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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260928T190000
DTEND;TZID=Europe/Vienna:20260928T220000
DTSTAMP:20260909T105202Z
CREATED:20260909T105202Z
LAST-MODIFIED:20260909T105202Z
UID:10000597-1790622000-1790632800@www.phantanoise.com
SUMMARY:Brian brain club audioprovocateur
DESCRIPTION:Kulturtreff in der Fassfabrik\n…mit kleinem Buffet und freiem Eintritt!\n(Spenden erbeten!)\nUnsere Gäste diesmal sind Herbert Könighofer und Peter Kronreif von BRIAN BRAIN – club audioprovicateur:\nZwei außergewöhnliche Musiker\, ein offener musikalischer Dialog: Multiinstrumentalist Herbert Könighofer verbindet unterschiedliche Saxophone und Live-Elektronik zu einer unverwechselbaren Klangsprache zwischen Jazz und experimenteller Musik. An seiner Seite: Peter Kronreif\, einer der international gefragtesten österreichischen Jazz-Schlagzeuger. Zurück aus New York bringt er seine Virtuosität und stilistische Vielseitigkeit in das Duo ein.\nGemeinsam erschaffen sie intensive\, überraschende und energiegeladene Musik – kraftvoll groovend\, fein und atmosphärisch – immer im Moment.
URL:https://www.phantanoise.com/event/brian-brain-club-audioprovocateur/
LOCATION:reallabor fassfabrik\, Lastenstraße 19\, Wien\, Wien\, 1230\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260927T200000
DTEND;TZID=Europe/Vienna:20260927T220000
DTSTAMP:20260923T111338Z
CREATED:20260923T111338Z
LAST-MODIFIED:20260923T111338Z
UID:10000607-1790539200-1790546400@www.phantanoise.com
SUMMARY:false cathedrale
DESCRIPTION:Neue Musik in St. Ruprecht proudly presents: false cathedrale \nMaura Knierim | Harfe\nGeorg Volkert | Elektronik\nFlorian Rabl | Technik \n\nfalse cathedrale ist eine Konzertperformance\, die sich aus zwei kontrastierenden und zugleich unmittelbar im Bezug zu- bzw. auseinander (ent)stehenden Teilen zusammensetzt.\nAusgangspunkt ist das Werk Cathédrale II\, Mobile für 2-16 Harfen\, wobei sich in diesem Fall für die Version für 8 Harfen entschieden wurde: Harfe Solo live und 7 weitere Harfenstimmen in zugespielter Form. Roman Haubenstock-Ramati konzipierte das Werk Cathédrale II als Raummusik\, was quasi als Klanginstallation zu begreifen ist.\nAus diesem ersten Teil wird in Folge in einem Zusammenspiel von Harfe und Live-Elektronik der zweite Teil false cathedrale entwickelt\, was den eigentlichen Spannungsbogen der Performance darstellt. Die Elektronik bedient sich an den Bausteinen des Ursprungswerks Cathédrale I. Allerdings wird das Tonband-Material sowie das freie Zuspiel der Harfe nun in Echtzeit bearbeitet\, umgeformt\, weitergestaltet und völlig frei verarbeitet. Es entsteht eine neue\, in Echtzeit gestaltete Komposition der Kathedrale\, die sich nun durch ihre Fluidität und De-Formation auszeichnet. \n27. September 2026\n20:00 pünktlich\nRuprechtskirche / Ruprechtsplatz 1 / 1010 Wien\n10€/5€
URL:https://www.phantanoise.com/event/false-cathedrale/
LOCATION:Sankt Ruprecht\, Ruprechtsplatz 1\, Wien\, Vienna\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260927T200000
DTEND;TZID=Europe/Vienna:20260927T220000
DTSTAMP:20260826T102146Z
CREATED:20260826T102146Z
LAST-MODIFIED:20260826T102146Z
UID:10000578-1790539200-1790546400@www.phantanoise.com
SUMMARY:Nick Neuburg | knuRRhahn
DESCRIPTION:Nick Neuburg\nis a percussionist/improviser originally from South Florida based out of Brooklyn\, NY. During recent years\, Nick has focused primarily on solo percussion performance\, and has two solo records out currently: For 1 and 2 Surfaces (2025 Empty Stage Records\, and Cryptic Exaltations (2023 1039 Records). Neuburg’s various other projects and collaborations include a duo with bassist Brittany Karlson\, The Great Link\, Sam Newsome’s Trio\, several trios with pianist Eli Wallace\, and Steven Long’s PRNCX among many others. \nknuRRhahn – Blockflöten und Elektronik\nReni Weichselbaum – Blockflöten\nBernhard Loibner – Elektronik \nDas Instrumental-Duo KnuRRhahn widmet sich der Konversation von elektronischen Klangquellen mit instrumentalen Blockflötensounds. Hier treffen zwei MusikerInnen aufeinander\, die einen improvisierten Dialog entwickeln\, in dem klangliche Texturen und musikalische Gesten zu Manifestationen von Bewegung und Ruhe verschmelzen. Ihr Ziel ist es\, die Zuhörerin* zu einem aktiven Hörerlebnis zwischen mannigfaltigen Figurationen von Stille und Geräusch zu führen. Die außergewöhnlichen Klangfarben der Paetzold- und anderer Blockflöten treffen auf pulsierende Oszillatoren\, abstrakte Klangflächen und Lärmelemente aus analogen und digitalen elektronischen Instrumenten. Dabei entstehen komplexe\, expressive bis meditative akustische Bilder mit intensiver Wirkung auf die Rezipientin*.
URL:https://www.phantanoise.com/event/nick-neuburg-knurrhahn/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260925T203000
DTEND;TZID=Europe/Vienna:20260925T220000
DTSTAMP:20260822T095736Z
CREATED:20260822T095736Z
LAST-MODIFIED:20260822T095736Z
UID:10000556-1790368200-1790373600@www.phantanoise.com
SUMMARY:Steve Bates\, knuRRhahn
DESCRIPTION:Steve Bates \nSteve Bates is an artist and musician. Through his work he listens to thresholds\, boundaries and borders\, points of contact and conflict. Information and signal feed back onto themselves creating new situations and events. Sometimes unpredictable and chaotic\, at other times this same feedback is used as a way to provide stability. The history of ideas\, experiences\, and materials are an influence on his work and often lead to a research-heavy path resulting in suites of work around a theme. Recent topics have included the history of barbed wire\, the night as a space of freedom and libidinal desire\, feedback as it occurs in sound and video art\, politics\, economics\, and biology\, pathological and non-pathological auditory hallucination and most recently\, the sound of Hell. Or hells. The sonic is the starting point for his projects which are evocations of communication networks and systems\, or expressions of spatial and temporal experience. He frequently works with material in situ and in relation to their sites while at the same time recognizing the many complexities involved in working this way. He releases music both solo and collaboratively\, often through his own small scale publishing and curatorial project\, The Dim Coast\, which he runs with artist\, jake moore. His work has been performed and exhibited in Canada\, the USA\, Europe\, Chile and Senegal. He works in the field\, on the air\, in museological/gallery and performance contexts. These shifting territories reflect the content of his practice. \nknuRRhahn \nThis instrumental duo is dedicated to conversations between instrumental and electronic sound waves. It is a meeting of two musicians developing an improvised dialogue which melts sonic textures and musical gestures into manifestations of movement and stillness. Their aim is to lead the audience towards a practice of active listening within various figurations between silence and noise. The sublime timbres of the Paetzold-Recorder and other reed instruments meet pulsating oscillators\, abstract sound layers and noise elements from analog and digital electronic instruments. This results in expressive to meditative acoustic formations with vigorous effect on the recipient. \nThe duo works together since 2016. They have performed a number of concerts and continue to develop their common sonic vocabulary and use of musical forms \nDoors: 19:30 · Start: 20:30
URL:https://www.phantanoise.com/event/steve-bates-knurrhahn/
LOCATION:kv.r\, Hernalser Hauptstraße 86\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260925T200000
DTEND;TZID=Europe/Vienna:20260925T220000
DTSTAMP:20260814T130357Z
CREATED:20260814T130357Z
LAST-MODIFIED:20260814T130357Z
UID:10000551-1790366400-1790373600@www.phantanoise.com
SUMMARY:Kaplan & Valencia · Hübsch aber verstrahlt
DESCRIPTION:Kaplan-Valencia dúo brings together two distinctive voices from the international free improvisation scene: María Valencia (alto saxophone and clarinet) and Leonel Kaplan (cornet\, trumpet). Drawing on decades of combined experience across Latin America\, Europe\, and the United States\, the duo creates a live performance rooted in spontaneous interaction\, extended techniques\, and a shared sensitivity to texture\, breath\, and silence. Their music moves between fragile\, translucent sound surfaces and moments of dense intensity\, exploring the acoustic possibilities of their wind instruments in dialogue. Rather than following a fixed score\, the performance unfolds in real time\, allowing the space and the moment to shape the result. This echoraum performance is the official presentation of the duo’s new release „Translúcidas Criaturas Pulsantes“ (Relative Pitch Record)\, offering an opportunity to experience this collaboration live. \nMaría Valencia\nColombian saxophonist\, clarinetist\, improviser\, and composer\, born in Bogotá. She holds a degree in Music from Javeriana University and a Master’s in Fine Arts and Electronic Arts from the University of Los Andes (Bogotá). She has performed across Colombia\, Europe\, Latin America\, and the United States\, and her work has been released on labels including Relative Pitch Records (US)\, Sonic Transmissions (NO)\, Música Corriente (CO)\, and Dur et Doux (FR). She is a member of Meridian Brothers\, one of Colombia’s most acclaimed and internationally renowned bands\, and alongside her solo projects she also plays in Hurakán Orkan\, Tarabita Espiral\, MULA\, Trío Lesión\, and Tortuga Alada. She is also a professor at Universidad del Rosario\, Bogotá. \nLeonel Kaplan\nA must-hear\, one-of-a-kind trumpeter. Born in Buenos Aires (1973) and now based in Belgrade\, Leonel Kaplan has been a singular voice in the international free improvisation scene since the early 2000s\, focused on extended techniques and the purest matters of sound. He is widely regarded as one of the most internationally projected Argentine improvisers\, and has toured and recorded worldwide alongside John Butcher\, Christof Kurzmann\, Axel Dörner\, Michel Doneda\, Klaus Filip\, Birgit Ulher\, Tetuzi Akiyama\, and Nate Wooley\, among many others. Beyond performing\, he has composed for dance\, theatre\, and light installations. His music has been released on labels such as Relative Pitch (US)\, ESP-Disk‘ (US)\, Another Timbre (UK)\, Dromos\, and Creative Sources. Critics have praised him as a dexterous and measured player\, as comfortable with silence as with sound\, whose mesmerizing approach pushes the trumpet far beyond its jazz traditions and places him at the forefront of the instrument’s contemporary language. \nHÜBSCH ABER VERSTRAHLT \nSilke Strahl und Carl Ludwig Hübsch begeben sich mit Saxophon\, Tuba und Stimme in die Wildnis der unerhörten\nTöne. Vor den Augen des Publikums entsteht Zartes\, Raues\, Filigranes und Brutales im Brennpunkt der Echtzeit.\nVertiefung\, Überraschung und einfach gute Musik schöpfen aus einem unbegrenzbarem Klangspektrum.\nStrahl und Hübsch verfeinern täglich ihr Werkzeug und ihre Klang-Paletten. Daher ist ihr Spiel ist ebenso persönlich wie\ngrundlegend offen für all das\, was da kommt und geht. \nGeboren 1988 in Bad Saulgau\, genoss Silke Strahl im Alter von 9 Jahren ihren ersten Musikunterricht. Das Studium der elementaren Musikpädagogik an der Hochschule für Musik und darstellende Kunst Stuttgart begann sie 2008. Ab 2010 studierte sie zusätzlich klassisches Saxophon bei Nikola Lutz. Ein Erasmus Aufenthalt führte sie nach Luzern\, wo sie den Instrumental-Bachelor und das Masterstudium “Interpretation of contemporary music“ bei Sascha Armbruster und Beat Hofstetter abschloss. Silke ist in verschiedenen Ensembles tätig mit denen sie u.a. zeitgenössische Werke uraufführt oder interdisziplinäre Projekte verwirklicht. Ein weiterer Schwerpunkt ihrer Arbeit ist die freie Improvisation. Hier steht sie unter\nanderem mit Hans-Peter Pfammatter\, Christian Weber\, Kevin Sommer\, Raphael Loher\, Tizia Zimmermann oder Lucas Niggli auf der Bühne. Ausserdem ist sie als Aushilfe und Zuzügerin in verschiedenen Orchestern und Ensembles\, wie dem Sinfonieorchester Basel\, zu hören. Sie gewann 2019 mit ihrem Duo Klexs den zweiten Preis des renommierten\nWettbewerb Concours Nicati und 2016 den Edwin-Fischer- Anerkennungspreis\, sowie den Soundzz.z.zzz…z- Wettbewerb des Lucerne Festivals. Ausserdem engagiert sie sich aktiv für die Luzerner Kulturszene\, im Forum Neue Musik Luzern und dem Mullbau Luzern. \nCarl Ludwig Hübsch komponiert für kleine und grosse Besetzungen intuitiver oder Neuer Musik und ist als Tubist ein im In- und Ausland gefragter Improvisierer oder Interpret. Er studierte Komposition meist autodidaktisch\, jedoch auch z.B. als Gaststudent in der Kompositionsklasse von Johannes Fritsch in Köln. Hübsch komponiert für verschiedene Ensembles wie z.B. das Multiple Joy[ce] Orchestra in Köln\, seine eigenen Gruppen oder für Kompositionsaufträge. Sein kompositorisches Schaffen stellt den Interpreten als kreative Instanz im Umgang mit vorab komponierter Musik in den Mittelpunkt. Seit 1989 tritt Carl Ludwig Hübsch regelmäßig mit herausragenden bekannten und unbekannten Meistern seines Metiers zusammen auf. Hübsch hat drei Bücher mit Interviews mit Improvisierenden Musiker*innen veröffentlicht und veranstaltet die „Plattform Nicht Dokumentierbarer Ereignisse“ in Köln.
URL:https://www.phantanoise.com/event/kaplan-valencia-%c2%b7-hubsch-aber-verstrahlt/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260924T200000
DTEND;TZID=Europe/Vienna:20260924T220000
DTSTAMP:20260923T110127Z
CREATED:20260923T110127Z
LAST-MODIFIED:20260923T110127Z
UID:10000604-1790280000-1790287200@www.phantanoise.com
SUMMARY:UneExpEctEd #7
DESCRIPTION:Ian Mikyska : viola da gamba + bass recorder + feedback banjo\nYoram Rosilio : Kontrabass\nValentin Duit : Drums
URL:https://www.phantanoise.com/event/uneexpected-7/
LOCATION:Semmelweisklinik\, Hockegasse 37 Haus 4\, Wien\, 1180\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260924T200000
DTEND;TZID=Europe/Vienna:20260924T220000
DTSTAMP:20260924T064800Z
CREATED:20260206T111730Z
LAST-MODIFIED:20260924T064800Z
UID:10000473-1790280000-1790287200@www.phantanoise.com
SUMMARY:Trio Stopkontakt: Bogner/Eberhard/Gross
DESCRIPTION:Trio Stopkontakt\nFlorian Bogner – Elektronik\nAlexander J. Eberhard – Bratsche\, FX\nIgor Gross – Perkussion \nOn the Couch  \nist eine Studiokonzertreihe mit Hauskonzertcharakter\, die monatlich (außer im Sommer) an einem Donnerstagabend im Studio Eberhard\, in der Salesianergasse 10/1 um 20 Uhr stattfindet. Entstanden ist sie 2012 aus einer Klangkunstausstellung des deutschen Musikrates. Kuratiert und organisiert vom Kulturverein On the Couch – zur Förderung von Kunst und Kultur in der Gesellschaft. Bisher fanden über 100 Konzerte statt. Der Schwerpunkt liegt auf aktueller Neuer Musik.\nDie Idee entstand aus dem Bedürfnis heraus\, professionelles Musikschaffen in die Intimität eines Salons zu bringen. Dadurch bietet sich die Möglichkeit\, MusikerInnen und Publikum nah zusammenzuführen\, sich über das Gehörte und Erlebte auszutauschen. Es geht um eine persönliche Gegenseitigkeit\, die im herkömmlichen Konzertbetrieb nicht vorkommt.
URL:https://www.phantanoise.com/event/trio-stopkontakt-bogner-eberhard-gross/
LOCATION:Studio Eberhard\, Salesianergasse 10/1\, Wien\, Wien\, 1030\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260923T203000
DTEND;TZID=Europe/Vienna:20260923T220000
DTSTAMP:20260909T101222Z
CREATED:20260909T101222Z
LAST-MODIFIED:20260909T101222Z
UID:10000594-1790195400-1790200800@www.phantanoise.com
SUMMARY:Synesthetic Wednesday
DESCRIPTION:Der Synesthetic Wednesday ist zurück und startet die Saison in einer neuen Location\, bevor er für den Rest des Jahres ins Rhiz zurückkehrt.\nDie Konzertreihe\, die seit 2018 eine Mischung aus experimenteller Groovemusik\, progressivem Nu-Jazz und elektronischer Live-Musik präsentiert\, stellt bei diesem späten ersten Termin des Jahres ein volles Line-up vor\, das einen spannenden und abwechslungsreichen Abend verspricht. \nDoors: 19:00\nStart: 20:30
URL:https://www.phantanoise.com/event/synesthetic-wednesday/
LOCATION:Club Lucia\, U-Bahnbogen 24-25 (U6 Thaliastraße)\, Wien\, Wien\, 1080\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260922T190000
DTEND;TZID=Europe/Vienna:20260922T220000
DTSTAMP:20260814T130045Z
CREATED:20260814T130045Z
LAST-MODIFIED:20260814T130045Z
UID:10000550-1790103600-1790114400@www.phantanoise.com
SUMMARY:velak-gala #146
DESCRIPTION:La Cuerda y el Grito \nLa Cuerda y el Grito\, translated as “The String and the Scream”\, is a multidisciplinary performance that blends contemporary music\, free improvisation\, body\, and object. Yuko Cornale and Sofía Escamilla work from a place of depth and in the quest for the intangible – each from a different language: one using the voice as a portal\, the other through cello as an extension of the body. This duo is born from attentive listening and the willingness to inhabit the moment. While Yuko’s voice folds\, distorts\, and channels the intangible\, Sofía’s cello expands through digital processing and sound objects. \nA seismic encounter between two explorers of the deep who come together in a dialogue of sounds and emotions. Voice and cello merge and warp creating an intimate ritual where air becomes string\, and string becomes scream. Both artists were selected for the Ibermúsicas – Emilia Romagna call\, with tours in Mexico and Italy alongside the trio HackOut!. In 2025-2026 they develop The String and the Scream. \n\n \nYuko Cornale \nPerformer\, improviser\, composer\, and producer born in Bolivia and of Italian nationality. Based in Mexico City for over ten years\, her work focuses on vocal exploration and the use of extended techniques. Active in the experimental scene\, she performs in free improvisation concerts and collaborates with contemporary music ensembles. She teaches private voice lessons and leads the Vox Anima workshop\, which encourages vocal exploration and somatic knowledge of the voice. \nShe currently leads two main projects: Craniata\, an immersive performance combining digital art\, visual arts\, electronic music\, body\, and voice; and Ensamble Voraz\, a group dedicated to free improvisation with influences of black metal\, doom\, and noise rock. Her practice is driven by the exploration of the depths\, channeling the intangible. \nSofía Escamilla \nCellist\, composer\, and sound artist Mexican who moves between contemporary academic music\, free improvisation\, performance\, and electroacoustic music. Her approach to the instrument begins with the exploration of extended techniques with real-time digital processing\, layering voice and other sound objects. Her work also spans multidisciplinary collaborations in poetry\, dance\, theater\, and film. Notable collaborations include the Mexico City Philharmonic Orchestra 2023 as a composer selected for the Orchestral Techniques Workshop\, and with the UNAM Choreographic Workshop 2025 as a live cellist. She is currently a member and founder of the free jazz trio Segaki\, a member of Kóryma orchestra led by jazz pianist Ana Ruíz\, and cellist in trumpeter and jazz artist Jacob Wick’s ensemble\, with whom they recorded an album in 2025. \nErikM \nDisappearing Words takes as its starting point the list of terms banned by the Trump administration — science-based\, transgender\, diversity\, climate change… Entrusted to an AI-generated artificial voice\, these words appear as a fragile memory\, already under threat of erasure. Integrated into the Idiosyncrasie device\, built from real-time sound streams and reconfigured raw materials\, they enter a process of continuous transformation. Little by little\, the voice blurs\, dissolves\, merges with the streams\, and drifts toward entropy: a state where meaning fades\, where sonic matter decomposes into an unstable and unpredictable field. Between memory and disappearance\, Disappearing Words sets political language and its\nmanipulation against the fragility of any sonic trace\, questioning the ways in which words can be erased\, diverted\, or rendered inaudible. \neRIkm (Aka Erik M) is a French musician\, composer and visual artist. Since his first experience in the plastic and visual arts\, ErikM takes the risk to escape any attempt of hasty categorization. Very quickly considered as a virtuoso of electronic devices and sound arts (1994)\, he crosses the worlds-systems called „independent“\, „institutional“ and territories (France – International). He develops an openly prospective approach of the technological medium. He conceives acousmatic works or composes mixed music for instrumental ensembles (Ensemble Inter contemporain\, Phoenix Basel\, Les Percussions de Strasbourg\, Dedalus…). He has collaborated with Luc Ferrari\, Jean-Luc Nancy\, Christian Marclay\, Thurston Moore\, Bernard Stiegler\, Mathilde Monnier\, FM Einheit\, Will Oldham … and creates transversal works that constitute a singular kaleidoscopic vision and put in tension the intimate and the political\, the popular and the learned. \nwww.erikm.com\n \nSajjra Xhrs Galarreta \nPsychoacoustic live session with Andean-Amazonian ceramic whistle \nPremiered at DATA (Marseille) under the new moon of November 21 of 2025. \nA physical sound experience based on deep breathing\, silence\, resonances\, and tonal imprecision in the mid-frequency range\, performed with an Andean clay ocarina. The playing style is influenced by the “cracked\,” dissonant\, intense\, and energetic sound characteristic of rituals with Andean wind instruments. Otoacoustic situationism and rural futurism. \nhttps://chrsgalarretaprojects.bandcamp.com/
URL:https://www.phantanoise.com/event/velak-gala-146/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260919T200000
DTEND;TZID=Europe/Vienna:20260919T220000
DTSTAMP:20260826T102008Z
CREATED:20260826T102008Z
LAST-MODIFIED:20260826T102008Z
UID:10000577-1789848000-1789855200@www.phantanoise.com
SUMMARY:Rebecca Minten & Luz Gonzalez | Aleksandar Škorić
DESCRIPTION:Rebecca Minten & Luz Gonzalez \nDas Duo stellt eine elektroakustische Begegnung zwischen den musikalischen Welten von Luz Gonzalez und Rebecca Minten dar. Im Mittelpunkt ihrer klanglichen Forschung steht die Entwicklung eines elektronischen Instruments\, das speziell darauf ausgelegt ist\, einen Dialog mit der (Bass-)Klarinette und einem zeitgenössischen Spielstil herzustellen.\nDiese präzise und sich ständig weiterentwickelnde Programmierarbeit ermöglicht es den beiden Musikerinnen\, in der gemeinsamen Welt\, die sie sich geschaffen haben\, miteinander zu interagieren. Die daraus entstehenden Kompositionen sind niemals fertige Produkte\, sondern entstehen aus langen Improvisationssitzungen und bilden meist offene und/oder grafische Partituren. \nAleksandar Škorić\nis a Serbian drummer whose playing fuses the rhythmic vitality of the Balkans with the spiritual intensity of free jazz. His approach is characterized by both dynamic power and subtlety\, making him a versatile and sought-after musician in contemporary improvised music. Škorić studied jazz and improvisation at the Prins Claus Conservatorium in Groningen (Netherlands) and at the KASK Conservatory in Ghent (Belgium). There\, he developed an open and exploratory approach to percussion\, rooted in both tradition and avant-garde innovation. He has performed internationally with leading figures in improvised and free jazz\, including Akira Sakata\, William Parker\, John Dikeman\, Linda Sharrock\, Jamie Branch\, Charles Gayle\, and Shabaka Hutchins. His discography includes Glory Divine (Charles Gayle Trio)\, Live in Europe 2022 (Akira Sakata Entasis\, Trost Records)\, and Like One Long Dream (Mofaya\, with Jamie Branch\, John Dikeman\, Luke Stewart\, and Škorić). Through his ability to weave Balkan rhythms with contemporary free improvisation\, Škorić makes a unique rhythmic contribution to both the European and international creative music scenes. \nA Škorić YouTube\nA Škorić Soundcloud \n 
URL:https://www.phantanoise.com/event/rebecca-minten-luz-gonzalez-aleksandar-skoric/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260919T200000
DTEND;TZID=Europe/Vienna:20260919T220000
DTSTAMP:20260814T125752Z
CREATED:20260814T125752Z
LAST-MODIFIED:20260814T125752Z
UID:10000549-1789848000-1789855200@www.phantanoise.com
SUMMARY:Anaïs Tuerlinckx · Warelis / Stoffner / Fischerlehrer
DESCRIPTION:Die aus Brüssel stammende Pianistin Anaïs Tuerlinckx zog 2008 nach Berlin und ist seitdem Teil der lebendigen und vielseitigen berlinischen Musikszene\, die sich der Improvisation widmet. In Ihrer Arbeit erforscht Anaïs Tuerlinckx das Innenklavier. Ihre musikalischen Wurzeln hat Anaïs Tuerlinckx in der freien Improvisation und lässt sich von der Ästhetik der zeitgenössischen Musik\, des Free Jazz\, des Noise und der elektroakustischen Musik inspirieren.\nSie neigt zu einer eher körperlichen und ausladenden Spielweise\, ihre Auftritte zeichnen sich durch Noise und harsche Sounds aus\, suchen aber auch die eher elegisch-luftigen und weiten Räume. \nDas Klavier öffnet sich zu einem echoischen Raum. Metallische Schwingungen stoßen aufeinander\, singen\, flüstern und brüllen. Die Materialien offenbaren sich in ihrer ganzen Rohheit und ihrer ganzen herben Schönheit. Silber- und Kupferlichter spiegeln sich auf der dunklen Oberfläche\, erwachen zum Leben und enthüllen ihre geheime Resonanz. Eine Reise durch eine Schwarz-Weiß-Welt zeichnet sich ab – durch einen intimen Tanz in unmittelbarer körperlicher Nähe zum Instrument. \nWARELIS / STOFFNER / FISCHERLEHNER \n[D]\nEin spannendes frei improvisierendes Trio\, das drei aktive Musiker:innen aus der europäischen Jazz- und Improv-Szene vereint: die Pianistin Marta Warelis ist bekannt für ihr Solospiel und Zusammenarbeiten mit Musikern wie Wilbert de Joode\, Ab Baars\, Dave Douglas und Kaja Draksler. Gitarrist Florian Stoffner lebt in Zürich und arbeitet u.a. mit Paul Lovens\, Rudi Mahall\, Chris Corsano und John Butcher. Rudi Fischerlehner veröffentlichte zwei Schlagzeug-Solo-Alben und ist mit Bands wie Xenofox\, Der Dritte Stand und dem Julie Sassoon Quartet assoziiert.\nDie Band hatte ihre Premiere auf dem Spontaneous Music Festival 2023 in Poznan\, ein Mitschnitt dieses Auftritts ist als Live-Album erschienen. \n[EN]\nAn exciting free improvising trio uniting three active members from the European jazz- and improv scene: Pianist Marta Warelis is known for her solo work and collaborations with musicians such as Wilbert de Joode\, Ab Baars\, Dave Douglas\, and Kaja Draksler. Guitarist Florian Stoffner lives in Zürich and works with Paul Lovens\, Rudi Mahall\, Chris Corsano\, and John Butcher\, among others. Rudi Fischerlehner has released two solo drum albums and is associated with bands such as Xenofox\, Der Dritte Stand\, and the Julie Sassoon Quartet.\nThe band made its debut at the 2023 Spontaneous Music Festival in Poznan; a recording of that performance has been released as a live album. \n„Many had their appetites sharpened for this set in particular\, and it seems that all our expectations were met…“\nSpontaneous Music Tribune \n„It’s mind-blowing! The trio’s magnificent fury sublimates the high level of each of the three improvisers\, propelling them into a state of trance rarely achieved. An extreme quality of collective invention that goes far beyond and above individual musicianship. A must-see!“\nOrynx – Improv and Sounds \n„Ein feinsinnig intellektuelles Dreiergespann\, das durchaus Mut zur Sprödheit beweist.“\nFreiStil \n„Mit allseits perkussiven\, spritzigen\, plonkenden Kürzeln und trappelig huschenden Pfoten\, klimprig und rasselig\, kratzig und rappelig\, agil verdichtet.“\nBad Alchemy
URL:https://www.phantanoise.com/event/anais-tuerlinckx-%c2%b7-warelis-stoffner-fischerlehrer/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260918T203000
DTEND;TZID=Europe/Vienna:20260918T220000
DTSTAMP:20260822T095536Z
CREATED:20260822T095536Z
LAST-MODIFIED:20260822T095536Z
UID:10000555-1789763400-1789768800@www.phantanoise.com
SUMMARY:Minten & González\, Kasho Chualan & Ivar Roban Krizic & Thomas Grill
DESCRIPTION:Minten & González \nThis duo starts from the desire to create a common language beyond any aesthetic line or tradition\, as well as from the conviction that musical understanding goes beyond these categories. In this project Luz González (live electronics) and Rebecca Minten (bass clarinet) provoke and support each other in equal parts by the use of multiphonics\, live processing\, sinus tones and pure noise.\nTogether they created the work Zones limitrophes which evolved in an eclectic duo touring since then. \nMinten&Gonzalez were guests at. Primi Copenhagen\, Sonorities Festival Belfast 2024\, Vekks Vienna\, echoraum (AT)\, Neue Musik St. Ruprecht (AT)\, noiseberg Berlin\, la Voirie Biel etc.\nIn 2025 they recorded their debut album at Morphine Raum Berlin\, to be released in 2026 with PreferMusic\, wabi-sabi tapes and Aut Records. \nKasho Chualan & Ivar Roban Krizic & Thomas Grill \nOutputs routed back as inputs: a ceaseless circuit of cause and effect. Sounds to bodies to objects to space—ad infinitum. Ever-feeding\, never satiated\, the network connects us all\, existing before and after. The performance serves as a “during”: it allows us to explicate our relationship to the other\, to designate a time and space that embeds us as part of the loop\, neither positive nor negative\, only therein. \nFeedback is an exploration of the network nodes that go by the names Kasho Chualan\, Thomas Grill\, and IRK\, and their respective extensions. \nDoors: 19:30 · Start: 20:30
URL:https://www.phantanoise.com/event/minten-gonzalez-kasho-chualan-ivar-roban-krizic-thomas-grill/
LOCATION:kv.r\, Hernalser Hauptstraße 86\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260918T180000
DTEND;TZID=Europe/Vienna:20260918T220000
DTSTAMP:20260909T083806Z
CREATED:20260909T083806Z
LAST-MODIFIED:20260909T083806Z
UID:10000586-1789754400-1789768800@www.phantanoise.com
SUMMARY:Circuit Fantôme Season 6 Episode 12 Valentin Sisman
DESCRIPTION:Circuit Fantôme –\nseries of octophonic / acousmatic listening sessions and performances\,\ncurated by Daniel Teruggi and Anton Iakhontov (Patrick K.-H.)\nSeason 6 Episode 12: Valentin Sismann LIVE\nOctophonic performances + artist talk:\nPart I\nÉparpauses (2025 – 10’41)\nErosia (2025 – 17’10)\nAbimie (2026 – 15’)\nMorphaime (2024 – 9’48)\nMémoroses (2022 – 9’13’)\nPart II\nNuaginaire (2025 – 13’04)\nRésurrecson (2023 – 10’56)\nSonctuaire (2025 – 12’01)
URL:https://www.phantanoise.com/event/circuit-fantome-season-6-episode-12-valentin-sisman/
LOCATION:Vronihof Kulturverein\, Veronikagasse 24\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
ORGANIZER;CN="Floating Sound Gallery":MAILTO:floatingsound.vienna@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260916T200000
DTEND;TZID=Europe/Vienna:20260916T220000
DTSTAMP:20260908T104128Z
CREATED:20260908T104128Z
LAST-MODIFIED:20260908T104128Z
UID:10000584-1789588800-1789596000@www.phantanoise.com
SUMMARY:Der Bloede Dritte Mittwoch #160
DESCRIPTION:IM SCHLAF ENTWEICHEN MIR WORTE \n* LouMer // Sofia Labropoulou – Kanun & Thomas Berghammer – Trompete [Concert]\n** DEINE MUTTER! // Luigi Guerrieri [Performance]\n*** Luurankouni // Félicie Bazelaire – double bass\, samples\, Lauri Hyvärinen – electric guitar & Cyril Mercier – light and shadow projections [Concert-Performance] \nlos geht’s! wir beginnen die Saison mit einem wienerischem griechisch / österreichischem Duo: Sofia Labropoulou auf dem Hackbrettartigem Kanun zum draufschlagen und Thomas Berghammer an der Trompete zum hineinblasen.\nAußerdem gibt sich Luigi Guerrieri der Mutter aller Beleidigungen hin und danach präsentieren wir Euch noch audiovisuelle Freuden aus Frankreich mit Luurankouni an Projektoren und Instrumenten. \n 
URL:https://www.phantanoise.com/event/der-bloede-dritte-mittwoch-160/
LOCATION:Theater am Werk Petersplatz\, Petersplatz 1\, Wien\, Wien\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260916T200000
DTEND;TZID=Europe/Vienna:20260916T220000
DTSTAMP:20260826T115544Z
CREATED:20260826T115544Z
LAST-MODIFIED:20260826T115544Z
UID:10000583-1789588800-1789596000@www.phantanoise.com
SUMMARY:BRANDSTÄTTE CONCERT SERIES #38
DESCRIPTION:The SFIEMA Improvised Music Club Sept 2026 in der ART LOUNGE im Café Korb \nSFIEMA – SOCIETY FOR SOUND ART\, FREE IMPROVISATION AND EXPERIMENTAL MUSIC AUSTRIA lädt zum nächsten Konzert: \n1.Der SFIEMA Improvised Music Award \nDer SFIEMA Improvised Music Award wurde heuer zum zweiten Mal von SFIEMA in Kooperation mit der mdw – Universität für Musik und darstellende Kunst Wien ausgeschrieben.Ausgezeichnet wurde ein Werk aus dem Bereich der freien Improvisation im Rahmen des 6. Leonard-Bernstein-Institutswettbewerbs für Studierende des Konzertfachs Blas- und Schlaginstrumente.\nDas Gewinnerprojekt:Entsprungen aus vielen kleinen Momenten & Begegnungen\, ist _die Sitzung_ eine spontane Zusammenkunft von drei inspirierten Musiker*innen\, die sich eines Tages dazu entschieden haben\, einen kleinen Weg gemeinsam zu gehen. Wo Musik aus Blickkontakt entsteht & Einverständnis ohne Worte erreicht wird\, liegt ihre schöpferische Kraft & ihr künstlerischer Ausdruck.\nhttps://www.mdw.ac.at/…/leonard-bernstein-instituts… \n2. DUO Wolfgang SELIGO – Klavier\, Herbert Lacina – 12 String bass \n„the thing about improvisation is that it’s not about what you say. It’s listening to what other people say. It’s about what you hear. (Paul Merton .Wolfgang und Herbert traten bisher gemeinsam mit Sainkho Namtschylak und ebenso auch mit Karlheinz Essl auf und sind als kreative Köpfe für SFIEMA \, mit Mia Zabelka\, tätig.Heute spielen sie zum ersten mal im Duett“Und ihre Musik ? It’s about what you hear…Wir wünschen viel Vergnügen !
URL:https://www.phantanoise.com/event/brandstatte-concert-series-38/
LOCATION:Café Korb\, Brandstätte 9\, Wien\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260915T200000
DTEND;TZID=Europe/Vienna:20260915T220000
DTSTAMP:20260814T125415Z
CREATED:20260814T125350Z
LAST-MODIFIED:20260814T125415Z
UID:10000548-1789502400-1789509600@www.phantanoise.com
SUMMARY:Collins & Ulher · Carrasco & Vergara
DESCRIPTION:Two trumpets\, two very diferent approaches: one electronic\, the other acoustic. While Collins works with a computer program and cobbled hardware\, Ulher uses metal sheets\, radios\, milk frothers and other everyday objects. The diametrically opposed sound production leads to oddly similar sonic results.\nConcerts in Berlin\, at blurred edges festival in Hamburg\, Ensemblia Festival in Mönchengladbach\, Alternativa Festival in Prague\, Lampo in Chicago\, Planetario de Bogota\, Universidad de los Andes in Bogota and Museo Arte Moderno in Medellín. Their first release Spark Gap was just released on Relative Pitch Records. \nNicolas Collins\nNew York born and raised\, Nicolas Collins spent years in Europe\, where he was Artistic Director of STEIM (Amsterdam)\, and a DAAD composer-in-residence in Berlin. He is a Professor in the Department of Sound at the School of the Art Institute of Chicago and a Research Fellow at the Orpheus Institute (Ghent). An early adopter of microcomputers for live performance\, Collins also makes use of homemade electronic circuitry and conventional acoustic instruments. His book\, Handmade Electronic Music – The Art of Hardware Hacking (Routledge)\, now in its third edition\, has infuenced emerging electronic music worldwide. \nBirgit Ulher\nBirgit Ulher lives as a freelance musician\, sound artist and composer in Hamburg. After her studies in the field of visual\narts\, she developed her own playing techniques and preparations with trumpet\, radio\, loudspeakers and objects. Apart from this material research\, her special interest lays in the relationship between silence and sound. Her work includes acoustic and electroacoustic projects\, solo performances\, concert and sound installations\, videos\, concept pieces and concerts in the field of improvised / experimental music. She has received numerous grants and travels internationally with her concert activities. \nCarrasco & Vergara: Album Release Tour Secuelas \nThis duo is the result of a collaboration between the chilean musicians Benjamín Vergara and Edén Carrasco\, spanning more than 20 years. This partnership is reflected in practices in the context of experimental music\, noise\, minimalism\, free jazz\, site specific performance. The music of this project explores the limits of the timbres of these two acoustic air instruments\, trumpet & sax\, building zones with melodic lines camouflaged by textures\, a noisy touch of dron blues\, and a submarine version of cool jazz. This 2026 the duo released a cassette álbum called -secuelas- by the italian label Tsss Tapes\, that they will be playing in some cities of europe that includes Cafe Oto (London)\, Echoraum (Viena)\, Sowieso (Berlin)\, Richten 25 (Berlin)\, Cap 30 (Copenhague)\, Hörbar (Hamburg). \nCarrasco & Vergara YouTube \nEdén Carrasco\nChilean musician that plays free improvised music and has played in many different bands such as Ensamble Majamama\, La Kut\, Cariñito 3\, Martin Joseph Pacific Ensemble\, Akinetón Retard\, Cuarteto de Saxofones de Miguel Villafruela\, Ensamble Nuevo of Goethe Institut\, and many other spontaneous and ad hoc combinations for improvised music. He has been part of casual meetings of improvised music and/or recorded and published albums with musicians Tetuzi Akiyama\, Angélica Castelló\, Klaus Filip\, Ly Thanh Tien\, Jason Kahn\, Leonel Kaplan\, Christof Kurzmann\, Andy Moor\, Norbert Möslang\, Günter Müller\, Tatsuya Nakatani\, David Stakenäs\, Burkhard Stangl\, Sabu Toyozumi\, Taku Unami\, Birgit Ulher\, Dafne Vicente-Sandoval\, Ute Völker and Manfred Werder. He has played in many stages in Argentina\, Belgium\, Bolivia\, Brasil\, China\, Colombia\, Germany\, France\, Holland\, Japan\, Spain\, Uruguay and Venezuela. At the same time\, is involved in the tradition of gaita colombiana\, and has a project called Mákina Kandela. \nBenjamín Vergara\nChilean trumpet player\, improviser and educator\, based in the city of Valdivia\, Chile.His work focuses on improvised music\, written contemporary music\, free jazz and experimental music. Director of the Festival of experimental music –Relincha- occurring since 2014 in the city of Valdivia. Professor in music improvisation at School of Music and SoundArt of the Universidad Austral de Chile. He has collaborated with a huge range of musicians like Fred Frith\, Felipe Araya\, Ben Bennett\, Keefe Jackson\, Jim Baker\, Edén Carrasco\, Amanda Irarrázabal\, ensembles and multi disciplinary projects.\nHis music is available in labels like Inexhaustible Editions\, 577 records\, Relative Pitch\, Tour de Bras.\nBenjamin Vergara Bandcamp
URL:https://www.phantanoise.com/event/collins-ulher-%c2%b7-carrasco-vergara/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260914T203000
DTEND;TZID=Europe/Vienna:20260914T230000
DTSTAMP:20260909T094215Z
CREATED:20260909T094215Z
LAST-MODIFIED:20260909T094215Z
UID:10000592-1789417800-1789426800@www.phantanoise.com
SUMMARY:Luisa Muhr / Jessica Pavone / Eric Arn / Kenneth Jiménez
DESCRIPTION:Luisa Muhr: voice\nJessica Pavone: viola\nEric Arn: guitar\nKenneth Jiménez: bass \nLuisa Muhr ist eine österreichisch-New Yorker experimentelle Vokalistin und interdisziplinäre Künstlerin\, deren Arbeit sich auf Stimme\, Klang und körperliche Bewegung konzentriert. Ihre Praxis umfasst Improvisation\, Komposition\, Installation\, Performancekunst\, Bewegung/Tanz sowie experimentelles Musiktheater. Muhr veröffentlichte ihr Debüt-Soloalbum TEUFLIN/SHE-DEVIL\, das vom New York City Jazz Record für seine „zutiefst eindringlichen Vocals“ gelobt und als „eine lohnende Reise für mutige musikalische Entdecker:innen“ beschrieben wurde. Es folgte In Trialogue\, eine Liveaufnahme aus dem Wiener Porgy & Bess (2024)\, sowie ihr drittes Album Under Over World (2025). Das österreichische Skug Magazin bezeichnete Muhr als „eine famose Sängerin“ und lobte ihr “weiches Timbre wärmt die Seele\, ihre Intonationssicherheit weiß ebenso zu beeindrucken wie ihre Variationsbreite. Dazu kommt eine weitere beachtliche »Rechenleistung« ihres Gehirns: Sie erfindet die »Lyrics«\, die Worte und Laute spontan während des Singens.” Zu den Künstler:innen und Ensembles\, mit denen Muhr gearbeitet hat\, zählen Claire Chase\, Shelley Hirsch\, Meredith Monk\, Arturo O’Farrill\, William Parker\, John Zorn und die New York Philharmonic. \nIn diesem besonderen Quartett (und in dieser erstmaligen Zusammenarbeit) wird sie von Freund:innen und Kolleg:innen begleitet: der amerikanischen Bratschistin Jessica Pavone\, einer Veteranin der New Yorker Avantgarde-Szene; dem amerikanischen\, in Wien lebenden Gitarristen Eric Arn\, der auch auf In Trialogue zu hören ist; sowie dem costa-ricanischen\, in New York lebenden Bassisten Kenneth Jiménez\, der auf Under Over World zu hören ist. Gemeinsam verweben die vier meisterhaften Improvisator:innen einen intimen klanglichen Dialog\, hören einander aufmerksam zu und laden das Publikum zu einer Reise in die Seele durch Klang ein. \n 
URL:https://www.phantanoise.com/event/luisa-muhr-jessica-pavone-eric-arn-kenneth-jimenez/
LOCATION:Porgy & Bess\, Riemergasse 11\, Wien\, Wien\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260914T200000
DTEND;TZID=Europe/Vienna:20260914T220000
DTSTAMP:20260909T104314Z
CREATED:20260909T104314Z
LAST-MODIFIED:20260909T104314Z
UID:10000596-1789416000-1789423200@www.phantanoise.com
SUMMARY:GLOW
DESCRIPTION:With GLOW\, composer and trumpeter Jakob Helling presents a quartet featuring four distinctive musical personalities from the Viennese scene\, which creates musical space for moments of reflection\, pause\, and the conscious experience of tranquility. At the same time\, the quartet questions cultural structures—for example\, the conventions surrounding how music is presented in church-like spaces. In this way\, the acoustics of the REAKTOR become an invisible co-creator. \nGLOW’s music moves between contemporary jazz\, chamber music\, and minimalist structures. It creates a space for fragility\, tranquility\, and reflection. Jakob Helling’s compositions unfold their unique power in the expansive space of the REAKTOR\, where architecture and acoustics become resonance chambers for engaging with the event\, reverberation\, and reflection. \nLINEUP: \nJakob Helling – trumpet\, flugelhorn\, Mellotron \nMatthew Halpin – tenor saxophone \nAlois Eberl – trombone\, stomp box \nBeate Wiesinger – double bass \n  \nRUNNING TIME approx. 50 minutes \nTickets at the entrance\, donation-based \nDoors open one hour before the concert begins. \n 
URL:https://www.phantanoise.com/event/glow/
LOCATION:Reaktor\, Geblergasse 40\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260913T200000
DTEND;TZID=Europe/Vienna:20260913T220000
DTSTAMP:20260909T091754Z
CREATED:20260909T091754Z
LAST-MODIFIED:20260909T091754Z
UID:10000590-1789329600-1789336800@www.phantanoise.com
SUMMARY:KNUSP
DESCRIPTION:Mit KNUSP möchten wir – das KuratorInnen-Team der Neuen Musik St.Ruprecht – ein neues Format der Begegnung etablieren. Einmal pro Saison laden wir geschätzte MusikerInnen der Echtzeitmusik ein um sich mit uns musikalisch auszutauschen. Für die Saison 2026/27 freuen wir uns\, mit Tiziana Bertoncini und Teresa Doblinger zusammenzuarbeiten.\nBei dieser Zusammenkunft sollen verschieden Formen von Synergien gepflegt und kultiviert werden: Die soziale Vernetzung\, ein bekennen zueinander\, eine Handreichung und Anerkennung unter KollegInnen und MitstreiterInnen. Aber noch viel wichtiger\, das gemeinsame Erschaffen und Erleben\, sich begegnen in Aufgeschlossenheit\, Aufmerksamkeit und Respekt.\nTiziana Bertoncini | Violine\nTeresa Doblinger | Bassklarinette\nGobi Drab | Blockflöten\nKlaus Haidl | Saiteninstrumente\nDaniel Lercher | Tontechnik
URL:https://www.phantanoise.com/event/knusp/
LOCATION:Sankt Ruprecht\, Ruprechtsplatz 1\, Wien\, Vienna\, 1010\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260912T200000
DTEND;TZID=Europe/Vienna:20260912T220000
DTSTAMP:20260909T093104Z
CREATED:20260909T092917Z
LAST-MODIFIED:20260909T093104Z
UID:10000591-1789243200-1789250400@www.phantanoise.com
SUMMARY:SMALLFORMS Yuzu | Seijiro Murayama and Axel Dörner
DESCRIPTION:Venue: more infos soon! (or write to office@smallforms.org) \nAxel Dörner & Seijiro Murayama \nSince the modern era\, the conventional concert format—performers facing an audience—has remained largely unchanged\, even in\nimprovisation. Sound-art practices\, by contrast\, often discard this setup and allow free movement in space.\nThese formats reveal a divide: improvised music embraces spontaneity yet remains tied to the framework of “music\,” and we can sense whether a sound leans toward the musical or the purely sonic.\nTo address this core issue of improvisation\, it is meaningful for us to adopt a more sound-art-oriented approach and use space dynamically\,\nmoving through it when needed. \nAxel Dörner is one of the most unique voices in free improvisation. He developed a completely different language for the trumpet in the late\n1990s. Most of the ensembles he is part of are characterized by a non-hierarchical collaboration of the musicians involved.\nSince 2000 extended concert tours on all five continents which led to a worldwide genre- comprehensive musical network with most distinguished musicians of our time (SWR Jazzprize 2006\, Jazzprize of the city of Berlin 2019). His discography consists at this time of more than 150 CDs / LPs. \nPercussionist-drummer Seijiro Murayama was born in 1957 in Nagasaki\, Japan. From 1982 to 1995\, he dedicated himself to improvisation by\nplaying in Keiji Haino’s band Fushitsusha\, then in K.K. Null’s noise/rock band A.N.P. (Absolut Null Punkt). \nA relocation to France in 1999 led to collaborations that extended to dance\, theatre\, and performance\, as well as ongoing partnerships with\nmusicians like Jean-Luc Guionnet\, Eric La Casa\, and Axel Dörner\, among many others.\nHis activities as an improviser-composer are based on the concept of interdisciplinarity. Today\, one of his main axes of work is to regularly\nconduct workshops on non-idiomatic improvisation. The motor of his approach resides in the attention to space and place\, the energy of the\naudience\, and the quality and perception of silence on various levels. \nhttps://axeldoerner.bandcamp.com/album/afore-2\n \nYuzu \nMilena Georgieva aka Yuzu is a composer and transdisciplinary artist\, born in Bulgaria and based in Vienna. Guided by a fluid\, unbound sense of music and listening she explores sound as an ever unfolding\, organic matter. Her fascination with music is it’s capacity to be simultaneously a collective and radically intimate experience. There she sees the possibility to grow unexpected relationships and enter impossible places – utopias. Symbiosis — understood as both emergence and coexistence — lies at the core of her current compositional and collaborative work with choirs and ensembles. She interlaces diverse musical practices like improvisation and score\, modular and digital sound design\, live-processing\, experimental and extended instrumental\, vocal and recording techniques. By engaging noise\, texture\, and grip as auditory sensations of materiality\, alongside processual and space-activating aspects like acoustic dimensionality\, phasing\, resonance-dissonance and polytemporality she sets in motion complex and multidimensional bodies of sound. \n///// \nInstagram\n@yuzu_.__\n@milenagerogieva.xyz\nWeb: milenageorgieva.xyz \nDoors: 19h30\nMusic: 20h30
URL:https://www.phantanoise.com/event/smallforms-yuzu-seijiro-murayama-and-axel-dorner/
LOCATION:Vienna
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260911T203000
DTEND;TZID=Europe/Vienna:20260911T220000
DTSTAMP:20260822T095243Z
CREATED:20260822T095243Z
LAST-MODIFIED:20260822T095243Z
UID:10000554-1789158600-1789164000@www.phantanoise.com
SUMMARY:Matthew Ryals\, Neda Rimaitè
DESCRIPTION:Matthew Ryals is a NYC-based synthesist and composer-improviser. He has released four studio albums and a series of EPs on 3OP\, SØVN\, and dingn\dents. His newest album\, Exalge\, was released on Infrequent Seams in fall 2025. \nMatthew performs internationally and was recently featured on High Zero Festival 2025 and Ex Nihilo Festival. He has collaborated with Madison Greenstone\, Nava Dunkelman\, Michael Foster\, and many others. Matthew received a 2025 Art Omi: Music Residency\, 2025 Foundation of Contemporary Arts Grant\, a 2022-23 New Music USA Award\, and a 2021 IEA Electronic Media Residency. He also co-curates Artifact\, a Brooklyn-based experimental music series that was awarded a 2025 Brooklyn Arts Council grant. \nDoors: 19:30 · Start: 20:30
URL:https://www.phantanoise.com/event/matthew-ryals-neda-rimaite/
LOCATION:kv.r\, Hernalser Hauptstraße 86\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260911T180000
DTEND;TZID=Europe/Vienna:20260911T220000
DTSTAMP:20260823T143549Z
CREATED:20250901T083107Z
LAST-MODIFIED:20260823T143549Z
UID:10000295-1789149600-1789164000@www.phantanoise.com
SUMMARY:Circuit Fantôme Season 6 Episode 11: Elnaz Behfar\, Fragments of Bodies (2026)
DESCRIPTION:https://floatingsound.at\n\nAn acousmatic composition in five movements.\nEvery body carries more than its own weight.\nIt carries rhythms shaped by breath\, gesture\, memory\, and time.\nEvery body is a temporary shelter for rhythm.\nWhen a body can no longer hold its own rhythm\, the rhythm does not disappear. It leaves the body\, changes its form\, and continues as resonance\, movement\, texture\, and vibration.\nFragments of Bodies follows these remaining fragments—not as memories to be preserved\, but as living sonic traces that continue to move\, collide\, dissolve\, and return.\nAcross five movements\, the work unfolds as a gradual transformation of these traces: from Resonating to Bearing\, from Splintering to Gathering\, and finally toward Outliving the body itself.\nPerhaps every disappearance leaves behind a rhythm.\nThis work listens to those rhythms.
URL:https://www.phantanoise.com/event/circuit-fantome-season-5-episode-8-jorge-sad/
LOCATION:Vronihof Kulturverein\, Veronikagasse 24\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
ORGANIZER;CN="Floating Sound Gallery":MAILTO:floatingsound.vienna@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260910T200000
DTEND;TZID=Europe/Vienna:20260910T220000
DTSTAMP:20260822T103413Z
CREATED:20260822T103413Z
LAST-MODIFIED:20260822T103413Z
UID:10000574-1789070400-1789077600@www.phantanoise.com
SUMMARY:Free Forms 2609 Vienna
DESCRIPTION:Once a month\, the Free Forms of Arts organize a musical gathering in Vienna.
URL:https://www.phantanoise.com/event/free-forms-2609-vienna-2/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260910T200000
DTEND;TZID=Europe/Vienna:20260910T220000
DTSTAMP:20260822T103001Z
CREATED:20260822T103001Z
LAST-MODIFIED:20260822T103001Z
UID:10000570-1789070400-1789077600@www.phantanoise.com
SUMMARY:Free Forms 2609 Vienna
DESCRIPTION:Once a month\, the Free Forms of Arts organize a musical gathering in Vienna.
URL:https://www.phantanoise.com/event/free-forms-2609-vienna/
LOCATION:Vienna
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260910T190000
DTEND;TZID=Europe/Vienna:20260910T220000
DTSTAMP:20260814T124845Z
CREATED:20260814T124845Z
LAST-MODIFIED:20260814T124845Z
UID:10000547-1789066800-1789077600@www.phantanoise.com
SUMMARY:Susanna Gartmayer: SPEICHER
DESCRIPTION:Susanna Gartmayer – SPEICHER\n12 Stücke für Bass und Kontraaltklarinette\nLivekonzert\nPräsentation Partituren & Plattencover & Hörstation Testpressung\nDie CD erscheint im Dezember 2026 auf relative pitch (NY) und die LP 2027. \nSusanna Gartmayer \nstudierte Malerei und Druckgrafik und arbeitet seit Anfang der 2000er Jahre als Bassklarinettistin und Komponistin in diversen Feldern der Experimentalmusik. Sie ist Mitglied\, als auch Gründerin\, zahlreicher Ensembles für improvisierte und organisierte Musik. Ihr besonderes Interesse gilt den vielstimmigen Klangmöglichkeiten der tiefen Klarinetten\, offenen Kompositionsformen\, multiideomatischer Improvisation sowie Theorie und Praxis gemeinschaftlicher Arbeitsprozesse.\nSeit 2015 organisiert sie\, gemeinsam mit Thomas Berghammer und Didi Kern\, die Monday Improvisers Session\, ein Treffpunkt für Improvisator:innen aus Wien und aller Welt.\nAktuelle Projekte (Auswahl): The Vegetable Orchestra\, möström\, Black Burst Sound Generator\, GBK\, McPhee Quartett\, So Sner\, Anthropods\, Aljamosuthovi Kurzmann/Gartmayer\, AOUIE – Acoustic Solos for Bass Clarinet and Room\, The Klingt Collective\, Lupe\, …\nAuftritte bei Konfrontationen Nickelsdorf\, Museum of Modern Art Indianapolis\, Unlimited Wels\, Avant Art Festival Wroclav\, Festiwal Musikofilia Torun\, Kaleidophon Ulrichsberg\, Huddersfield Festival\, Hongkong City Hall\, Meakusma\, Musikprotokoll\, Wien Modern\, Jazzfestival Saalfelden u.v.a. \nChristine Gnigler (Stimme\, Blockflöte) / Thomas Grimm (Altsaxophon) / Susanna Gartmayer (Bassklarinette) /\nMarkus W. Schneider (E-Gitarre) / Johannes Wakolbinger (Komposition) \nZwischen algorithmischer Strenge und atmender Intuition sind Noten immer nur ein Ausgangspunkt.\nStrukturen verändern sich mit jedem Blick. Formen wachsen ins Detail und kehren als Landschaft zurück. Aus\nSystem wird Bewegung\, aus Präzision wird Poesie. Ein Muster\, das sich entzieht. Schönheit ohne Mittelpunkt.\nDie Kunst\, immer wieder neu zu skalieren. \n  \n10. September 2026 bis 27. Oktober 2026\nSusanna Gartmayer: SPEICHER\nAusstellung & Auktion\nKunstarchiv 1983-2027\nPay as you Wish Versteigerung 10. September – 27. Oktober 2026
URL:https://www.phantanoise.com/event/susanna-gartmayer-speicher/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260909T200000
DTEND;TZID=Europe/Vienna:20260909T220000
DTSTAMP:20260822T102650Z
CREATED:20260822T102650Z
LAST-MODIFIED:20260822T102650Z
UID:10000566-1788984000-1788991200@www.phantanoise.com
SUMMARY:Free Forms 2609 Brno
DESCRIPTION:Once a month\, the Free Forms of Arts organize a musical gathering in Brno.
URL:https://www.phantanoise.com/event/free-forms-2609-brno/
LOCATION:Ponava Café & Restaurant\, Lužánecká 3\, Brno\, Brmo\, 60200\, Czech Republic
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260707T203000
DTEND;TZID=Europe/Vienna:20260707T220000
DTSTAMP:20260625T060338Z
CREATED:20260625T060338Z
LAST-MODIFIED:20260625T060338Z
UID:10000542-1783456200-1783461600@www.phantanoise.com
SUMMARY:RUG
DESCRIPTION:RUG consists of internationally renowned jazz drummer Hari Ganglberger and composer for contemporary music and guitarist Mario Bergamasco. The duo operates at the interface between New York School Minimal and an updated expression of Krautrock. \nhttps://rugmusic1.bandcamp.com/album/dark-matter \nFri\, 10.7.2026\nDoors: 19:30 · Start: 20:30
URL:https://www.phantanoise.com/event/rug/
LOCATION:kv.r\, Hernalser Hauptstraße 86\, Wien\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260704T200000
DTEND;TZID=Europe/Vienna:20260704T220000
DTSTAMP:20260625T060156Z
CREATED:20260625T060156Z
LAST-MODIFIED:20260625T060156Z
UID:10000541-1783195200-1783202400@www.phantanoise.com
SUMMARY:Luc Döbereiner\, sofolofo
DESCRIPTION:Things that have vanished may leave no trace in history\, yet they linger\, subtly\, within our senses. What disappears does not disappear completely — it merely changes form and remains within us. Through the language of live coding\, sofolofo eeks to summon these vanished things back through the act of listening. \nLuc Döbereiner is a composer\, musician and researcher whose work explores the fragility\, contingency and materiality of sound. Through his music\, he investigates the entanglement of social\, technological and compositional systems\, investigating processes of sonic becoming\, liminality and the relationality of sound. His work explores how meaning and identity are both dissolved and constituted in sound. \nTaking various forms\, including collaborative and solo performances\, fixed media works\, and written scores for choirs\, soloists\, and ensembles\, his music frequently incorporates adaptive generative processes and sound synthesis algorithms. Döbereiner views synthesis as a processual form of computational becoming\, where perceptual forms emerge from material encounters. Influenced by a wide range of genres\, including early experimental computer music\, medieval and renaissance polyphony\, noise\, improvisation\, and sound art\, his music is characterized by continuously evolving forms\, states of fragility\, noise\, and turbulence. \nOriginally from Berlin\, Luc Döbereiner has performed in experimental music venues across Europe. He has collaborated with ensembles such as LUX:NM\, Eklekto Percussion\, KNM\, Schallfeld\, AuditivVokal and Vertixe Sonora. He studied at the Institute of Sonology in The Hague and holds a PhD from the University of Music and Performing Arts in Graz. Alongside his creative work\, he has taught at institutions including the Donaueschinger Musiktage\, the University of the Arts Berlin\, the Bern University of the Arts\, and the Free University of Berlin. He has also been a postdoctoral researcher at the Centre for Research in New Music at the University of Huddersfield and the Institute for Electronic Music and Acoustics in Graz and served as a professor of AI in composition and sound synthesis at the University of Music Trossingen. \nDöbereiner is part of the duos End of Text together with Ludvig Elblaus and NOR together with Martin Lorenz. \nSat\, 4.7.2026\nDoors: 19:30 · Start: 20:30 \nhttps://www.doebereiner.org/\nhttps://endoftext.bandcamp.com/
URL:https://www.phantanoise.com/event/luc-dobereiner-sofolofo/
LOCATION:Vienna
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260627T203000
DTEND;TZID=Europe/Vienna:20260627T220000
DTSTAMP:20260625T061250Z
CREATED:20260625T061250Z
LAST-MODIFIED:20260625T061250Z
UID:10000543-1782592200-1782597600@www.phantanoise.com
SUMMARY:
DESCRIPTION:PROGRAMM 27.06.26\nMAGDALENA FORSTER\nGUSTAVO OBLIGLADO\nCATENATION \nMAGDALENA FORSTER \nIn Echo Body\, Magdalena Forster reanimates salvaged organ pipes through hydroacoustics\, wind\, and vocal techniques\, reintroducing the instruments into a realm of sonic and corporeal experimentation\, as individual bodies\, screeching\, wailing voices and resonating chambers. Attuning to active listening and responding to the space\, a delicate slipperiness between breath\, sound\, and gesture becomes tangible. Magdalena Forster is an artist based in Vienna. With a background in choreography and performaning arts\, her work often follows material-based processes and is shaped by the logic of tactile interaction\, manual practice\, and her earlier profession in body-centered care work. Forster is interested in collaboration\, the dynamics of live and score-based performances\, in what emerges in the moment and remains as sensation\, image\, or fleeting trace. Her often site specific work is closely tied to sonic exploration\, creating intimate and sensory environments. Echo Body was selected for Impulstanz 8tension Series 2026\, other recent works such as Hearth (2025) and Bile (2023) were co-produced with Tanzquartier Wien and supported by the City of Vienna’s Cultural Department as well as the Austrian Federal Ministry for Arts\, Culture\, Civil Service and Sport. Her works have been presented at Tanzquartier Vienna\, Systema Marseille\, Kunstraum Niederösterreich\, Kunsthaus Zürich\, AIL Vienna\, Neuer Wiener Kunstverein\, Festival der Regionen\, Perspektiven Festival Attersee\, BRUX Theater Innsbruck\, Lothringer 13 Munich\, and the Sonic Territories Festival. \nhttps://www.instagram.com/magphorster/ \nFoto © Raphaël Massart \nGUSTAVO OBLIGADO \nGustavo Obligado (Buenos Aires\, 1990) is a Berlin-based musician\, improviser\, and composer. His practice combines acoustic wind instruments\, such as saxophones and clarinets\, with electronic devices including samplers and sequencers\, exploring improvisation\, experimental music\, and sound activation. He has performed internationally across Europe\, North and South America\, and Asia\, and organizes concerts and experimental music initiatives in Berlin through the label La Mona de Oro and the Sonic Exploration Festival. He also leads workshops in improvisation and sound activation\, fostering inclusive and collaborative musical experiences. \nabout solo set: In my solo set\, I use saxophone along with a real-time sampler/sequencer\, incorporating both live recordings and instrument samples\, as well as home-made effect pedals\, extended techniques\, and preparations. This setup allows me to expand the saxophone’s sonic possibilities and create atmospheric compositions where the instrument intertwines with electronic textures. These sonic landscapes\, titled phenomenas\, are ephemeral manifestations that aim to capture the complexity and movement of the wind. \nDoors 19:30\nMusic 20:30\nHost: Château Rouge\nSchönbrunner Schloßstraße 17\, 1120 Wien
URL:https://www.phantanoise.com/event/30575/
LOCATION:Château Rouge\, Schönnbrunner Schloßstraße 17\, Wien\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260627T170000
DTEND;TZID=Europe/Vienna:20260627T210000
DTSTAMP:20260625T055426Z
CREATED:20260625T055426Z
LAST-MODIFIED:20260625T055426Z
UID:10000539-1782579600-1782594000@www.phantanoise.com
SUMMARY:Polish Art Week
DESCRIPTION:Artur Rumiński (PL)\nWojtek Kurek & Olga Balińska (PL)\nCorazón de Robota (CL) (artist talk)\n\nSaturday\, 27th of June\ndoors: 16:00\, music: 17:00\ntickets via ≈ https://pl.ra.co/events/2432718 or at the door
URL:https://www.phantanoise.com/event/polish-art-week/
LOCATION:Richten25\, Gerichtstraße 25\, Berlin\, 13347\, Germany
CATEGORIES:Berlin,Concert
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END:VCALENDAR