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X-WR-CALDESC:Events for Phantanoise©
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TZID:Europe/Vienna
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260507T200000
DTEND;TZID=Europe/Vienna:20260507T220000
DTSTAMP:20260316T131835Z
CREATED:20260316T131835Z
LAST-MODIFIED:20260316T131835Z
UID:10000528-1778184000-1778191200@www.phantanoise.com
SUMMARY:free music forum - Grencsó | Hock | Miklós
DESCRIPTION:István Grencsó – reeds\nErno Hock – double bass\nSzilveszter Miklós – d\, p \n(HU)
URL:https://www.phantanoise.com/event/free-music-forum-grencso-hock-miklos/
LOCATION:Celeste\, Hamburgerstraße 18\, Wien\, 1050\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260513T200000
DTEND;TZID=Europe/Vienna:20260513T220000
DTSTAMP:20260316T130649Z
CREATED:20260316T130649Z
LAST-MODIFIED:20260316T130649Z
UID:10000524-1778702400-1778709600@www.phantanoise.com
SUMMARY:Wednesday Night Prayer Orchestra
DESCRIPTION:Live @ Little Stage
URL:https://www.phantanoise.com/event/wednesday-night-prayer-orchestra-2/
LOCATION:little stage\, ramperstorffergasse 66\, Wien\, Vienna\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260613T200000
DTEND;TZID=Europe/Vienna:20260613T220000
DTSTAMP:20260206T124714Z
CREATED:20260206T124714Z
LAST-MODIFIED:20260206T124714Z
UID:10000487-1781380800-1781388000@www.phantanoise.com
SUMMARY:Elliot Sharp. Support: Club Okkult
DESCRIPTION:Elliott Sharp ist ein US-amerikanischer Multiinstrumentalist und Komponist\, der zur experimentellen New Yorker Downtown-Szene gehört. Sharp hatte vom sechsten Lebensjahr an Klavierunterricht und spielte vom achten Lebensjahr an Klarinette im Schulorchester. Er studierte von 1969 bis 1971 an der Cornell University\, dann am Bard College (B.A. 1973) und an der University of Buffalo (M.A. 1977) Physik\, Komposition\, Musikethnologie und Improvisation\, u. a. bei Morton Feldman und Roswell Rudd. Daneben trat Sharp\, der 1968 zur Gitarre als Hauptinstrument gewechselt war\, mit psychedelischen Bands\, aber auch mit Avantgarde-Jazzgruppen und mit klassischen Konzertensembles auf. 1978 zog er nach New York\, wo er mit Bobby Previte\, Charles Noyes und Guy Klucevsek spielte und das Plattenlabel zOaR music gründete. Projekte mit Bill Laswell\, Eugene Chadbourne\, John Zorn\, Anthony Coleman\, Samm Bennett\, Mike Watt und David Linton folgten. Er gründete seine Band Carbon 1983 und spielte mit Zeena Parkins\, Eric Mingus\, Vernon Reid\, Joey Baron sowie David Torn. Weiterhin wirkte er an Einspielungen von Ned Rothenberg\, Wayne Horvitz oder Jim Staley mit.\nCLUB OKKULT\nChristian Reiner und Leonhard Skorupa erschaffen einen Raum\, der mystisch\, poetisch und elektrisierend zugleich ist. Dabei setzen sie sich mit alltäglichen und okkulten Themen aus Film und Literatur auseinander und eröffnen mit Stmme und diversen Holzblasinstrumenten iüberraschend neue Perspektiven und Klangsphären.\nStimme: Christian Reiner\nReeds: Leonhard Skorupa
URL:https://www.phantanoise.com/event/elliot-sharp-support-club-okkult/
LOCATION:Celeste\, Hamburgerstraße 18\, Wien\, 1050\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260626T193000
DTEND;TZID=Europe/Vienna:20260626T220000
DTSTAMP:20260625T055117Z
CREATED:20260625T055117Z
LAST-MODIFIED:20260625T055117Z
UID:10000538-1782502200-1782511200@www.phantanoise.com
SUMMARY:The SFIEMA Improvised Music Club Juni  2026
DESCRIPTION:WORLD PREMIERE at the SFIEMA Brandstätte Concert Series! \nFriday 26\,06.26 19:30\, a brand-new trio takes the stage for the very first time: Claudia Cervenca (AT)\, Sue Lynch (UK)\, and Mia Zabelka (AT) in a debut performance at the CAFE KORB ART Lounge.\nThree distinct artistic voices\, meeting for the first time in an evening dedicated to adventurous free improvised music. The program will also feature a solo set by Sue Lynch and a special duo performance by Herbert Lacina (AT) & Eric Arn (US/ AT). \nCurated by Herbert Lacina \nJoin us for this unique occasion and be part of the premiere!\nCAFÉ KORB ART Lounge
URL:https://www.phantanoise.com/event/the-sfiema-improvised-music-club-juni-2026/
LOCATION:Café Korb\, Brandstätte 9\, Wien\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260626T200000
DTEND;TZID=Europe/Vienna:20260626T220000
DTSTAMP:20260625T054322Z
CREATED:20260625T054322Z
LAST-MODIFIED:20260625T054322Z
UID:10000536-1782504000-1782511200@www.phantanoise.com
SUMMARY:Rapid Zen · STANZER:MOODY
DESCRIPTION:Free improvisation trio Rapid Zen crafts an unexpected sonic dimension that constantly reshapes itself between chaotic and meditative collages. Thru layers of turntablism\, extended double bass\, inventive percussion and fragmented vocal interventions\, RZ interacts fluently standing far from any predictable label. Since 2024 Rapid Zen is active in the avant garde jazz and free improvisation scene and their debut album Fried Brain released by greek label Defkaz has collected excellent reviews. \nGonçalo Almeida (Lisbon) is a Portuguese double bassist based in Rotterdam\, the Netherlands. With a strong interdisciplinary and collaborative approach to his work\, Gonçalo plays in a variety of projects that go from modern jazz\, free jazz\, jazzcore and free improvised music\, having shared the stage with improvisers such has Ab Baars\, Balasz Pandi\, Chris Speed\, Carlos Zíngaro\, Ig Henneman\, Fred Lonberg-Holm\, Jasper Stadhouders\, Jorrit Dijkstra\, Luis Vicente\, Luis Lopes\, Martin van Duynhoven\, Nina Hitz\, Peter Jacquemyn\, Rodrigo Amado\, Susana Santos Silva\,Tobias Klein\, Wilbert de Joode\, among others.​ Devoted to double bass solo\, already with five solo albums\, and maintaining an active role in presenting himself on concert solo format\, he is as well the founder and bass player of Hydra Ensemble\, Lama Trio\, Albatre\, The Attic and member of Spinifex\, The Selva\, Tabula Sonorum Duo and Luis Vicente trio.\nhttps://gonzobass.wixsite.com/gonzoalmeida \nBarbara Togander (SWE) is a vocal artist\, turntablist\, free improvisor\, composer and sound artist born in Uddevalla\, Sweden\, currently based in Barcelona. She has lived more than 40 years in Buenos Aires\, Argentina\, where in the early 90’s she delves into free\, experimental music and free improvisation where she deepens in the sound possibilities of the voice\, the turntable and electronics. With 14 albums released up to date she has played and collaborated with a great number of musicians and groups such as Otomo Yoshihide\, Julián Galay\, Enrique Norris\, Vinzenz Schwab\, Andrea Parkins\, Philip Leitner\, Christoff Kurzmann\, Christian Reiner\, Capitanes de la Industria\, Manolo Rodriguez\, Carlos Costa\, Larry Polansky\, Chris Mann\, Camila Nebbia\, Violeta García\, Dieb13\,Santiago Vazquez\, Paul Pignon\, Luis Conde among many others.\nhttps://www.barbaratogander.com/ \nVasco Trilla (Barcelona) is one of the most active\, versatile and creative drummers of the European scene. He has recorded more than 100 albums ranging from free improvisation\, jazz rock to progressive rock metal and ambient music. In recent years he has become one of the most solid and in-demand voices of the European free improvised scene. He has collaborated with Jamaaladeen Tacuma\, Ra Kalam\, Bob Moses\, Mars Williams\, Patrick Shiroishi\, Elliot Sharp\, Steve Swell\, Susana Santos Silva\, Jasper Stadhouders among many others.  He has toured internationally including Brasil\, China\, Indonesia\, Russia\, Norway\, Poland Portugal\, Germany.\nhttps://vascotrilla.com/
URL:https://www.phantanoise.com/event/rapid-zen-%c2%b7-stanzermoody/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260627T170000
DTEND;TZID=Europe/Vienna:20260627T210000
DTSTAMP:20260625T055426Z
CREATED:20260625T055426Z
LAST-MODIFIED:20260625T055426Z
UID:10000539-1782579600-1782594000@www.phantanoise.com
SUMMARY:Polish Art Week
DESCRIPTION:Artur Rumiński (PL)\nWojtek Kurek & Olga Balińska (PL)\nCorazón de Robota (CL) (artist talk)\n\nSaturday\, 27th of June\ndoors: 16:00\, music: 17:00\ntickets via ≈ https://pl.ra.co/events/2432718 or at the door
URL:https://www.phantanoise.com/event/polish-art-week/
LOCATION:Richten25\, Gerichtstraße 25\, Berlin\, 13347\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260627T203000
DTEND;TZID=Europe/Vienna:20260627T220000
DTSTAMP:20260625T061250Z
CREATED:20260625T061250Z
LAST-MODIFIED:20260625T061250Z
UID:10000543-1782592200-1782597600@www.phantanoise.com
SUMMARY:
DESCRIPTION:PROGRAMM 27.06.26\nMAGDALENA FORSTER\nGUSTAVO OBLIGLADO\nCATENATION \nMAGDALENA FORSTER \nIn Echo Body\, Magdalena Forster reanimates salvaged organ pipes through hydroacoustics\, wind\, and vocal techniques\, reintroducing the instruments into a realm of sonic and corporeal experimentation\, as individual bodies\, screeching\, wailing voices and resonating chambers. Attuning to active listening and responding to the space\, a delicate slipperiness between breath\, sound\, and gesture becomes tangible. Magdalena Forster is an artist based in Vienna. With a background in choreography and performaning arts\, her work often follows material-based processes and is shaped by the logic of tactile interaction\, manual practice\, and her earlier profession in body-centered care work. Forster is interested in collaboration\, the dynamics of live and score-based performances\, in what emerges in the moment and remains as sensation\, image\, or fleeting trace. Her often site specific work is closely tied to sonic exploration\, creating intimate and sensory environments. Echo Body was selected for Impulstanz 8tension Series 2026\, other recent works such as Hearth (2025) and Bile (2023) were co-produced with Tanzquartier Wien and supported by the City of Vienna’s Cultural Department as well as the Austrian Federal Ministry for Arts\, Culture\, Civil Service and Sport. Her works have been presented at Tanzquartier Vienna\, Systema Marseille\, Kunstraum Niederösterreich\, Kunsthaus Zürich\, AIL Vienna\, Neuer Wiener Kunstverein\, Festival der Regionen\, Perspektiven Festival Attersee\, BRUX Theater Innsbruck\, Lothringer 13 Munich\, and the Sonic Territories Festival. \nhttps://www.instagram.com/magphorster/ \nFoto © Raphaël Massart \nGUSTAVO OBLIGADO \nGustavo Obligado (Buenos Aires\, 1990) is a Berlin-based musician\, improviser\, and composer. His practice combines acoustic wind instruments\, such as saxophones and clarinets\, with electronic devices including samplers and sequencers\, exploring improvisation\, experimental music\, and sound activation. He has performed internationally across Europe\, North and South America\, and Asia\, and organizes concerts and experimental music initiatives in Berlin through the label La Mona de Oro and the Sonic Exploration Festival. He also leads workshops in improvisation and sound activation\, fostering inclusive and collaborative musical experiences. \nabout solo set: In my solo set\, I use saxophone along with a real-time sampler/sequencer\, incorporating both live recordings and instrument samples\, as well as home-made effect pedals\, extended techniques\, and preparations. This setup allows me to expand the saxophone’s sonic possibilities and create atmospheric compositions where the instrument intertwines with electronic textures. These sonic landscapes\, titled phenomenas\, are ephemeral manifestations that aim to capture the complexity and movement of the wind. \nDoors 19:30\nMusic 20:30\nHost: Château Rouge\nSchönbrunner Schloßstraße 17\, 1120 Wien
URL:https://www.phantanoise.com/event/30575/
LOCATION:Château Rouge\, Schönnbrunner Schloßstraße 17\, Wien\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260704T200000
DTEND;TZID=Europe/Vienna:20260704T220000
DTSTAMP:20260625T060156Z
CREATED:20260625T060156Z
LAST-MODIFIED:20260625T060156Z
UID:10000541-1783195200-1783202400@www.phantanoise.com
SUMMARY:Luc Döbereiner\, sofolofo
DESCRIPTION:Things that have vanished may leave no trace in history\, yet they linger\, subtly\, within our senses. What disappears does not disappear completely — it merely changes form and remains within us. Through the language of live coding\, sofolofo eeks to summon these vanished things back through the act of listening. \nLuc Döbereiner is a composer\, musician and researcher whose work explores the fragility\, contingency and materiality of sound. Through his music\, he investigates the entanglement of social\, technological and compositional systems\, investigating processes of sonic becoming\, liminality and the relationality of sound. His work explores how meaning and identity are both dissolved and constituted in sound. \nTaking various forms\, including collaborative and solo performances\, fixed media works\, and written scores for choirs\, soloists\, and ensembles\, his music frequently incorporates adaptive generative processes and sound synthesis algorithms. Döbereiner views synthesis as a processual form of computational becoming\, where perceptual forms emerge from material encounters. Influenced by a wide range of genres\, including early experimental computer music\, medieval and renaissance polyphony\, noise\, improvisation\, and sound art\, his music is characterized by continuously evolving forms\, states of fragility\, noise\, and turbulence. \nOriginally from Berlin\, Luc Döbereiner has performed in experimental music venues across Europe. He has collaborated with ensembles such as LUX:NM\, Eklekto Percussion\, KNM\, Schallfeld\, AuditivVokal and Vertixe Sonora. He studied at the Institute of Sonology in The Hague and holds a PhD from the University of Music and Performing Arts in Graz. Alongside his creative work\, he has taught at institutions including the Donaueschinger Musiktage\, the University of the Arts Berlin\, the Bern University of the Arts\, and the Free University of Berlin. He has also been a postdoctoral researcher at the Centre for Research in New Music at the University of Huddersfield and the Institute for Electronic Music and Acoustics in Graz and served as a professor of AI in composition and sound synthesis at the University of Music Trossingen. \nDöbereiner is part of the duos End of Text together with Ludvig Elblaus and NOR together with Martin Lorenz. \nSat\, 4.7.2026\nDoors: 19:30 · Start: 20:30 \nhttps://www.doebereiner.org/\nhttps://endoftext.bandcamp.com/
URL:https://www.phantanoise.com/event/luc-dobereiner-sofolofo/
LOCATION:Wien
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260707T203000
DTEND;TZID=Europe/Vienna:20260707T220000
DTSTAMP:20260625T060338Z
CREATED:20260625T060338Z
LAST-MODIFIED:20260625T060338Z
UID:10000542-1783456200-1783461600@www.phantanoise.com
SUMMARY:RUG
DESCRIPTION:RUG consists of internationally renowned jazz drummer Hari Ganglberger and composer for contemporary music and guitarist Mario Bergamasco. The duo operates at the interface between New York School Minimal and an updated expression of Krautrock. \nhttps://rugmusic1.bandcamp.com/album/dark-matter \nFri\, 10.7.2026\nDoors: 19:30 · Start: 20:30
URL:https://www.phantanoise.com/event/rug/
LOCATION:kv.r\, Hernalser Hauptstraße 86\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260910T190000
DTEND;TZID=Europe/Vienna:20260910T220000
DTSTAMP:20260814T124845Z
CREATED:20260814T124845Z
LAST-MODIFIED:20260814T124845Z
UID:10000547-1789066800-1789077600@www.phantanoise.com
SUMMARY:Susanna Gartmayer: SPEICHER
DESCRIPTION:Susanna Gartmayer – SPEICHER\n12 Stücke für Bass und Kontraaltklarinette\nLivekonzert\nPräsentation Partituren & Plattencover & Hörstation Testpressung\nDie CD erscheint im Dezember 2026 auf relative pitch (NY) und die LP 2027. \nSusanna Gartmayer \nstudierte Malerei und Druckgrafik und arbeitet seit Anfang der 2000er Jahre als Bassklarinettistin und Komponistin in diversen Feldern der Experimentalmusik. Sie ist Mitglied\, als auch Gründerin\, zahlreicher Ensembles für improvisierte und organisierte Musik. Ihr besonderes Interesse gilt den vielstimmigen Klangmöglichkeiten der tiefen Klarinetten\, offenen Kompositionsformen\, multiideomatischer Improvisation sowie Theorie und Praxis gemeinschaftlicher Arbeitsprozesse.\nSeit 2015 organisiert sie\, gemeinsam mit Thomas Berghammer und Didi Kern\, die Monday Improvisers Session\, ein Treffpunkt für Improvisator:innen aus Wien und aller Welt.\nAktuelle Projekte (Auswahl): The Vegetable Orchestra\, möström\, Black Burst Sound Generator\, GBK\, McPhee Quartett\, So Sner\, Anthropods\, Aljamosuthovi Kurzmann/Gartmayer\, AOUIE – Acoustic Solos for Bass Clarinet and Room\, The Klingt Collective\, Lupe\, …\nAuftritte bei Konfrontationen Nickelsdorf\, Museum of Modern Art Indianapolis\, Unlimited Wels\, Avant Art Festival Wroclav\, Festiwal Musikofilia Torun\, Kaleidophon Ulrichsberg\, Huddersfield Festival\, Hongkong City Hall\, Meakusma\, Musikprotokoll\, Wien Modern\, Jazzfestival Saalfelden u.v.a. \nChristine Gnigler (Stimme\, Blockflöte) / Thomas Grimm (Altsaxophon) / Susanna Gartmayer (Bassklarinette) /\nMarkus W. Schneider (E-Gitarre) / Johannes Wakolbinger (Komposition) \nZwischen algorithmischer Strenge und atmender Intuition sind Noten immer nur ein Ausgangspunkt.\nStrukturen verändern sich mit jedem Blick. Formen wachsen ins Detail und kehren als Landschaft zurück. Aus\nSystem wird Bewegung\, aus Präzision wird Poesie. Ein Muster\, das sich entzieht. Schönheit ohne Mittelpunkt.\nDie Kunst\, immer wieder neu zu skalieren. \n  \n10. September 2026 bis 27. Oktober 2026\nSusanna Gartmayer: SPEICHER\nAusstellung & Auktion\nKunstarchiv 1983-2027\nPay as you Wish Versteigerung 10. September – 27. Oktober 2026
URL:https://www.phantanoise.com/event/susanna-gartmayer-speicher/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260915T200000
DTEND;TZID=Europe/Vienna:20260915T220000
DTSTAMP:20260814T125415Z
CREATED:20260814T125350Z
LAST-MODIFIED:20260814T125415Z
UID:10000548-1789502400-1789509600@www.phantanoise.com
SUMMARY:Collins & Ulher · Carrasco & Vergara
DESCRIPTION:Two trumpets\, two very diferent approaches: one electronic\, the other acoustic. While Collins works with a computer program and cobbled hardware\, Ulher uses metal sheets\, radios\, milk frothers and other everyday objects. The diametrically opposed sound production leads to oddly similar sonic results.\nConcerts in Berlin\, at blurred edges festival in Hamburg\, Ensemblia Festival in Mönchengladbach\, Alternativa Festival in Prague\, Lampo in Chicago\, Planetario de Bogota\, Universidad de los Andes in Bogota and Museo Arte Moderno in Medellín. Their first release Spark Gap was just released on Relative Pitch Records. \nNicolas Collins\nNew York born and raised\, Nicolas Collins spent years in Europe\, where he was Artistic Director of STEIM (Amsterdam)\, and a DAAD composer-in-residence in Berlin. He is a Professor in the Department of Sound at the School of the Art Institute of Chicago and a Research Fellow at the Orpheus Institute (Ghent). An early adopter of microcomputers for live performance\, Collins also makes use of homemade electronic circuitry and conventional acoustic instruments. His book\, Handmade Electronic Music – The Art of Hardware Hacking (Routledge)\, now in its third edition\, has infuenced emerging electronic music worldwide. \nBirgit Ulher\nBirgit Ulher lives as a freelance musician\, sound artist and composer in Hamburg. After her studies in the field of visual\narts\, she developed her own playing techniques and preparations with trumpet\, radio\, loudspeakers and objects. Apart from this material research\, her special interest lays in the relationship between silence and sound. Her work includes acoustic and electroacoustic projects\, solo performances\, concert and sound installations\, videos\, concept pieces and concerts in the field of improvised / experimental music. She has received numerous grants and travels internationally with her concert activities. \nCarrasco & Vergara: Album Release Tour Secuelas \nThis duo is the result of a collaboration between the chilean musicians Benjamín Vergara and Edén Carrasco\, spanning more than 20 years. This partnership is reflected in practices in the context of experimental music\, noise\, minimalism\, free jazz\, site specific performance. The music of this project explores the limits of the timbres of these two acoustic air instruments\, trumpet & sax\, building zones with melodic lines camouflaged by textures\, a noisy touch of dron blues\, and a submarine version of cool jazz. This 2026 the duo released a cassette álbum called -secuelas- by the italian label Tsss Tapes\, that they will be playing in some cities of europe that includes Cafe Oto (London)\, Echoraum (Viena)\, Sowieso (Berlin)\, Richten 25 (Berlin)\, Cap 30 (Copenhague)\, Hörbar (Hamburg). \nCarrasco & Vergara YouTube \nEdén Carrasco\nChilean musician that plays free improvised music and has played in many different bands such as Ensamble Majamama\, La Kut\, Cariñito 3\, Martin Joseph Pacific Ensemble\, Akinetón Retard\, Cuarteto de Saxofones de Miguel Villafruela\, Ensamble Nuevo of Goethe Institut\, and many other spontaneous and ad hoc combinations for improvised music. He has been part of casual meetings of improvised music and/or recorded and published albums with musicians Tetuzi Akiyama\, Angélica Castelló\, Klaus Filip\, Ly Thanh Tien\, Jason Kahn\, Leonel Kaplan\, Christof Kurzmann\, Andy Moor\, Norbert Möslang\, Günter Müller\, Tatsuya Nakatani\, David Stakenäs\, Burkhard Stangl\, Sabu Toyozumi\, Taku Unami\, Birgit Ulher\, Dafne Vicente-Sandoval\, Ute Völker and Manfred Werder. He has played in many stages in Argentina\, Belgium\, Bolivia\, Brasil\, China\, Colombia\, Germany\, France\, Holland\, Japan\, Spain\, Uruguay and Venezuela. At the same time\, is involved in the tradition of gaita colombiana\, and has a project called Mákina Kandela. \nBenjamín Vergara\nChilean trumpet player\, improviser and educator\, based in the city of Valdivia\, Chile.His work focuses on improvised music\, written contemporary music\, free jazz and experimental music. Director of the Festival of experimental music –Relincha- occurring since 2014 in the city of Valdivia. Professor in music improvisation at School of Music and SoundArt of the Universidad Austral de Chile. He has collaborated with a huge range of musicians like Fred Frith\, Felipe Araya\, Ben Bennett\, Keefe Jackson\, Jim Baker\, Edén Carrasco\, Amanda Irarrázabal\, ensembles and multi disciplinary projects.\nHis music is available in labels like Inexhaustible Editions\, 577 records\, Relative Pitch\, Tour de Bras.\nBenjamin Vergara Bandcamp
URL:https://www.phantanoise.com/event/collins-ulher-%c2%b7-carrasco-vergara/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260919T200000
DTEND;TZID=Europe/Vienna:20260919T220000
DTSTAMP:20260814T125752Z
CREATED:20260814T125752Z
LAST-MODIFIED:20260814T125752Z
UID:10000549-1789848000-1789855200@www.phantanoise.com
SUMMARY:Anaïs Tuerlinckx · Warelis / Stoffner / Fischerlehrer
DESCRIPTION:Die aus Brüssel stammende Pianistin Anaïs Tuerlinckx zog 2008 nach Berlin und ist seitdem Teil der lebendigen und vielseitigen berlinischen Musikszene\, die sich der Improvisation widmet. In Ihrer Arbeit erforscht Anaïs Tuerlinckx das Innenklavier. Ihre musikalischen Wurzeln hat Anaïs Tuerlinckx in der freien Improvisation und lässt sich von der Ästhetik der zeitgenössischen Musik\, des Free Jazz\, des Noise und der elektroakustischen Musik inspirieren.\nSie neigt zu einer eher körperlichen und ausladenden Spielweise\, ihre Auftritte zeichnen sich durch Noise und harsche Sounds aus\, suchen aber auch die eher elegisch-luftigen und weiten Räume. \nDas Klavier öffnet sich zu einem echoischen Raum. Metallische Schwingungen stoßen aufeinander\, singen\, flüstern und brüllen. Die Materialien offenbaren sich in ihrer ganzen Rohheit und ihrer ganzen herben Schönheit. Silber- und Kupferlichter spiegeln sich auf der dunklen Oberfläche\, erwachen zum Leben und enthüllen ihre geheime Resonanz. Eine Reise durch eine Schwarz-Weiß-Welt zeichnet sich ab – durch einen intimen Tanz in unmittelbarer körperlicher Nähe zum Instrument. \nWARELIS / STOFFNER / FISCHERLEHNER \n[D]\nEin spannendes frei improvisierendes Trio\, das drei aktive Musiker:innen aus der europäischen Jazz- und Improv-Szene vereint: die Pianistin Marta Warelis ist bekannt für ihr Solospiel und Zusammenarbeiten mit Musikern wie Wilbert de Joode\, Ab Baars\, Dave Douglas und Kaja Draksler. Gitarrist Florian Stoffner lebt in Zürich und arbeitet u.a. mit Paul Lovens\, Rudi Mahall\, Chris Corsano und John Butcher. Rudi Fischerlehner veröffentlichte zwei Schlagzeug-Solo-Alben und ist mit Bands wie Xenofox\, Der Dritte Stand und dem Julie Sassoon Quartet assoziiert.\nDie Band hatte ihre Premiere auf dem Spontaneous Music Festival 2023 in Poznan\, ein Mitschnitt dieses Auftritts ist als Live-Album erschienen. \n[EN]\nAn exciting free improvising trio uniting three active members from the European jazz- and improv scene: Pianist Marta Warelis is known for her solo work and collaborations with musicians such as Wilbert de Joode\, Ab Baars\, Dave Douglas\, and Kaja Draksler. Guitarist Florian Stoffner lives in Zürich and works with Paul Lovens\, Rudi Mahall\, Chris Corsano\, and John Butcher\, among others. Rudi Fischerlehner has released two solo drum albums and is associated with bands such as Xenofox\, Der Dritte Stand\, and the Julie Sassoon Quartet.\nThe band made its debut at the 2023 Spontaneous Music Festival in Poznan; a recording of that performance has been released as a live album. \n„Many had their appetites sharpened for this set in particular\, and it seems that all our expectations were met…“\nSpontaneous Music Tribune \n„It’s mind-blowing! The trio’s magnificent fury sublimates the high level of each of the three improvisers\, propelling them into a state of trance rarely achieved. An extreme quality of collective invention that goes far beyond and above individual musicianship. A must-see!“\nOrynx – Improv and Sounds \n„Ein feinsinnig intellektuelles Dreiergespann\, das durchaus Mut zur Sprödheit beweist.“\nFreiStil \n„Mit allseits perkussiven\, spritzigen\, plonkenden Kürzeln und trappelig huschenden Pfoten\, klimprig und rasselig\, kratzig und rappelig\, agil verdichtet.“\nBad Alchemy
URL:https://www.phantanoise.com/event/anais-tuerlinckx-%c2%b7-warelis-stoffner-fischerlehrer/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260922T190000
DTEND;TZID=Europe/Vienna:20260922T220000
DTSTAMP:20260814T130045Z
CREATED:20260814T130045Z
LAST-MODIFIED:20260814T130045Z
UID:10000550-1790103600-1790114400@www.phantanoise.com
SUMMARY:velak-gala #146
DESCRIPTION:La Cuerda y el Grito \nLa Cuerda y el Grito\, translated as “The String and the Scream”\, is a multidisciplinary performance that blends contemporary music\, free improvisation\, body\, and object. Yuko Cornale and Sofía Escamilla work from a place of depth and in the quest for the intangible – each from a different language: one using the voice as a portal\, the other through cello as an extension of the body. This duo is born from attentive listening and the willingness to inhabit the moment. While Yuko’s voice folds\, distorts\, and channels the intangible\, Sofía’s cello expands through digital processing and sound objects. \nA seismic encounter between two explorers of the deep who come together in a dialogue of sounds and emotions. Voice and cello merge and warp creating an intimate ritual where air becomes string\, and string becomes scream. Both artists were selected for the Ibermúsicas – Emilia Romagna call\, with tours in Mexico and Italy alongside the trio HackOut!. In 2025-2026 they develop The String and the Scream. \n\n \nYuko Cornale \nPerformer\, improviser\, composer\, and producer born in Bolivia and of Italian nationality. Based in Mexico City for over ten years\, her work focuses on vocal exploration and the use of extended techniques. Active in the experimental scene\, she performs in free improvisation concerts and collaborates with contemporary music ensembles. She teaches private voice lessons and leads the Vox Anima workshop\, which encourages vocal exploration and somatic knowledge of the voice. \nShe currently leads two main projects: Craniata\, an immersive performance combining digital art\, visual arts\, electronic music\, body\, and voice; and Ensamble Voraz\, a group dedicated to free improvisation with influences of black metal\, doom\, and noise rock. Her practice is driven by the exploration of the depths\, channeling the intangible. \nSofía Escamilla \nCellist\, composer\, and sound artist Mexican who moves between contemporary academic music\, free improvisation\, performance\, and electroacoustic music. Her approach to the instrument begins with the exploration of extended techniques with real-time digital processing\, layering voice and other sound objects. Her work also spans multidisciplinary collaborations in poetry\, dance\, theater\, and film. Notable collaborations include the Mexico City Philharmonic Orchestra 2023 as a composer selected for the Orchestral Techniques Workshop\, and with the UNAM Choreographic Workshop 2025 as a live cellist. She is currently a member and founder of the free jazz trio Segaki\, a member of Kóryma orchestra led by jazz pianist Ana Ruíz\, and cellist in trumpeter and jazz artist Jacob Wick’s ensemble\, with whom they recorded an album in 2025. \nErikM \nDisappearing Words takes as its starting point the list of terms banned by the Trump administration — science-based\, transgender\, diversity\, climate change… Entrusted to an AI-generated artificial voice\, these words appear as a fragile memory\, already under threat of erasure. Integrated into the Idiosyncrasie device\, built from real-time sound streams and reconfigured raw materials\, they enter a process of continuous transformation. Little by little\, the voice blurs\, dissolves\, merges with the streams\, and drifts toward entropy: a state where meaning fades\, where sonic matter decomposes into an unstable and unpredictable field. Between memory and disappearance\, Disappearing Words sets political language and its\nmanipulation against the fragility of any sonic trace\, questioning the ways in which words can be erased\, diverted\, or rendered inaudible. \neRIkm (Aka Erik M) is a French musician\, composer and visual artist. Since his first experience in the plastic and visual arts\, ErikM takes the risk to escape any attempt of hasty categorization. Very quickly considered as a virtuoso of electronic devices and sound arts (1994)\, he crosses the worlds-systems called „independent“\, „institutional“ and territories (France – International). He develops an openly prospective approach of the technological medium. He conceives acousmatic works or composes mixed music for instrumental ensembles (Ensemble Inter contemporain\, Phoenix Basel\, Les Percussions de Strasbourg\, Dedalus…). He has collaborated with Luc Ferrari\, Jean-Luc Nancy\, Christian Marclay\, Thurston Moore\, Bernard Stiegler\, Mathilde Monnier\, FM Einheit\, Will Oldham … and creates transversal works that constitute a singular kaleidoscopic vision and put in tension the intimate and the political\, the popular and the learned. \nwww.erikm.com\n \nSajjra Xhrs Galarreta \nPsychoacoustic live session with Andean-Amazonian ceramic whistle \nPremiered at DATA (Marseille) under the new moon of November 21 of 2025. \nA physical sound experience based on deep breathing\, silence\, resonances\, and tonal imprecision in the mid-frequency range\, performed with an Andean clay ocarina. The playing style is influenced by the “cracked\,” dissonant\, intense\, and energetic sound characteristic of rituals with Andean wind instruments. Otoacoustic situationism and rural futurism. \nhttps://chrsgalarretaprojects.bandcamp.com/
URL:https://www.phantanoise.com/event/velak-gala-146/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260924T200000
DTEND;TZID=Europe/Vienna:20260924T220000
DTSTAMP:20260206T111730Z
CREATED:20260206T111730Z
LAST-MODIFIED:20260206T111730Z
UID:10000473-1790280000-1790287200@www.phantanoise.com
SUMMARY:Trio Stopkontakt: Bogner/Eberhard/Gross
DESCRIPTION:On the Couch ist eine Studiokonzertreihe mit Hauskonzertcharakter\, die monatlich (außer im Sommer) an einem Donnerstagabend im Studio Eberhard\, in der Salesianergasse 10/1 um 20h stattfindet. Entstanden ist sie 2012 aus einer Klangkunstausstellung des deutschen Musikrates. Kuratiert und organisiert vom Kulturverein On the Couch – zur Förderung von Kunst und Kultur in der Gesellschaft. Bisher fanden über 100 Konzerte statt. Der Schwerpunkt liegt auf aktueller Neuer Musik.\nDie Idee entstand aus dem Bedürfnis heraus\, professionelles Musikschaffen in die Intimität eines Salons zu bringen. Dadurch bietet sich die Möglichkeit\, MusikerInnen und Publikum nah zusammenzuführen\, sich über das Gehörte und Erlebte auszutauschen. Es geht um eine persönliche Gegenseitigkeit\, die im herkömmlichen Konzertbetrieb nicht vorkommt.
URL:https://www.phantanoise.com/event/trio-stopkontakt-bogner-eberhard-gross/
LOCATION:Studio Eberhard\, Salesianergasse 10/1\, Wien\, Wien\, 1030\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260925T200000
DTEND;TZID=Europe/Vienna:20260925T220000
DTSTAMP:20260814T130357Z
CREATED:20260814T130357Z
LAST-MODIFIED:20260814T130357Z
UID:10000551-1790366400-1790373600@www.phantanoise.com
SUMMARY:Kaplan & Valencia · Hübsch aber verstrahlt
DESCRIPTION:Kaplan-Valencia dúo brings together two distinctive voices from the international free improvisation scene: María Valencia (alto saxophone and clarinet) and Leonel Kaplan (cornet\, trumpet). Drawing on decades of combined experience across Latin America\, Europe\, and the United States\, the duo creates a live performance rooted in spontaneous interaction\, extended techniques\, and a shared sensitivity to texture\, breath\, and silence. Their music moves between fragile\, translucent sound surfaces and moments of dense intensity\, exploring the acoustic possibilities of their wind instruments in dialogue. Rather than following a fixed score\, the performance unfolds in real time\, allowing the space and the moment to shape the result. This echoraum performance is the official presentation of the duo’s new release „Translúcidas Criaturas Pulsantes“ (Relative Pitch Record)\, offering an opportunity to experience this collaboration live. \nMaría Valencia\nColombian saxophonist\, clarinetist\, improviser\, and composer\, born in Bogotá. She holds a degree in Music from Javeriana University and a Master’s in Fine Arts and Electronic Arts from the University of Los Andes (Bogotá). She has performed across Colombia\, Europe\, Latin America\, and the United States\, and her work has been released on labels including Relative Pitch Records (US)\, Sonic Transmissions (NO)\, Música Corriente (CO)\, and Dur et Doux (FR). She is a member of Meridian Brothers\, one of Colombia’s most acclaimed and internationally renowned bands\, and alongside her solo projects she also plays in Hurakán Orkan\, Tarabita Espiral\, MULA\, Trío Lesión\, and Tortuga Alada. She is also a professor at Universidad del Rosario\, Bogotá. \nLeonel Kaplan\nA must-hear\, one-of-a-kind trumpeter. Born in Buenos Aires (1973) and now based in Belgrade\, Leonel Kaplan has been a singular voice in the international free improvisation scene since the early 2000s\, focused on extended techniques and the purest matters of sound. He is widely regarded as one of the most internationally projected Argentine improvisers\, and has toured and recorded worldwide alongside John Butcher\, Christof Kurzmann\, Axel Dörner\, Michel Doneda\, Klaus Filip\, Birgit Ulher\, Tetuzi Akiyama\, and Nate Wooley\, among many others. Beyond performing\, he has composed for dance\, theatre\, and light installations. His music has been released on labels such as Relative Pitch (US)\, ESP-Disk‘ (US)\, Another Timbre (UK)\, Dromos\, and Creative Sources. Critics have praised him as a dexterous and measured player\, as comfortable with silence as with sound\, whose mesmerizing approach pushes the trumpet far beyond its jazz traditions and places him at the forefront of the instrument’s contemporary language. \nHÜBSCH ABER VERSTRAHLT \nSilke Strahl und Carl Ludwig Hübsch begeben sich mit Saxophon\, Tuba und Stimme in die Wildnis der unerhörten\nTöne. Vor den Augen des Publikums entsteht Zartes\, Raues\, Filigranes und Brutales im Brennpunkt der Echtzeit.\nVertiefung\, Überraschung und einfach gute Musik schöpfen aus einem unbegrenzbarem Klangspektrum.\nStrahl und Hübsch verfeinern täglich ihr Werkzeug und ihre Klang-Paletten. Daher ist ihr Spiel ist ebenso persönlich wie\ngrundlegend offen für all das\, was da kommt und geht. \nGeboren 1988 in Bad Saulgau\, genoss Silke Strahl im Alter von 9 Jahren ihren ersten Musikunterricht. Das Studium der elementaren Musikpädagogik an der Hochschule für Musik und darstellende Kunst Stuttgart begann sie 2008. Ab 2010 studierte sie zusätzlich klassisches Saxophon bei Nikola Lutz. Ein Erasmus Aufenthalt führte sie nach Luzern\, wo sie den Instrumental-Bachelor und das Masterstudium “Interpretation of contemporary music“ bei Sascha Armbruster und Beat Hofstetter abschloss. Silke ist in verschiedenen Ensembles tätig mit denen sie u.a. zeitgenössische Werke uraufführt oder interdisziplinäre Projekte verwirklicht. Ein weiterer Schwerpunkt ihrer Arbeit ist die freie Improvisation. Hier steht sie unter\nanderem mit Hans-Peter Pfammatter\, Christian Weber\, Kevin Sommer\, Raphael Loher\, Tizia Zimmermann oder Lucas Niggli auf der Bühne. Ausserdem ist sie als Aushilfe und Zuzügerin in verschiedenen Orchestern und Ensembles\, wie dem Sinfonieorchester Basel\, zu hören. Sie gewann 2019 mit ihrem Duo Klexs den zweiten Preis des renommierten\nWettbewerb Concours Nicati und 2016 den Edwin-Fischer- Anerkennungspreis\, sowie den Soundzz.z.zzz…z- Wettbewerb des Lucerne Festivals. Ausserdem engagiert sie sich aktiv für die Luzerner Kulturszene\, im Forum Neue Musik Luzern und dem Mullbau Luzern. \nCarl Ludwig Hübsch komponiert für kleine und grosse Besetzungen intuitiver oder Neuer Musik und ist als Tubist ein im In- und Ausland gefragter Improvisierer oder Interpret. Er studierte Komposition meist autodidaktisch\, jedoch auch z.B. als Gaststudent in der Kompositionsklasse von Johannes Fritsch in Köln. Hübsch komponiert für verschiedene Ensembles wie z.B. das Multiple Joy[ce] Orchestra in Köln\, seine eigenen Gruppen oder für Kompositionsaufträge. Sein kompositorisches Schaffen stellt den Interpreten als kreative Instanz im Umgang mit vorab komponierter Musik in den Mittelpunkt. Seit 1989 tritt Carl Ludwig Hübsch regelmäßig mit herausragenden bekannten und unbekannten Meistern seines Metiers zusammen auf. Hübsch hat drei Bücher mit Interviews mit Improvisierenden Musiker*innen veröffentlicht und veranstaltet die „Plattform Nicht Dokumentierbarer Ereignisse“ in Köln.
URL:https://www.phantanoise.com/event/kaplan-valencia-%c2%b7-hubsch-aber-verstrahlt/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261008T200000
DTEND;TZID=Europe/Vienna:20261008T220000
DTSTAMP:20260206T111828Z
CREATED:20260206T111828Z
LAST-MODIFIED:20260206T111828Z
UID:10000474-1791489600-1791496800@www.phantanoise.com
SUMMARY:Isabella Forciniti\, Volkmar Klien
DESCRIPTION:On the Couch ist eine Studiokonzertreihe mit Hauskonzertcharakter\, die monatlich (außer im Sommer) an einem Donnerstagabend im Studio Eberhard\, in der Salesianergasse 10/1 um 20h stattfindet. Entstanden ist sie 2012 aus einer Klangkunstausstellung des deutschen Musikrates. Kuratiert und organisiert vom Kulturverein On the Couch – zur Förderung von Kunst und Kultur in der Gesellschaft. Bisher fanden über 100 Konzerte statt. Der Schwerpunkt liegt auf aktueller Neuer Musik.\nDie Idee entstand aus dem Bedürfnis heraus\, professionelles Musikschaffen in die Intimität eines Salons zu bringen. Dadurch bietet sich die Möglichkeit\, MusikerInnen und Publikum nah zusammenzuführen\, sich über das Gehörte und Erlebte auszutauschen. Es geht um eine persönliche Gegenseitigkeit\, die im herkömmlichen Konzertbetrieb nicht vorkommt.
URL:https://www.phantanoise.com/event/isabella-forciniti-volkmar-klien/
LOCATION:Studio Eberhard\, Salesianergasse 10/1\, Wien\, Wien\, 1030\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261106T193000
DTEND;TZID=Europe/Vienna:20261106T220000
DTSTAMP:20260814T123945Z
CREATED:20260814T123945Z
LAST-MODIFIED:20260814T123945Z
UID:10000544-1793993400-1794002400@www.phantanoise.com
SUMMARY:LAMPROPOULOU – LABROPOULOU – MALLAUN
DESCRIPTION:OURANIA LAMPROPOULOU Santouri / SOFIA LABROPOULOU Kanun / MARTIN MALLAUN Zither \nORF – Radiokulturhaus\, Studio 3
URL:https://www.phantanoise.com/event/lampropoulou-labropoulou-mallaun/
LOCATION:Radiokulturhaus\, Argentinierstraße 30a\, Wien\, Wien\, 1040\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261216T203000
DTEND;TZID=Europe/Vienna:20261216T230000
DTSTAMP:20260814T124440Z
CREATED:20260814T124440Z
LAST-MODIFIED:20260814T124440Z
UID:10000546-1797453000-1797462000@www.phantanoise.com
SUMMARY:MATHISEN LABROPOULOU HERBERT
DESCRIPTION:OLE MATHISEN Tenorsaxophon / SOFIA LABROPOULOU Kanun / KENJI HERBERT E-Guita
URL:https://www.phantanoise.com/event/mathisen-labropoulou-herbert/
LOCATION:Porgy & Bess\, Riemergasse 11\, Wien\, Wien\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
END:VCALENDAR