatthew Bookert | Tuba\nHindol Deb | Sitar\nAzin Zahedi | Santoor\nCedric Fermont | Gast\nCatherine Lamb | Gast\nCymin Samawatie | Ko-Kreative\nKetan Bhatti | Ko-Kreativer\n\nQuestions of tonality and mood are central to all musical traditions. How instruments are tuned determines what kind of music can be heard and which instruments can play together. The dogma of tuning defines a tonal space that belongs to tradition and characterizes that which lies outside it.\nIn the fourth encounter of its trans-traditional music laboratory\, the Berlin Trickster Orchestra\, together with its guests\, focuses on the microtonal realm. The potential and possibilities this offers for trans-traditional practices\, whose goal is a music that values ​​and acknowledges different traditions and simultaneously seeks a “third” that is neither one’s own nor foreign.\nThe Trickster Orchestra’s trans-traditional music laboratory is a public\, experimental\, and future-oriented working process\, which the audience is invited to experience live from the very beginning. Together with changing guests\, the Trickster Orchestra embarks on an artistic journey of discovery with an uncertain destination\, presenting the latest findings and musical experiments surrounding trans-traditional contemporary music practice in workshop concerts.
URL:https://www.phantanoise.com/event/trans-traditionelles-encounter-iv-mikrotonalitat/
LOCATION:Akademie der Künste\, Hanseatenweg 10\, Berlin\, Berlin - Tiergarten\, 10557\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251001T200000
DTEND;TZID=Europe/Vienna:20251001T220000
DTSTAMP:20250908T085815Z
CREATED:20250908T085815Z
LAST-MODIFIED:20250908T085815Z
UID:10000358-1759348800-1759356000@www.phantanoise.com
SUMMARY:TOPO11 Liberatori // 나이테 – [na̠itʰe̞]
DESCRIPTION:The term TOPO comes from “topology\,” a concept that deals with the deformation of spaces. TOPO stands for the creation of sonic spaces that emerge through improvisation in the resonance between musicians and audience and that continually change while always preserving their core qualities. \nligialiberatori.net\nandreasvoccia.de/naite
URL:https://www.phantanoise.com/event/topo11-liberatori-%eb%82%98%ec%9d%b4%ed%85%8c-na%cc%a0it%ca%b0e%cc%9e/
LOCATION:Zwitschermaschine\, Potsdamer Straße 191\, Berlin\, Berlin\, 10783\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250929T210000
DTEND;TZID=Europe/Vienna:20250929T233000
DTSTAMP:20250823T154201Z
CREATED:20250823T153647Z
LAST-MODIFIED:20250823T154201Z
UID:10000271-1759179600-1759188600@www.phantanoise.com
SUMMARY:Experimontag Noctiluca + Antti Virtaranta & Blandine Casen + Anaïs Tuerlinckx (DJ-Set)
DESCRIPTION:Noctiluca\nImpro / Experimental – Japan/Berlin \nNoctiluca – Yakochu – is a Berlin based band. \nIt formed in 2018\, and consists of electronics musicians who perform effects with guitar\, keys\, and analog hardware synths. \nTheir sounds blend into one canvas like an endless abstract drawing that consistently but slowly evolve into another abstraction. \nhttps://noctiluca.bandcamp.com/ \nAntti Virtaranta & Blandine Casen\nImprovised music and visuals / Berlin \nAntti’s solo set is a combination of acoustic drones and colorful textures with a sprinkling of electronic bleeps and bloops. \nThis\, complimented by Blandine’s live manipulated visuals takes the audience on a haunting and beautiful journey through vivid visuals and sounds. \n \n \nhttps://avirtmusic.weebly.com \nhttps://www.facebook.com/antti.virtaranta/ \nhttps://www.facebook.com/blanchebln/ \nhttps://www.instagram.com/anttivirtaranta/ \nhttps://www.instagram.com/blanchebln/ \n  \nAnaïs Tuerlinckx (DJ-Set)\nExperimental\, contemporary\, free improvisation\, music concrète \nhttps://lyl.live/episode/chambre-de-visite-1 \nhttps://www.anaistuerlinckx.com/ \n 
URL:https://www.phantanoise.com/event/experimontag-noctiluca-antti-virtaranta-blandine-casen-anais-tuerlinckx-dj-set/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250926T200000
DTEND;TZID=Europe/Vienna:20250926T210000
DTSTAMP:20250908T085207Z
CREATED:20250908T085207Z
LAST-MODIFIED:20250908T085207Z
UID:10000355-1758916800-1758920400@www.phantanoise.com
SUMMARY:Friday Evening Improvisation at Cemetery Chapels
DESCRIPTION:Ufuk Elik | Bağlama\nUlrike Ruf | Cello\nZeynep Ayse Hatipoglu | Cello\nIgnaz Schick | Saxophone\n\nFriday Evening Improvisation at Cemetery Chapels is a four-part concert series in May\, June\, July\, and September 2025. Featuring musicians from Berlin’s Echtzeitmusik scene and international guests\, each concert takes place in a different cemetery chapel of the Evangelical Cemetery Association Berlin Mitte\, exploring these unique spaces as spaces for improvisation. Curated by Zeynep Ayse Hatipoglu & Ulrike Ruf
URL:https://www.phantanoise.com/event/friday-evening-improvisation-at-cemetery-chapels/
LOCATION:Friedhof Sophien II\, Bergstraße 29\, Berlin\, Berlin\, 10115\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250922T210000
DTEND;TZID=Europe/Vienna:20250922T233000
DTSTAMP:20250823T153357Z
CREATED:20250823T153357Z
LAST-MODIFIED:20250823T153357Z
UID:10000207-1758574800-1758583800@www.phantanoise.com
SUMMARY:Experimontag Johannes Elnan + Gabriel Zucker + Forest Gimp (DJ-Set)
DESCRIPTION:Johannes Elnan\nFree-improvised music / Oslo\, Norway \nJohannes Elnan\, an ambitious bassist and improviser from Norway currently based in Oslo\, is a musical wildcard with a toe dipped in almost everything. \nAt a young age\, Elnan has established himself as a remarkable musician\, known for his expressive improvisations and commanding presence. \nAs of recent he has gotten attention for a series of convincing solo concerts\, as well as collaborations with musicians such as; Paal Nilsen-Love\, Ståle Liavik Solberg\, Amalie Dahl\, Gilbert Holström\, Ketija Ringa\, Per Texas Johansson\, Frederik Ljungkvist and Lisa Ullén. \nhttps://www.facebook.com/johannes.midbrodelnan \nhttps://www.instagram.com/johannes.elnan \nGabriel Zucker\nExperimental / New York City \nGabriel Zucker is a songwriter\, composer\, pianist\, multi-instrumentalist\, and polymath from New York\, whose work combines maximalist compositions\, intimate songwriting\, virtuosic metric complexity\, innovative production\, and the progressive improvisation of New York’s creative music scene. \nAt Madame Claude\, Zucker presents a wide-ranging and immersive solo set for synth and voice. \ngabrielzucker.com \ninstagram.com/gabriel.zucker \n 
URL:https://www.phantanoise.com/event/experimontag-4/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250917T203000
DTEND;TZID=Europe/Vienna:20250917T230000
DTSTAMP:20250908T164051Z
CREATED:20250817T125821Z
LAST-MODIFIED:20250908T164051Z
UID:10000180-1758141000-1758150000@www.phantanoise.com
SUMMARY:Experimentik #86 Rizzo\, Hartmann\, Lamb
DESCRIPTION:doors: 20:00 | concert: 20:30 no entry during sets\n3 x solo:Luciana Rizzo – feedbacks\nHanna Hartman – amplified objects\, electronics\nCatherine Lamb – viola\, electronics\n\nadmission: suggested donation 8-12 € at the door\nA monthly series for experimental music at tik / Rigaerstr.77\, 10247 Berlin. curated by Seiji MorimotoExperimentik 2024 – Networking – is kindly supported by inm – initiative neue musik berlin / field notes\n  \nexperimentik.berlin@gmail.com
URL:https://www.phantanoise.com/event/experimentik-86-rizzo-hartmann-lamb/
LOCATION:theater im kino\, Rigaer Straße 77\, Berlin\, Berlin\, 10247\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250913T190000
DTEND;TZID=Europe/Vienna:20250913T220000
DTSTAMP:20250908T161122Z
CREATED:20250908T081054Z
LAST-MODIFIED:20250908T161122Z
UID:10000347-1757790000-1757800800@www.phantanoise.com
SUMMARY:Gorgone- Church Organ meets Electronics
DESCRIPTION:Andreas Voccia – SynthesizerCéline Voccia – Church Organ\nThe duo GORGONE\, composed of Andreas Voccia and Céline Voccia\, combines elements of historical and contemporary sound. Céline Voccia plays the church organ\, while Andreas Voccia uses a modular synthesiser to generate electronic sounds. In their abstract improvisations\, they merge the sound characteristics of both instruments\, resulting in music that is spontaneous\, detailed\, and texturally diverse. Their pieces are structurally complex and dynamic\, often departing from conventional rhythmic patterns. The result is a multi-layered auditory experience that encourages attentive listening and reflection.\nconcert 7pm sharpduration 60min\nKirche Zur frohen BotschaftWeseler Str. 6\, 10318 Berlin\nPart of the Month of Contemporary Music 2025
URL:https://www.phantanoise.com/event/gorgone-church-organ-meets-electronics/
LOCATION:Kirche Zur frohen Botschaft\, Weseler Str. 6\, Berlin\, Berlin\, 10318\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T200000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20250823T155440Z
CREATED:20250823T155440Z
LAST-MODIFIED:20250823T155440Z
UID:10000284-1757707200-1757714400@www.phantanoise.com
SUMMARY:Convergence IX
DESCRIPTION:CONVERGENCE IX\, an evening of immersive performances where sound\, text\, and visuals interweave to create a unique sensory experience.\nFor our ninth edition\, we welcome visual artist Keiji Matsuoka from Japan who will perform with musician Makoto Sakamoto. drusnoise & Erbse will present their performance piece ‘Can you hear the Earth breathing?’\, framed around improvisation\, dissolving human-nature boundaries\, and decentering the western concept of ‘the human’ in performance. Rounding off the evening are the collective akademische Noise\, hoch qualifiziertes Poetry (Laura Leiner\, Rocío Rodríguez and Elsye Suquilanda)\, and Kross Collective co-founder MIRE.\n// Tickets €6- available at door or pre-book via link\nKeiji Matsuoka\nA visual artist from Japan. Focusing mainly on the fluid movement of liquids\, he creates improvised visual performances that project live drawings using paper\, wire\, brushes\, glass and other objects. The flow and mixing of liquids is full of chance and improvisation\, and he has collaborated with many musicians\, dancers and performers both in Japan and abroad. His unique theme of ambiguous boundaries allows him to express unconscious sensations and changes in consciousness. In his solo performances\, he performs visual and sound simultaneously in a style he calls “Drawing Drone.”\nhttps://www.youtube.com/@keijimatsuoka-nuee\nhttps://www.instagram.com/keijimatsuoka_/\nMakoto Sakamoto\nMakoto Sakamoto is a Japanese sound artist and improvisational performer based in Berlin\, working at the intersection of electronic and experimental music. He explores the relationship between sound\, space\, and human perception\, often using real-time synthesis across multiple hardware synthesizers. His improvisational approach invites people unexpected incidents\, blending waveforms and electronics sound textures into tactile\, raw sonic experiences. This method emphasizes the immediacy and physicality of sound\, resulting in performances and compositions that are both responsive and immersive.\nhttps://makotosakamotorecordings.bandcamp.com/\nhttps://www.instagram.com/makoto_sakamoto_recordings/ \nMIRE\nMIRE is the sound project of Berlin-based multidisciplinary artist Andreea Hriscu\, co-founder of Kross Collective. Working across dark ambient\, drone\, and noise\, MIRE sculpts long-form\, improvised compositions using synthesizers\, computer processes\, and field recordings. The result is immersive soundscapes shaped like fluid architecture — both intimate and immense\, suspended between industrial decay and subaquatic stillness.\nDescribed as “music forged in flooded ruins” and “a jagged key to a utopian mirage\,” MIRE’s sonic world shimmers with tension between structure and entropy\, silence and obliteration. Releases include “We Left No Message” (LOUDsilence) and “All That Time” with Grabschlamm (ArrhythNia)\, alongside over a dozen independent works. Past performances span Convergence\, Hosek Contemporary\, and Poetic Hafla — with each act an ephemeral organism\, whispered once\, then gone.\nhttps://www.instagram.com/mire.berlin/\nhttps://mire-berlin.bandcamp.com/music\nhttps://www.youtube.com/@mire-berlin \nakademisches Noise\, hoch qualifiziertes Poetry\nakademisches Noise\, hoch qualifiziertes Poetry born by way of rebellion\, has its roots to manifest the opposite to the “established” enjoyment through noise\, punk\, rock\, mantras\, sounds\, immersed with live audiovisual work creating different scenarios where the viewer will be transported to different universes of the hand of posthumanist poetry recited and sung in multilanguage\, including animal language\, voices and movements of all of us.\nhttps://soundcloud.com/…/akademisches-noise-hoch…\nElsye Suquilanda\nElsye Suquilanda is a posthumanist poet\, filmmaker and performance artist\, co-creator of the Dogsofia Chichoismo. Her art raises awareness about human and animal rights as well as the natural environment. Rituals\, courage\, reality-fantasy\, humor intertwined with unique costumes\, audiovisuals\, chants embracing different rhythms such as chanson\, punk\, metal\, rock\, pasillo\, techno\, noise\, ska\, mantras.\n\nhttps://elsyesuquilanda.bandcamp.com/…/lensi-lusikka…\n\nhttps://www.literaturport.de/wab/person/elsye-suquilanda/en/\nLaura.aLL\nLaura.aLL is a guitarist\, experimental composer and curator. As well as playing guitar in different contexts\, ranging from ambient music\, noise and trip rock\, she works with diverse experimental settings\, exploring the sound of strings\, objects or public spaces\, using effects\, synthesizers\, field recordings or recycled instruments. \nHome \n\nhttps://lauraall.bandcamp.com/\nhttps://mipv-musik.com/\nhttps://mipv.bandcamp.com/\nRocío Rodríguez\nRocío Rodríguez is a video artist and videographer specializing in performance. She began her academic journey studying dance\, followed by film and communication\, ultimately earning a Master’s degree in Philosophy and Culture. Her work investigates the intersection of live performance with innovative techniques and technologies\, aiming to expand the ways in which performance can be experienced audiovisually.\n\n \ndrusnoise & Erbse\nErbse (no/ all pronouns) is active in the fields of visual arts\, music\, dance and philosophy\, is queerfeminist\, is learning\, exploring and experimenting\, attempting to create interconnectivity and a blurring of boundaries as resistances. Erbse is based in Berlin and Bremen and currently prefers to work with dance and social sculptures. Steve Williams aka drusnoise is a live\, electronic music producer\, sound artist and curator of sustain.fm. drusnoise integrates analog modular synthesizers with digital FX and organic samples to create a style that flows from lush ambient tones to gritty techno. Known in the outside world as Dr. Steve Williams\, his academic work includes conducting and publishing research on sustainable energy transition\, energy justice\, and sociomaterial acoustic methods in Canada\, Germany\, Norway\, and Sweden\nhttps://www.instagram.com/drusnoise/\nhttps://www.instagram.com/ochjoa/
URL:https://www.phantanoise.com/event/convergence-ix/
LOCATION:kross collective\, Veteranenstraße 21\, Berlin\, Berlin\, 10119\, Germany
CATEGORIES:Berlin,Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T190000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20250904T182907Z
CREATED:20250904T182506Z
LAST-MODIFIED:20250904T182907Z
UID:10000323-1757703600-1757714400@www.phantanoise.com
SUMMARY:Sommes-nous fous?
DESCRIPTION:sound art – electroacoustic action -sound poetry/ exp.poetry – movementFriday – September 12thdoors 18:30 start 19:00 sharpend 00:00 sharp\n. . . Volume 6 of the series ETES-VOUS FOU[S] ? – now called SOMMES – NOUS FOUS ? during the berlin artweek 2025.It is part of the simultaneous exhibition < darkly pushed to the edge . . . >.\nFREE ADMISSION\, but donations for the artists are welcome.\n“. . . in recent years i have been particularly interested inconfrontation or mixture of different strategies in sound\, poetry and action … especially in an unfinished\, process-like manner\, associated with a certain risk \, to provoke the unexpected special.” u.m.\nperformances/actions by:\nV i b r a k ūVibrakū (Tarufu and Ira Hadžić) is a duo whose name combines vibration and kuu—the Japanese word for emptiness—They perform a set featuring gong and bone conduction\, objectshttps://youtu.be/Hg7hCJ3_iBkhttps://www.irahadzic.com/https://www.tarufu.com/about____\nB u r h a r d . B e i n sBerlin sound artist with floor tom-objects actionhttps://www.burkhardbeins.de/____\nS t o r i e s . I n . C o l o u r / Alan LaytonBorn in London\, he studied urban planning\, then received training in vocal technique\, music theory and bass guitar. After appearing at singer songwriter events in London he played bass in various bands\, relocating to Berlin where he started Stories In Colour – a combination of sound collage and spoken word inspired by the urban studies. He has performed at various venues and festivals such as 48 Stunden Berlin\, Fete de la Musique and Glemmingbro cultural festival in Sweden. https://soundcloud.com/bill-bumpstead_____\nS a c h a . Ka h i r + U . M o e l l h u s e nThe two artists have been friends for years and perform together from time to time. Sacha lives in the UK and traveled to Berlin especially for this event. Their current piece will most likely be an action-packed happening consisting of strange voices\, cut-up poetry ?\, body sounds\, amplified objects such as wooden sticks\, aluminum\, cardboard boxes and a lot of other stuff. played in the tension of physical action and audibility. U Moellhusen called it the CRISIS OF OBJECTS.Here are some old\, ultra lo-fi and non-representative examples from the archive of our collaboration :https://elektroakustischegarage.bandcamp.com/…/demagnet…https://elektroakustischegarage.bandcamp.com/…/wallstre…https://elektroakustischegarage.bandcamp.com/…/after…_____\nA s t a . D. poetry-sound-action https://www.asta-d.online/about-asta-d_____\nD o r a . B l e u & E d i t h . S t e y e rDora Bleu: Slanted storytelling\, deconstructed songs\, vocal and guitar expressionsEdith Steyer: processed clarinet\, electronic deviceshttps://www.edith-steyer.de/https://soundcloud.com/dora-bleu_____\nV s e v o l o d . L i s o v s k ymajor figure of conceptual theatre in Russia. After been held in prison under absurd pretexts he currently lives in South Germany. He performs the poem “I Hate Blyat” . It will never be published. Each fragment of the poem is created at the moment of performance\, and these fragments will never repeated. The author simply expresses his displeasure using an arbitrary rhythm and the single rhyme blyat-blyat. In Russian\, blyat is a profanity and is used as an interjection\, similar to the word “shit” in English.https://ru-m-wikipedia-org.translate.goog/…/%D0%9B%D0…
URL:https://www.phantanoise.com/event/sommes-nous-fous/
LOCATION:KuLe Kunsthaus\, Auguststraße 10\, Berlin\, Berlin\, 10117\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250910T200000
DTEND;TZID=Europe/Vienna:20250910T220000
DTSTAMP:20250908T081233Z
CREATED:20250908T080650Z
LAST-MODIFIED:20250908T081233Z
UID:10000346-1757534400-1757541600@www.phantanoise.com
SUMMARY:TOPO 10 Kołodziejczyk · Heery · Hochherz · Janek
DESCRIPTION:Malwina Kołodziejczyk – tenor saxophone\nFrancis Heery – electronicsOlaf Hochherz – objects\, potter’s wheelKlaus Janek – contrabass\n\n\nDoors: 19:30 | Concert: 20:00 \nThe term TOPO comes from ‘topology’\, a concept that deals with the deformation of spaces. TOPO stands for the creation of sonic spaces that emerge through improvisation in the resonance between musicians and audience\, changing continuously – while always retaining their core characteristics.\nfrancisheery.comhochherz.klingt.orgklaus-janek.de
URL:https://www.phantanoise.com/event/topo-10-kolodziejczyk-%c2%b7-heery-%c2%b7-hochherz-%c2%b7-janek/
LOCATION:Zwitschermaschine\, Potsdamer Straße 191\, Berlin\, Berlin\, 10783\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250908T210000
DTEND;TZID=Europe/Vienna:20250908T233000
DTSTAMP:20250823T153152Z
CREATED:20250823T153152Z
LAST-MODIFIED:20250823T153152Z
UID:10000206-1757365200-1757374200@www.phantanoise.com
SUMMARY:Experimontag Peter Strickmann & Ansgar Wilken + Schneider TM + SurfSolaire
DESCRIPTION:Peter Strickmann & Ansgar Wilken\nExperimental / Berlin \nPeter Strickmann and Ansgar Wilken have been noticing each other already for some time. \nThey relate to each other’s musical matters as well as to each other´s artistic expressions\, which are characterized by simple\, original signs and forms. \nMost recently\, Peter gave away his self-made stamp set\, which Ansgar used to design a record cover and project logos. \nThis first joint public collaboration today intends to culminate in using each other’s stamps and join their musical forms and signs by using found objects\, wind instruments and various percussion tools. \nhttps://www.ansgarwilken.de \nhttps://peterstrickmann.info/
URL:https://www.phantanoise.com/event/experimontag-3/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250901T210000
DTEND;TZID=Europe/Vienna:20250901T233000
DTSTAMP:20250823T154406Z
CREATED:20250823T153003Z
LAST-MODIFIED:20250823T154406Z
UID:10000205-1756760400-1756769400@www.phantanoise.com
SUMMARY:Experimontag Savic / Morimoto
DESCRIPTION:Grgur Savic – alto saxophone\, laptop\, sound processing \nSeiji Morimoto – modified sound modules \n \nhttp://grgursavic.com \nhttps://www.seijimorimoto.com
URL:https://www.phantanoise.com/event/experimontag-2/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250824T183000
DTEND;TZID=Europe/Vienna:20250824T213000
DTSTAMP:20250817T122826Z
CREATED:20250814T163744Z
LAST-MODIFIED:20250817T122826Z
UID:10000070-1756060200-1756071000@www.phantanoise.com
SUMMARY:Organ Sequences XVII
DESCRIPTION:Rebecca Lane | Flutes\nClara de Asís | Modular + Percussion\n»Quatre heures à Chatila«\nPHAORAH CHROMIUM\nUnknown »Armenian Organ Works«\nゴマサン | organ \n\nRebecca Lane\nis a composer and flutist who specializes in just intonation and pure tunings. She plays Kingma system quarter-tone flutes and works closely with composers like Catherine Lamb and performers like Clara de Asís. As a member of the Harmonic Space Orchestra\, she consistently challenges conventional tuning systems in her projects. \nListen to Rebecca Lane: https://discreeteditions.bandcamp.com/album/distances-bending \nPharoah Chromium\nPharoah Chromium is the project of German-Palestinian musician Ghazi Barakat. Named after a track by the band Chrome\, his music combines elements of Krautrock\, Industrial\, Free Jazz\, and Arabic soundscapes. His work\, released on labels like Grautag and Labelle69 and often in collaboration with artists like Günter Schickert\, results in ritualistic sound performances that blur the line between trance and presence. \nListen to Pharoah Chromium: https://pharoahchromium.bandcamp.com/album/jean-genet \nClara de Asís\nClara de Asís is a composer and sound artist born in Spain in 1988. Her work explores the interplay of acoustics\, time\, and attention. Using both electronic and acoustic instruments\, often in unconventional setups\, she creates performances\, installations\, and interdisciplinary collaborations. She has been an artist in residence at Q-O2 in Brussels and EMS in Stockholm\, and she is currently the co-artistic director of the Göteborg Art Sounds Festival. \nListen to Clara de Asís: https://discreeteditions.bandcamp.com/album/distances-bending \nGomāsan (Romain C. Bertheau)\nGomāsan\, also known as Romain C. Bertheau\, is a composer\, organist\, harpsichordist\, and no-input mixing board performer based in Berlin and Java. His work blends a minimalist sound aesthetic with improvised noise music. After several years in Asia recording traditional music\, he returned to Europe to focus on creating texture-rich works for the organ. \nListen to Gomāsan: https://romainbertheau.bandcamp.com/album/anatomy-of-a-bird
URL:https://www.phantanoise.com/event/organ-sequences-xvii/
LOCATION:Taborkirche Berlin Kreuzberg\, Taborstraße 17\, Berlin\, Berlin-Kreuzberg\, 10997\, Germany
CATEGORIES:Berlin,Concert
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250823T210000
DTEND;TZID=Europe/Vienna:20250823T220000
DTSTAMP:20250823T154557Z
CREATED:20250823T154557Z
LAST-MODIFIED:20250823T154557Z
UID:10000283-1755982800-1755986400@www.phantanoise.com
SUMMARY:Experimontag  Marta Zapparoli + Andrea Parkins + Lichene (DJ-Set)
DESCRIPTION:Marta Zapparoli\nExperimental\, sound art\, noise / From Italy based in Berlin \nIlektrofonitikos – is an improvised performance by Marta Zapparoli which explores the invisible web of radio waves throught real time detection of wireless\, using antennas and radio receivers incorporating CV synth and recorded signals on tapes. \nShe will create a captivating sonic landscape \, a real time flow of the inaudible. \n— .- .-. – .- / –.. .- .–. .–. .- .-. — .-.. .. \n \nhttps://martazapparoli.bandcamp.com/ \n \nhttps://www.facebook.com/marta.zapparoli.3/ \n  \nAndrea Parkins\nElectroacoustic / Berlin \nAndrea Parkins will perform a new electroacoustic set for amplified objects\, electronics and small acoustic instruments. \nParkins’ works in sound incorporate subtle sonic examination of everyday objects and surfaces\, sculpted electronic feedback\, and investigation of embodiment and gesture with her custom-designed instruments. \nHer current research addresses her materials both past and present: amplified drawing tools\, electronic and acoustic instruments\, objects\, images\, and the-body-as-Foley. \nParkins’ performances and intermedia installations have been presented internationally\, at venues including the Whitney Museum of American Art\, Experimental Intermedia\, and Kunsthalle Basel; and festivals such as All Ears! (Oslo)\, Next (Bratislava)\, and Akousma (Montreal). \n \nhttps://andreaparkins.bandcamp.com/album/two-rooms-from-the-memory-palace \n \nhttps://www.instagram.com/andreamparkins/ \nhttps://www.facebook.com/andrea.parkins.16 \n  \n  \nLichene (DJ-Set)\nDrone / Ambient / Ritualist \nhttps://m.mixcloud.com/licia-lithium/ \nhttps://www.facebook.com/licia.elle \nhttps://www.instagram.com/licia_lithium_lichene/ \n 
URL:https://www.phantanoise.com/event/experimontag-marta-zapparoli-andrea-parkins-lichene-dj-set/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
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