Elliott Sharp ist ein US-amerikanischer Multiinstrumentalist und Komponist, der zur experimentellen New Yorker Downtown-Szene gehört. Sharp hatte vom sechsten Lebensjahr an Klavierunterricht und spielte vom achten Lebensjahr an Klarinette im Schulorchester. Er studierte von 1969 bis 1971 an der Cornell University, dann am Bard College (B.A. 1973) und an der University of Buffalo (M.A. 1977) […]
Events
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2 events,WORLD PREMIERE at the SFIEMA Brandstätte Concert Series! Friday 26,06.26 19:30, a brand-new trio takes the stage for the very first time: Claudia Cervenca (AT), Sue Lynch (UK), and Mia Zabelka (AT) in a debut performance at the CAFE KORB ART Lounge. Three distinct artistic voices, meeting for the first time in an evening dedicated […] Free improvisation trio Rapid Zen crafts an unexpected sonic dimension that constantly reshapes itself between chaotic and meditative collages. Thru layers of turntablism, extended double bass, inventive percussion and fragmented vocal interventions, RZ interacts fluently standing far from any predictable label. Since 2024 Rapid Zen is active in the avant garde jazz and free improvisation […] |
2 events,Artur Rumiński (PL) Wojtek Kurek & Olga Balińska (PL) Corazón de Robota (CL) (artist talk) Saturday, 27th of June doors: 16:00, music: 17:00 tickets via ≈ https://pl.ra.co/events/2432718 or at the door PROGRAMM 27.06.26 MAGDALENA FORSTER GUSTAVO OBLIGLADO CATENATION MAGDALENA FORSTER In Echo Body, Magdalena Forster reanimates salvaged organ pipes through hydroacoustics, wind, and vocal techniques, reintroducing the instruments into a realm of sonic and corporeal experimentation, as individual bodies, screeching, wailing voices and resonating chambers. Attuning to active listening and responding to the space, a delicate […] |
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2 events,LABORATORY 3. – 5.7 Kulturwerkstätte – Kunst in der Natur https://www.kunstindernatur.at Am Wachtberg 78 3571 GARS AM KAMP Waldviertel, Lower Austria Registration: Please register by email at info@kvr.or.at. For musicians, feedback and nonlinearity are productive because they make systems behave less like tools and more like material. Instead of simply carrying out instructions, these systems develop tendencies, thresholds, and instabilities of their own. They invite a musical practice based less on control than on setting conditions […] |
3 events,Things that have vanished may leave no trace in history, yet they linger, subtly, within our senses. What disappears does not disappear completely — it merely changes form and remains within us. Through the language of live coding, sofolofo eeks to summon these vanished things back through the act of listening. Luc Döbereiner is a […] |
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