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DTSTART;VALUE=DATE:20251016
DTEND;VALUE=DATE:20251026
DTSTAMP:20260514T181226
CREATED:20250905T154026Z
LAST-MODIFIED:20250905T154026Z
UID:29831-1760572800-1761436799@www.phantanoise.com
SUMMARY:shut up and listen! 2025: PAST_20 → NEXT_∞ Transdisziplinäres Festival für Musik und Klangkunst
DESCRIPTION:Donnerstag\, 16. bis Samstag\, 18. Oktober 2025: echoraum (1150 Wien) sowie Livestreaming Sonntag\, 19. bis Samstag\, 25. Oktober 2025: SP•CE (\, 1190 Wien) \nIn Kooperation mit sp·ce – Verein zur Förderung von Kunst und Transdisziplinarität \nIn 2025\, the transdisciplinary festival shut up and listen! will celebrate its twentieth anniversary with a particularly extensive anniversary edition. Under the artistic direction of composer and curator Belma Bešlić-Gál\, the title PAST_20 → NEXT_∞ unfolds a transgressive structure between archive and speculation\, memory and still-unheard spaces of possibility. The festival once again transcends the character of a mere concert series and moves through time as a resonant space\, unfolding both backward and forward. In addition to the established echoraum venue\, the SP•CE audio gallery will also be used in 2025 – an addition that should be understood not only as a physical expansion but also as a conceptual extension. Since the COVID-19 pandemic\, a large portion of the performative contributions have been presented both via livestreaming and in the tried-and-tested format of collective experience on site. \nAcross nine festival days\, sual! connects the festival’s diverse audiences. 2025 will feature concerts\, performances\, audiovisual works\, sound installations\, and exhibition contributions within an open structure in which historical positions not only engage in dialogue with new works\, but also challenge each other. The media archive SUAL ARCHIVES #20 documents interdisciplinary diversity through selected artistic contributions from 20 festival editions. \nsual! 2025 includes twelve performative contributions\, including numerous premieres and new works by Petra Sandner\, an installation by Kolektiv ПROSTORЪ\, and discursive formats. The SP•CE listening gallery will present a multi-channel listening room and a comprehensive media archive with contributions from 20 festival years\, as well as a new quadraphonic sound installation by Berlin-based composer-performer Kai Fagaschinski\, created as part of the artistic research project AUDIO GHOSTS. \nThe musical program expands the concept of composition toward processual\, intermedial\, and auditory-theatrical formats. The opening at echoraum brings together works by Gertrude Moser-Wagner | Ulrich Kaufman and Radu Malfatti\, and the Ensemble Zimt (extended) featuring Franz Hautzinger create sonic structures that oscillate between reduction\, micro-interventions\, and condensation. The second day of the festival is dedicated to current developments in the post-Yugoslav space\, featuring an electroacoustic performance by Svetlana Maraš\, a lecture by Damjan Jovičin on sound and social engagement in Belgrade\, and a collective sound action by the formation metacounterpoint. The festival continues with a sound projection by noid and performances by Ensemble echo_von_nichts and Manuel Pessoa de Lima\, which explore the boundaries of sound\, language\, and body as semiotic carrier structures. \nWith the relocation to the SP•CE listening gallery\, the focus shifts from performance to space-related sound research. In addition to Kai Fagaschinski’s premiere of a sound installation for a virtual clarinet quartet\, the multi-channel listening space SHUT UP AND LISTEN! 2006-2025 forms an immersive acoustic topology of the festival’s history. \nshut up and listen! 2025 is not a retrospective look back\, but rather a dynamic reconstruction of temporality through sound – a festival that sees itself not as a closed edition\, but as an open resonance structure across time. \nBelma Bešlić-Gál\, Artistic Director
URL:https://www.phantanoise.com/event/shut-up-and-listen-2025-past_20-%e2%86%92-next_%e2%88%9e-transdisziplinares-festival-fur-musik-und-klangkunst/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Festival,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251028
DTEND;VALUE=DATE:20251030
DTSTAMP:20260514T181226
CREATED:20250812T110648Z
LAST-MODIFIED:20250817T120655Z
UID:28645-1761609600-1761782399@www.phantanoise.com
SUMMARY:International Congress "Improvisation in Art and Everyday Life"
DESCRIPTION:Improvisation is not only the domain of artists — it’s a powerful force that shapes our daily decisions\, reactions\, and creative choices. Join this international\, interdisciplinary congress that will bring together outstanding creators\, scholars\, and practitioners from around the world to explore the phenomenon of improvisation from multiple perspectives! \nSpecial Guests:\nCharles Limb | Niels Rønsholdt | Adam Strug | Simon Procter | Zbigniew Blukacz I Monika Szczepanik | Ilona Trybuła I Paweł Tomaszewski | Kris Jurga | …and many other inspiring speakers and creators!
URL:https://www.phantanoise.com/event/international-congress-improvisation-in-art-and-everyday-life/
LOCATION:Akademia Muzyczna im. Karola Szymanowskiego w Katowicach\, ul. Zacisze 3\, Katowice\, Śląskie\, 40-025\, Poland
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251104T193000
DTEND;TZID=Europe/Vienna:20251104T220000
DTSTAMP:20260514T181226
CREATED:20250926T152603Z
LAST-MODIFIED:20250926T152603Z
UID:30099-1762284600-1762293600@www.phantanoise.com
SUMMARY:GO FISHING - Performance – Zeyringer\, Schneider\, Gammon\, Mannott
DESCRIPTION:Go fishing erzählt die Geschichte der jüdischen Zirkuskünstlerin Irene Bento\, die sowohl in der Manege als auch im Privaten eine beispielhafte Willenskraft und Durchsetzungsfähigkeit zeigte. \nDen Holocaust überlebte die talentierte Artistin dank ihres Mutes und der Unterstützung des deutschen Zirkusdirektors Adolf Althoff\, der sie und ihre Familie in seinem Zirkus aufnahm und vor den Nationalsozialist*innen versteckte. Das geheime Stichwort\, um zügig unterzutauchen\, lautete dabei „Go fishing“. Adolf Althoff\, seine Frau Maria Althoff\, sowie weitere Zirkusmitarbeiter*innen riskiert \nON THE EDGE – Festival / Wien \nhttps://www.ontheedge.at/go-fishing
URL:https://www.phantanoise.com/event/go-fishing-performance-zeyringer-schneider-gammon-mannott/
LOCATION:Theater am Werk\, Oswaldgasse 35A\, Wien\, Wien\, 1120\, Austria
CATEGORIES:Festival,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251105T193000
DTEND;TZID=Europe/Vienna:20251105T220000
DTSTAMP:20260514T181226
CREATED:20250926T152757Z
LAST-MODIFIED:20250926T152838Z
UID:30101-1762371000-1762380000@www.phantanoise.com
SUMMARY:GO FISHING - Performance – Zeyringer\, Schneider\, Gammon\, Mannott
DESCRIPTION:Go fishing erzählt die Geschichte der jüdischen Zirkuskünstlerin Irene Bento\, die sowohl in der Manege als auch im Privaten eine beispielhafte Willenskraft und Durchsetzungsfähigkeit zeigte. \nDen Holocaust überlebte die talentierte Artistin dank ihres Mutes und der Unterstützung des deutschen Zirkusdirektors Adolf Althoff\, der sie und ihre Familie in seinem Zirkus aufnahm und vor den Nationalsozialist*innen versteckte. Das geheime Stichwort\, um zügig unterzutauchen\, lautete dabei „Go fishing“. Adolf Althoff\, seine Frau Maria Althoff\, sowie weitere Zirkusmitarbeiter*innen riskiert \nON THE EDGE – Festival / Wien\nhttps://www.ontheedge.at/go-fishing
URL:https://www.phantanoise.com/event/go-fishing-performance-zeyringer-schneider-gammon-mannott-2/
LOCATION:Theater am Werk\, Oswaldgasse 35A\, Wien\, Wien\, 1120\, Austria
CATEGORIES:Festival,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251107T080000
DTEND;TZID=Europe/Vienna:20251109T170000
DTSTAMP:20260514T181226
CREATED:20250805T115828Z
LAST-MODIFIED:20250817T120613Z
UID:28285-1762502400-1762707600@www.phantanoise.com
SUMMARY:music unlimited festival 39
DESCRIPTION:ALTER SCHL8HOF WELS | Landesmusikschule Wels | Bildungshaus Schloss Puchberg Wels \nDie 39. Ausgabe des Fesitvals “music unimited” bringt wieder einen bewährten Mix im Bereich der internationalen\, experimentellen Musikszene.\n“Improvisers Build Border-Defying Community in Austria” betitelte der Chicagoer Journalist Bill Meyer seine Kritik im weltweit bekanntesten Jazzmagazin\, Downbeat \nVIENNA IMPROVISERS ORCHESTRA\nMichael Fischer\, Nika Zach\, Isabell Kargl\, Claudia Cervenca\, Elisabeth Kelvin\, Clemens Salesny\, Nikolaos Afentulidis\, Alex Kranabetter\, Joanna Lewis\, Judith Reiter\, Maria Frodl\, Martin Burk\, Bernhard Loibner\, Wolfgang Fuchs\, Didi Kern\nPLÜSCH\nAda Rave\, Camila Nebbia\, Marta Warelis\, Christian Lillinger\nLIMOSA LIMOSA\nLuc Ex\, Nelida Karr\, Mikael Szafirowski\, Saartje van Camp\, Angelo Mustapha\nZOH AMBA SUN ENSEMBLE\nZoh Amba\, Lex Korten\, Devon Gates\, Miguel Marcel Russel\nJEJAWEDA\nJaap Blonk\, Jeb Bishop\, Damon Smith\, Weasel Walter\nENDLESS BREAKFAST\nPaula Sanchez\, Gabby Fluke-Mogul\, Mariá Portugal\nTURQUOISE DREAM\nCarlos Zingaro\, Marcelo dos Reis\, Helena Espvall\, Marta Warelis\nAKIRA SAKATA & CHIKAMORACHI\nAkira Sakata\, Darin Gray\, Chris Corsano\nARCHER\nDave Rempis\, Terrie Hessels\, Jon Rune Strøm\, Tollef Østvang\nNOUT\nDelphine Joussein\, Rafaëlle Rinaudo\, Blanche Lafuente | Guest: Mats Gustafsson\nDRANK with SOAP&SKIN & LUKAS KÖNIG\nIngrid Schmoliner\, Alex Kranabetter\, Soap&Skin\, Lukas König\nFIRE! & OREN AMBARCHI\nMats Gustafsson\, Johan Berthling\, Andreas Werliin\, Oren Ambarchi\nTRAPEZE\nSakina Abdou\, Joke Lanz\, Matthias Müller\, Peter Orins \nAFTERNOON CONCERTS | The One\, The Two\, The Three\nAkira Sakata\nPetr Vrba & Andria Nicodemou\nFlowers We Are | Noid\, Marina Džukljev\, Matija Schellander\nSakina Abdou\nIg Henneman & Ab Baars 150\nThomas Berghammer & Ming Wang & Isabella Forciniti \n  \n 
URL:https://www.phantanoise.com/event/festival-improvisierte-musik/
LOCATION:Alter Schlachthof Wels\, Dragonerstraße 22\, Wels\, Upper Austria\, 4600\, Austria
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251119
DTEND;VALUE=DATE:20251122
DTSTAMP:20260514T181226
CREATED:20250915T144942Z
LAST-MODIFIED:20250915T144942Z
UID:30020-1763510400-1763769599@www.phantanoise.com
SUMMARY:New Adits Festival
DESCRIPTION:Mi. – 19. Nov. 2025 – Villa for Forest\n– Soundinstallation “animal-voice-pavilion”\nFabian Lanzinier & Paul Gründorfer”\n– ?\n– Christopher A. Williams\n– Session für improvisierte Musik\nhosted by Christopher A. Williams & Matthias Erian \nDo. – 20. Nov. 2025 – Villa for Forest\n– Soundinstallation “animal-voice-pavilion”\n– ?\n– Agar Agar\n– Emilie Škrijelj + Tom Malmendier \nFr. – 21. Nov. 2025 – Villa for Forest\n– Soundinstallation “animal-voice-pavilion”\n– Dora Donata Sammer\n– Etienne Nillesen\n– FRI3SER Trio (Lucca Fries) \nSa. – 22. Nov. 2025 – Villa for Forest\n– Soundinstallation “animal-voice-pavilion”\n– Zara Mahni\n– Ryan Kernoa\n– Winterreise – Clara Frühstück & Oliver Welter\n– Subletvis (Moritz Nahold)
URL:https://www.phantanoise.com/event/new-adits-festival/
LOCATION:Villa for Forest\, Viktringer Ring 21\, Klagenfurt\, Carinthia\, 9020\, Austria
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260116T170000
DTEND;TZID=Europe/Vienna:20260118T233000
DTSTAMP:20260514T181226
CREATED:20260105T174839Z
LAST-MODIFIED:20260105T174839Z
UID:30235-1768582800-1768779000@www.phantanoise.com
SUMMARY:Orbits Festival
DESCRIPTION:The Orbits Festival is an annual celebration of improvised music in Amsterdam.\nWith an eclectic curatorial style\, the festival showcases this music in its many forms and intersections\, including free improvisation\, electronics\, modern jazz\, and contemporary music. At its core is a focus on the young generation of creative and adventurous musicians.\nFrom the Amsterdam scene\, the featured acts will be: Omer Govreen Trio\, Marcus Wärnheim\, Manderjan\, Wazo Bean\, tatatacouF\, Vera Morais & Marcos Cavaleiro\, Aviv Noam ‘The Avant-Groove Session’\, Hristo Goleminov ‘Diagonal Shift’\, Foon\, and AgusFulka’s · Aletheia ·.\nThis year’s edition also includes two acts showcasing improvised music from the north and south of Portugal\, in a new collaboration between Orbits and two Portuguese associations from Porto and Lisbon: Joana Raquel ‘queda áscua’ (Porta-Jazz)\, and Garfo (Robalo Music).\nTickets day 1:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026\nTickets day 2:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026\nTickets day 3:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026 \nDaily Ticket: 16€\nStudent Daily Ticket: 12€
URL:https://www.phantanoise.com/event/orbits-festival/
LOCATION:splendor\, Nieuwe Uilenburgerstraat 116\, Amsterdam\, 1011LX\, Netherlands
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260131
DTEND;VALUE=DATE:20260202
DTSTAMP:20260514T181226
CREATED:20250812T110835Z
LAST-MODIFIED:20250817T120336Z
UID:28647-1769817600-1769990399@www.phantanoise.com
SUMMARY:Symposium: »Improvisation und Resonanz«
DESCRIPTION:11. Symposium des exploratorium berlin\nSamstag\, 31. Januar – Sonntag\, 1. Februar 2026\nmit Auftakt am Freitag\, 30. Januar 2026\n> Mit Sofia Borges\, Christian Grüny\, Brad Henkel\, Charlotte Hug\, Thomas Lange\, Lê Quan Ninh\, Martin Pfleiderer\, Anna Pietsch\, Hartmut Rosa und anderen\n> Konferenz-Sprache: Deutsch\n…………………\n• Symposium – Thema & Programm: http://exploratorium-berlin.de/…/symposium…\n> Read in English: http://exploratorium-berlin.de/…/symposium…\n!! Anmeldung bis 25. Januar 2026\n.\n• Call for Papers (German only)\, Download: http://exploratorium-berlin.de/…/CfP_exploratorium…\n!! Bewerbung bis 15. Oktober 2025\n.\n=> Bewerbungen sowie Anmeldungen bitte senden an Mathias Maschat\, E-Mail: mm@exploratorium-berlin.de\n::::::::::::::::::::\nZum Thema:\nDas 11. vom exploratorium berlin ausgerichtete Symposium lädt dazu ein\, Improvisation als Resonanzgeschehen zu denken – ästhetisch und performativ\, sozial und epistemisch\, klanglich und körperlich. Im Zentrum steht die Auseinandersetzung mit freier\, experimenteller Improvisation in der Musik\, jedoch sollen auch Bezüge zu anderen avancierten Kunstformen hergestellt werden.\nWas bedeutet Resonanz im Kontext von Improvisation? Kann Resonanz als eine spezifische Qualität in Improvisationsprozessen verstanden werden? Wie wird Resonanz in improvisierten Prozessen erfahrbar – zwischen Menschen\, Räumen\, Klängen\, Zeiten? Und wie lässt sich das Momenthafte\, Situative\, das auf Antwort und Widerhall gerichtete Handeln der Improvisation über den Begriff der Resonanz analytisch fassen?\n::::::::::::::::::::\nZum Programm (Stand 7. August):\n• Auftakt Symposiums-Eröffnung | Fr 30. Januar 2026\, 20 Uhr\nSound & Lecture N° 27: Charlotte Hug / Lê Quan Ninh – Resonances\n> Performance + Talk in English\nhttp://exploratorium-berlin.de/…/sal27-charlotte-hug-le… | DE for German\n• Abend-Programm | Sa 31. Januar 2026\, 20 Uhr\nRecovered Resonances: Sofia Borges & Brad Henkel\n> Konzert und Performance\nhttp://exploratorium-berlin.de/…/recovered-resonances | EN for English\nwird fortlaufend aktualisiert / to be updated
URL:https://www.phantanoise.com/event/symposium-improvisation-und-resonanz/
LOCATION:exploratorium berlin\, Zossener Straße 24\, Berlin - Kreuzberg\, Berlin\, 10961
CATEGORIES:Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260316T160000
DTEND;TZID=Europe/Vienna:20260317T220000
DTSTAMP:20260514T181226
CREATED:20260206T143027Z
LAST-MODIFIED:20260206T143027Z
UID:30361-1773676800-1773784800@www.phantanoise.com
SUMMARY:SO.UND.ING Acousmonium: INput
DESCRIPTION:Annual acousmatic music festival by CONA\, Floating Sound Gallery Vienna\, PiNA and Kino Šiška. \nArmando Balice\, Sophie Delafontaine\, Andrej Kobal\, Tetiana Khoroshun\, Patrick K.-H.\, Tilen Lebar\, Diego Losa\, Alastair McNeill\, Enrique Mendoza Mejia\, Maja Osojnik\, Christopher Sturmer\, Qingqing Teng\, Mauricio Valdés San Emeterio and Brane Zorman.
URL:https://www.phantanoise.com/event/so-und-ing-acousmonium-input/
LOCATION:Kino Šiška – Centre for Urban Culture\, prekomorskih brigad 3\, Ljubljana\, Ljubljana\, SI-1000\, Slovenia
CATEGORIES:Festival
END:VEVENT
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