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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250919
DTEND;VALUE=DATE:20250921
DTSTAMP:20260514T145311
CREATED:20250912T055234Z
LAST-MODIFIED:20250912T055234Z
UID:29994-1758240000-1758412799@www.phantanoise.com
SUMMARY:Improvisieren lernen | Aufbaukurs mit Matthias Schwabe
DESCRIPTION:⭐️ Lauschen ⭐️ Experimentieren ⭐️ Kommunizieren — das sind die 3 entscheidenden Kernkompetenzen beim musikalischen Improvisieren. Im Workshop Improvisieren lernen | Aufbaukurs mit Matthias Schwabe am 19.–20. September im exploratorium berlin vertiefen wir die Erfahrungen des Basiskurses und erforschen »das Kompositorische«: Wie entsteht spannende Musik? Was macht eine gute Improvisation aus?\n.\nSein Workshop ist genau richtig für Spieler*innen\, die ihre improvisatorischen Kompetenzen erweitern wollen\, sowie Multiplikator*innen\, die musikalische Improvisation in ihre berufliche\, pädagogische oder therapeutische Arbeit integrieren wollen.\n.\n📣 PLÄTZE FREI: http://exploratorium-berlin.de/…/improvisieren-lernen…
URL:https://www.phantanoise.com/event/improvisieren-lernen-aufbaukurs-mit-matthias-schwabe/
LOCATION:exploratorium berlin\, Zossener Straße 24\, Berlin - Kreuzberg\, Berlin\, 10961
CATEGORIES:Berlin,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250918T200000
DTEND;TZID=Europe/Vienna:20250918T230000
DTSTAMP:20260514T145311
CREATED:20250814T161959Z
LAST-MODIFIED:20250814T162117Z
UID:28862-1758225600-1758236400@www.phantanoise.com
SUMMARY:F(r)ictive Frequencies
DESCRIPTION:Doors open 19:00 | Concert 20:00 | Tickets (only at the door) sliding scale 7-15 €\n– DAS – Daphne and Simpson – Obsolte machines and talking hats\n– Ignatz Höch + Hannah Mouse: twitching mass of asymmetrical insects and spray glue in the shape of a woman\n– Winona Lin and Frank – sampling\, feedback\, objects\, improvised \nF(r)ictive frequencies\, formerly Strings attach/ed\, names a very irregular concert series for irregular methods\, languages and existences: noise\, experimental\, atonal\, spoken word\, minimalism and maximalism\, DIY\, the violence of discovery\, the unlikelihood of existing\, and many many other niceties. \nIgnatz Höch + Hannah Mouse\nhttps://ignatzhoch.bandcamp.com\nPro Bio: Judy Greta Moore is a multifunctional artist and a busy little bee. She makes comics\, Hi-NRG goth music and teaches art. Her music is politically aggressive and aggressively sugary\, inspired by among other things\, theatrical post punk\, trans girl bedroom pop and mid century jazz vocalists. She’s exhibited at The National Portrait Gallery London\, The Institute of Contemporary Art London\, The Freud Museum London\, The Museum of Communication Berlin\, Whose Museum Malmo\, among others. \nDAS (Dafne And Simpson)\nObsolete machines and talking hats.\nA kabelsalat of glitched moving images and soft noise.\nhttps://agentecostura.art\nhttps://dafnenarvaezberlfein.de \nWinona Lin and Frank\nWinona Lin – Information and links coming soon\nFrank creates a unique soundscape in the transition from noise to music. He has arranged his improv set with hints of melodies\, sporadic rhythms\, and sound structures formed by a variety of analog sound samples. These are integrated into the digital signals of a no-input mixer. Another element is a modified resonator guitar. Driven by a motor\, a coil\, and a closed circuit\, its strings are set into permanent vibration\, generating an endless sustain. This results in a radical transformation of both the sound and the handling of the instrument. \nFrictive Frequencies is a series of experimental\, avantgarde or just plainly weird music handpicked by GubbiAnn (another hat\, for music and sound\, of Ann Antidote) \nContact Ausland if you consider attending and need accommodations and/or check what the possibilities are.
URL:https://www.phantanoise.com/event/frictive-frequencies/
LOCATION:ausland\, Lychenerstraße 60\, Berlin\, Prenzlauer Berg\, Berlin\, 10437
CATEGORIES:Berlin
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250918T180000
DTEND;TZID=Europe/Vienna:20250921T150000
DTSTAMP:20260514T145311
CREATED:20250903T102736Z
LAST-MODIFIED:20250903T102736Z
UID:29788-1758218400-1758466800@www.phantanoise.com
SUMMARY:Vocal Adventures with Lauren Newton
DESCRIPTION:Drawing on her experience in a wide variety of jazz styles\, Lauren Newton works with participants on expanded vocal techniques that extend far beyond melodic singing. The spectrum of the voice is more easily accessed and perceived through free improvisation\, and each vocalist thus gains endless possibilities for an individual sound world and fascinating music. Everything is explored: group and individual sound\, pure tone\, noises\, melodies\, language\, rhythm\, pauses\, and the unexpected in the musical process.\nThe unconventional musical working methods improve the participants’ perception and ability to evaluate. Furthermore\, music takes on a deeper meaning for them and their listeners. Guided by the musical moment\, creativity is unleashed\, and we experience the world of the human voice in a whole new way!\nThe course is equally suitable for vocalists and instrumentalists who want to work with the voice. \nInstructor: Lauren Newton\nCourse Times:\nFri\, 6:00 PM–9:00 PM\nSat\, 10:30 AM–6:00 PM\nSun\, 11:00 AM–3:00 PM\nCourse Fee:\n€170/€150 (regular/reduced price)\nGroup Size:\nMaximum: 20 participants\nTarget Group:\nThe course is equally suitable for vocalists and instrumentalists who wish to work with their voices.\nLanguages:\nen/de\nContact:\nQuestions regarding the course content can be sent by email to:\nexploratorium berlin Organizational questions can also be sent by email info@exploratorium-berlin.de\n Registration:\nUse the form by September 5\, 2025
URL:https://www.phantanoise.com/event/vocal-adventures-with-lauren-newton/
LOCATION:exploratorium berlin\, Zossener Straße 24\, Berlin - Kreuzberg\, Berlin\, 10961
CATEGORIES:Berlin,Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250917T203000
DTEND;TZID=Europe/Vienna:20250917T230000
DTSTAMP:20260514T145311
CREATED:20250817T125821Z
LAST-MODIFIED:20250908T164051Z
UID:29276-1758141000-1758150000@www.phantanoise.com
SUMMARY:Experimentik #86 Rizzo\, Hartmann\, Lamb
DESCRIPTION:doors: 20:00 | concert: 20:30 no entry during sets\n3 x solo:Luciana Rizzo – feedbacks\nHanna Hartman – amplified objects\, electronics\nCatherine Lamb – viola\, electronics\n\nadmission: suggested donation 8-12 € at the door\nA monthly series for experimental music at tik / Rigaerstr.77\, 10247 Berlin. curated by Seiji MorimotoExperimentik 2024 – Networking – is kindly supported by inm – initiative neue musik berlin / field notes\n  \nexperimentik.berlin@gmail.com
URL:https://www.phantanoise.com/event/experimentik-86-rizzo-hartmann-lamb/
LOCATION:theater im kino\, Rigaer Straße 77\, Berlin\, Berlin\, 10247\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250917T190000
DTEND;TZID=Europe/Vienna:20250917T220000
DTSTAMP:20260514T145311
CREATED:20250812T112634Z
LAST-MODIFIED:20250817T122104Z
UID:28656-1758135600-1758146400@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 256 (sound installation)
DESCRIPTION:-Set 1- Miriam Leo (piano)\, Berenice Llorens (guitar\, electronics)\, Gustavo Obligado (saxophone) \n-Set 2- Julia Biłat (cello\, voice)\, Roman Stolyar (piano)\, Dudu Kuarte (percussion)
URL:https://www.phantanoise.com/event/improvised-experimental-no-256-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250915T200000
DTEND;TZID=Europe/Vienna:20250915T210000
DTSTAMP:20260514T145311
CREATED:20250908T161721Z
LAST-MODIFIED:20250912T072742Z
UID:29961-1757966400-1757970000@www.phantanoise.com
SUMMARY:Mikołaj Rytowski - the snare drum project (sound installation)
DESCRIPTION:the snare drum project by Mikolaj Rytowski is an immersive instrument and a composition that fuses music\, visual arts\, and performance. At its core\, the project revolves around an ensemble of twenty snare drums\, transformed into a rich sonic landscape that redefines the traditional understanding of percussion. These prepared snare drums are spread throughout the performance space\, serving as both a standalone installation and a twenty-channel sound system for live performance.\nDuration : 45 minutes.\nBefore and after the performance\, the project will be running as a sound installation.\nPart of Monat der zeitgenössischen Musik.
URL:https://www.phantanoise.com/event/mikolaj-rytowski-the-snare-drum-project-sound-installation-2/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250914T200000
DTEND;TZID=Europe/Vienna:20250914T210000
DTSTAMP:20260514T145311
CREATED:20250908T161633Z
LAST-MODIFIED:20250912T072130Z
UID:29959-1757880000-1757883600@www.phantanoise.com
SUMMARY:Mikołaj Rytowski - the snare drum project (sound installation)
DESCRIPTION:the snare drum project by Mikolaj Rytowski is an immersive instrument and a composition that fuses music\, visual arts\, and performance. At its core\, the project revolves around an ensemble of twenty snare drums\, transformed into a rich sonic landscape that redefines the traditional understanding of percussion. These prepared snare drums are spread throughout the performance space\, serving as both a standalone installation and a twenty-channel sound system for live performance.\nDuration : 45 minutes.\nBefore and after the performance\, the project will be running as a sound installation.\nPart of Monat der zeitgenössischen Musik.
URL:https://www.phantanoise.com/event/mikolaj-rytowski-the-snare-drum-project-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250913T190000
DTEND;TZID=Europe/Vienna:20250913T220000
DTSTAMP:20260514T145311
CREATED:20250908T081054Z
LAST-MODIFIED:20250908T161122Z
UID:29922-1757790000-1757800800@www.phantanoise.com
SUMMARY:Gorgone- Church Organ meets Electronics
DESCRIPTION:Andreas Voccia – SynthesizerCéline Voccia – Church Organ\nThe duo GORGONE\, composed of Andreas Voccia and Céline Voccia\, combines elements of historical and contemporary sound. Céline Voccia plays the church organ\, while Andreas Voccia uses a modular synthesiser to generate electronic sounds. In their abstract improvisations\, they merge the sound characteristics of both instruments\, resulting in music that is spontaneous\, detailed\, and texturally diverse. Their pieces are structurally complex and dynamic\, often departing from conventional rhythmic patterns. The result is a multi-layered auditory experience that encourages attentive listening and reflection.\nconcert 7pm sharpduration 60min\nKirche Zur frohen BotschaftWeseler Str. 6\, 10318 Berlin\nPart of the Month of Contemporary Music 2025
URL:https://www.phantanoise.com/event/gorgone-church-organ-meets-electronics/
LOCATION:Kirche Zur frohen Botschaft\, Weseler Str. 6\, Berlin\, Berlin\, 10318\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T200000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260514T145311
CREATED:20250823T155440Z
LAST-MODIFIED:20250823T155440Z
UID:29627-1757707200-1757714400@www.phantanoise.com
SUMMARY:Convergence IX
DESCRIPTION:CONVERGENCE IX\, an evening of immersive performances where sound\, text\, and visuals interweave to create a unique sensory experience.\nFor our ninth edition\, we welcome visual artist Keiji Matsuoka from Japan who will perform with musician Makoto Sakamoto. drusnoise & Erbse will present their performance piece ‘Can you hear the Earth breathing?’\, framed around improvisation\, dissolving human-nature boundaries\, and decentering the western concept of ‘the human’ in performance. Rounding off the evening are the collective akademische Noise\, hoch qualifiziertes Poetry (Laura Leiner\, Rocío Rodríguez and Elsye Suquilanda)\, and Kross Collective co-founder MIRE.\n// Tickets €6- available at door or pre-book via link\nKeiji Matsuoka\nA visual artist from Japan. Focusing mainly on the fluid movement of liquids\, he creates improvised visual performances that project live drawings using paper\, wire\, brushes\, glass and other objects. The flow and mixing of liquids is full of chance and improvisation\, and he has collaborated with many musicians\, dancers and performers both in Japan and abroad. His unique theme of ambiguous boundaries allows him to express unconscious sensations and changes in consciousness. In his solo performances\, he performs visual and sound simultaneously in a style he calls “Drawing Drone.”\nhttps://www.youtube.com/@keijimatsuoka-nuee\nhttps://www.instagram.com/keijimatsuoka_/\nMakoto Sakamoto\nMakoto Sakamoto is a Japanese sound artist and improvisational performer based in Berlin\, working at the intersection of electronic and experimental music. He explores the relationship between sound\, space\, and human perception\, often using real-time synthesis across multiple hardware synthesizers. His improvisational approach invites people unexpected incidents\, blending waveforms and electronics sound textures into tactile\, raw sonic experiences. This method emphasizes the immediacy and physicality of sound\, resulting in performances and compositions that are both responsive and immersive.\nhttps://makotosakamotorecordings.bandcamp.com/\nhttps://www.instagram.com/makoto_sakamoto_recordings/ \nMIRE\nMIRE is the sound project of Berlin-based multidisciplinary artist Andreea Hriscu\, co-founder of Kross Collective. Working across dark ambient\, drone\, and noise\, MIRE sculpts long-form\, improvised compositions using synthesizers\, computer processes\, and field recordings. The result is immersive soundscapes shaped like fluid architecture — both intimate and immense\, suspended between industrial decay and subaquatic stillness.\nDescribed as “music forged in flooded ruins” and “a jagged key to a utopian mirage\,” MIRE’s sonic world shimmers with tension between structure and entropy\, silence and obliteration. Releases include “We Left No Message” (LOUDsilence) and “All That Time” with Grabschlamm (ArrhythNia)\, alongside over a dozen independent works. Past performances span Convergence\, Hosek Contemporary\, and Poetic Hafla — with each act an ephemeral organism\, whispered once\, then gone.\nhttps://www.instagram.com/mire.berlin/\nhttps://mire-berlin.bandcamp.com/music\nhttps://www.youtube.com/@mire-berlin \nakademisches Noise\, hoch qualifiziertes Poetry\nakademisches Noise\, hoch qualifiziertes Poetry born by way of rebellion\, has its roots to manifest the opposite to the “established” enjoyment through noise\, punk\, rock\, mantras\, sounds\, immersed with live audiovisual work creating different scenarios where the viewer will be transported to different universes of the hand of posthumanist poetry recited and sung in multilanguage\, including animal language\, voices and movements of all of us.\nhttps://soundcloud.com/…/akademisches-noise-hoch…\nElsye Suquilanda\nElsye Suquilanda is a posthumanist poet\, filmmaker and performance artist\, co-creator of the Dogsofia Chichoismo. Her art raises awareness about human and animal rights as well as the natural environment. Rituals\, courage\, reality-fantasy\, humor intertwined with unique costumes\, audiovisuals\, chants embracing different rhythms such as chanson\, punk\, metal\, rock\, pasillo\, techno\, noise\, ska\, mantras.\n\nhttps://elsyesuquilanda.bandcamp.com/…/lensi-lusikka…\n\nhttps://www.literaturport.de/wab/person/elsye-suquilanda/en/\nLaura.aLL\nLaura.aLL is a guitarist\, experimental composer and curator. As well as playing guitar in different contexts\, ranging from ambient music\, noise and trip rock\, she works with diverse experimental settings\, exploring the sound of strings\, objects or public spaces\, using effects\, synthesizers\, field recordings or recycled instruments. \nHome \n\nhttps://lauraall.bandcamp.com/\nhttps://mipv-musik.com/\nhttps://mipv.bandcamp.com/\nRocío Rodríguez\nRocío Rodríguez is a video artist and videographer specializing in performance. She began her academic journey studying dance\, followed by film and communication\, ultimately earning a Master’s degree in Philosophy and Culture. Her work investigates the intersection of live performance with innovative techniques and technologies\, aiming to expand the ways in which performance can be experienced audiovisually.\n\n \ndrusnoise & Erbse\nErbse (no/ all pronouns) is active in the fields of visual arts\, music\, dance and philosophy\, is queerfeminist\, is learning\, exploring and experimenting\, attempting to create interconnectivity and a blurring of boundaries as resistances. Erbse is based in Berlin and Bremen and currently prefers to work with dance and social sculptures. Steve Williams aka drusnoise is a live\, electronic music producer\, sound artist and curator of sustain.fm. drusnoise integrates analog modular synthesizers with digital FX and organic samples to create a style that flows from lush ambient tones to gritty techno. Known in the outside world as Dr. Steve Williams\, his academic work includes conducting and publishing research on sustainable energy transition\, energy justice\, and sociomaterial acoustic methods in Canada\, Germany\, Norway\, and Sweden\nhttps://www.instagram.com/drusnoise/\nhttps://www.instagram.com/ochjoa/
URL:https://www.phantanoise.com/event/convergence-ix/
LOCATION:kross collective\, Veteranenstraße 21\, Berlin\, Berlin\, 10119\, Germany
CATEGORIES:Berlin,Festival
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T190000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260514T145311
CREATED:20250904T182506Z
LAST-MODIFIED:20250904T182907Z
UID:29808-1757703600-1757714400@www.phantanoise.com
SUMMARY:Sommes-nous fous?
DESCRIPTION:sound art – electroacoustic action -sound poetry/ exp.poetry – movementFriday – September 12thdoors 18:30 start 19:00 sharpend 00:00 sharp\n. . . Volume 6 of the series ETES-VOUS FOU[S] ? – now called SOMMES – NOUS FOUS ? during the berlin artweek 2025.It is part of the simultaneous exhibition < darkly pushed to the edge . . . >.\nFREE ADMISSION\, but donations for the artists are welcome.\n“. . . in recent years i have been particularly interested inconfrontation or mixture of different strategies in sound\, poetry and action … especially in an unfinished\, process-like manner\, associated with a certain risk \, to provoke the unexpected special.” u.m.\nperformances/actions by:\nV i b r a k ūVibrakū (Tarufu and Ira Hadžić) is a duo whose name combines vibration and kuu—the Japanese word for emptiness—They perform a set featuring gong and bone conduction\, objectshttps://youtu.be/Hg7hCJ3_iBkhttps://www.irahadzic.com/https://www.tarufu.com/about____\nB u r h a r d . B e i n sBerlin sound artist with floor tom-objects actionhttps://www.burkhardbeins.de/____\nS t o r i e s . I n . C o l o u r / Alan LaytonBorn in London\, he studied urban planning\, then received training in vocal technique\, music theory and bass guitar. After appearing at singer songwriter events in London he played bass in various bands\, relocating to Berlin where he started Stories In Colour – a combination of sound collage and spoken word inspired by the urban studies. He has performed at various venues and festivals such as 48 Stunden Berlin\, Fete de la Musique and Glemmingbro cultural festival in Sweden. https://soundcloud.com/bill-bumpstead_____\nS a c h a . Ka h i r + U . M o e l l h u s e nThe two artists have been friends for years and perform together from time to time. Sacha lives in the UK and traveled to Berlin especially for this event. Their current piece will most likely be an action-packed happening consisting of strange voices\, cut-up poetry ?\, body sounds\, amplified objects such as wooden sticks\, aluminum\, cardboard boxes and a lot of other stuff. played in the tension of physical action and audibility. U Moellhusen called it the CRISIS OF OBJECTS.Here are some old\, ultra lo-fi and non-representative examples from the archive of our collaboration :https://elektroakustischegarage.bandcamp.com/…/demagnet…https://elektroakustischegarage.bandcamp.com/…/wallstre…https://elektroakustischegarage.bandcamp.com/…/after…_____\nA s t a . D. poetry-sound-action https://www.asta-d.online/about-asta-d_____\nD o r a . B l e u & E d i t h . S t e y e rDora Bleu: Slanted storytelling\, deconstructed songs\, vocal and guitar expressionsEdith Steyer: processed clarinet\, electronic deviceshttps://www.edith-steyer.de/https://soundcloud.com/dora-bleu_____\nV s e v o l o d . L i s o v s k ymajor figure of conceptual theatre in Russia. After been held in prison under absurd pretexts he currently lives in South Germany. He performs the poem “I Hate Blyat” . It will never be published. Each fragment of the poem is created at the moment of performance\, and these fragments will never repeated. The author simply expresses his displeasure using an arbitrary rhythm and the single rhyme blyat-blyat. In Russian\, blyat is a profanity and is used as an interjection\, similar to the word “shit” in English.https://ru-m-wikipedia-org.translate.goog/…/%D0%9B%D0…
URL:https://www.phantanoise.com/event/sommes-nous-fous/
LOCATION:KuLe Kunsthaus\, Auguststraße 10\, Berlin\, Berlin\, 10117\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250910T200000
DTEND;TZID=Europe/Vienna:20250910T220000
DTSTAMP:20260514T145311
CREATED:20250908T080650Z
LAST-MODIFIED:20250908T081233Z
UID:29917-1757534400-1757541600@www.phantanoise.com
SUMMARY:TOPO 10 Kołodziejczyk · Heery · Hochherz · Janek
DESCRIPTION:Malwina Kołodziejczyk – tenor saxophone\nFrancis Heery – electronicsOlaf Hochherz – objects\, potter’s wheelKlaus Janek – contrabass\n\n\nDoors: 19:30 | Concert: 20:00 \nThe term TOPO comes from ‘topology’\, a concept that deals with the deformation of spaces. TOPO stands for the creation of sonic spaces that emerge through improvisation in the resonance between musicians and audience\, changing continuously – while always retaining their core characteristics.\nfrancisheery.comhochherz.klingt.orgklaus-janek.de
URL:https://www.phantanoise.com/event/topo-10-kolodziejczyk-%c2%b7-heery-%c2%b7-hochherz-%c2%b7-janek/
LOCATION:Zwitschermaschine\, Potsdamer Straße 191\, Berlin\, Berlin\, 10783\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250910T190000
DTEND;TZID=Europe/Vienna:20250910T210000
DTSTAMP:20260514T145311
CREATED:20250812T112429Z
LAST-MODIFIED:20250817T122416Z
UID:28654-1757530800-1757538000@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 255 (sound installation)
DESCRIPTION:-Set 1- Laura.All (guitar)\, GubbiAnn (no input\, DIY oscilators)\, Lun Ário (sampling\, voice) \n-Set 2- DuChamp\, Ernesto Carcamo Cavázos\, SoundOkapi (synthesisers\, pedals\, electronics)
URL:https://www.phantanoise.com/event/improvised-experimental-no-255-sound-installation/
LOCATION:Berlin
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250908T210000
DTEND;TZID=Europe/Vienna:20250908T233000
DTSTAMP:20260514T145311
CREATED:20250823T153152Z
LAST-MODIFIED:20250823T153152Z
UID:29611-1757365200-1757374200@www.phantanoise.com
SUMMARY:Experimontag Peter Strickmann & Ansgar Wilken + Schneider TM + SurfSolaire
DESCRIPTION:Peter Strickmann & Ansgar Wilken\nExperimental / Berlin \nPeter Strickmann and Ansgar Wilken have been noticing each other already for some time. \nThey relate to each other’s musical matters as well as to each other´s artistic expressions\, which are characterized by simple\, original signs and forms. \nMost recently\, Peter gave away his self-made stamp set\, which Ansgar used to design a record cover and project logos. \nThis first joint public collaboration today intends to culminate in using each other’s stamps and join their musical forms and signs by using found objects\, wind instruments and various percussion tools. \nhttps://www.ansgarwilken.de \nhttps://peterstrickmann.info/
URL:https://www.phantanoise.com/event/experimontag-3/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250904T200000
DTEND;TZID=Europe/Vienna:20250904T220000
DTSTAMP:20260514T145311
CREATED:20250804T160425Z
LAST-MODIFIED:20250817T122555Z
UID:28224-1757016000-1757023200@www.phantanoise.com
SUMMARY:Bogdan Raczynski
DESCRIPTION:Bogdan Raczynski is a groundbreaking electronic musician who has been pushing the boundaries of IDM\, jungle\, breakcore\, and braindance since the mid-1990s. He had his breakthrough in 1999 with the album “Boku Mo Wakaran”—a bold\, frenetic debut that cemented his place in the underground electronic music canon. Over the following years\, he released influential albums like “Samurai Math Beats” and “Thinking of You\, MyLoveILove\,” which combined chaotic breakbeats with playful melodies and quirky vocal samples. After a fifteen-year hiatus\, Raczynski returned in 2022 with his album “ADDLE” on Planet Mu. This album marked a stylistic shift\, moving away from breakbeat chaos towards more introspective\, ambient textures and emotional depth.
URL:https://www.phantanoise.com/event/bogdan-raczynski/
LOCATION:silent green\, Gerichtstraße 35\, Berlin\, 13347
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250903T190000
DTEND;TZID=Europe/Vienna:20250903T210000
DTSTAMP:20260514T145311
CREATED:20250812T112300Z
LAST-MODIFIED:20250817T122603Z
UID:28652-1756926000-1756933200@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 254 (sound installation)
DESCRIPTION:Improvised & Experimental No. 254 (sound installation) \n-Set 1- Uygur Vural (cello\, movements)\, Valentina Bellanova (ney\, flutes) \n-Set 2- KvT – Kata Kovács\, Tom O’Doherty\, Jérémie Mortier (trumpet\, bass\, electronics\, drums)
URL:https://www.phantanoise.com/event/improvised-experimental-no-254-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250901T210000
DTEND;TZID=Europe/Vienna:20250901T233000
DTSTAMP:20260514T145311
CREATED:20250823T153003Z
LAST-MODIFIED:20250823T154406Z
UID:29609-1756760400-1756769400@www.phantanoise.com
SUMMARY:Experimontag Savic / Morimoto
DESCRIPTION:Grgur Savic – alto saxophone\, laptop\, sound processing \nSeiji Morimoto – modified sound modules \n \nhttp://grgursavic.com \nhttps://www.seijimorimoto.com
URL:https://www.phantanoise.com/event/experimontag-2/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250829T203000
DTEND;TZID=Europe/Vienna:20250829T220000
DTSTAMP:20260514T145311
CREATED:20250804T155559Z
LAST-MODIFIED:20250817T122709Z
UID:28222-1756499400-1756504800@www.phantanoise.com
SUMMARY:Aki Takase and Isabel Roessler
DESCRIPTION:Isabel Rößler | Bass | Aki Takase | Klavier
URL:https://www.phantanoise.com/event/aki-takase-and-isabel-roessler/
LOCATION:ausland\, Lychenerstraße 60\, Berlin\, Prenzlauer Berg\, Berlin\, 10437
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250828T200000
DTEND;TZID=Europe/Vienna:20250828T220000
DTSTAMP:20260514T145311
CREATED:20250803T091402Z
LAST-MODIFIED:20250817T122743Z
UID:28106-1756411200-1756418400@www.phantanoise.com
SUMMARY:Ng–Henkel–Borghini // Mattrey–Salvo–Cajado
DESCRIPTION:
URL:https://www.phantanoise.com/event/ng-henkel-borghini-mattrey-salvo-cajado/
LOCATION:Richten25\, Gerichtstraße 25\, Berlin\, 13347\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250827T200000
DTEND;TZID=Europe/Vienna:20250827T230000
DTSTAMP:20260514T145311
CREATED:20250812T105827Z
LAST-MODIFIED:20250817T122804Z
UID:28636-1756324800-1756335600@www.phantanoise.com
SUMMARY:Shelley Hirsh & Joke Lanz
DESCRIPTION:Shelley Hirsch (US): voiceJoke Lanz (CH/DE): turntables \nSHELLEY HIRSCH (New York) is “an unorthodox extraordinary fusion of vocalist\, composer and performance artist” (Anne LeBaron)\, whose work encompasses story telling pieces\, staged performances\, compositions\, improvisations\, collaborations\, installations and radio-plays\, which have been presented on 5 continents. .She has performed hundreds of concerts of improvised music with many musicians i.e. Anthony Coleman\, Christian Marclay\, Ikue Mori\, Toshio Kajiwara\, Hans Reichel\, Min Xiao Fen\, Paul Lovens\, DJ Olive\, Joey Baron\, Marc Ribot\, Butch Morris\, Elliot Sharp etc. She recorded for such labels as Tzadik\, No Mans Land\, Apollo\, Innocence Records\, FMP etc. with the likes of John Zorn\, David Weinstein\, Nicolas Collins\, Jon Rose\, Sven Ake Johannson\, Alexander von Schlippenbach\, Jin Hi Kim and many more..“A woman of thousand voices… She offers an enthralling demonstration of the way songs\, vocal styles and language might have evolved out of more primal musical impulses.” [New York Times]
URL:https://www.phantanoise.com/event/shelley-hirsh-joke-lanz/
LOCATION:exploratorium berlin\, Zossener Straße 24\, Berlin - Kreuzberg\, Berlin\, 10961
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250824T183000
DTEND;TZID=Europe/Vienna:20250824T213000
DTSTAMP:20260514T145311
CREATED:20250814T163744Z
LAST-MODIFIED:20250817T122826Z
UID:28868-1756060200-1756071000@www.phantanoise.com
SUMMARY:Organ Sequences XVII
DESCRIPTION:Rebecca Lane | Flutes\nClara de Asís | Modular + Percussion\n»Quatre heures à Chatila«\nPHAORAH CHROMIUM\nUnknown »Armenian Organ Works«\nゴマサン | organ \n\nRebecca Lane\nis a composer and flutist who specializes in just intonation and pure tunings. She plays Kingma system quarter-tone flutes and works closely with composers like Catherine Lamb and performers like Clara de Asís. As a member of the Harmonic Space Orchestra\, she consistently challenges conventional tuning systems in her projects. \nListen to Rebecca Lane: https://discreeteditions.bandcamp.com/album/distances-bending \nPharoah Chromium\nPharoah Chromium is the project of German-Palestinian musician Ghazi Barakat. Named after a track by the band Chrome\, his music combines elements of Krautrock\, Industrial\, Free Jazz\, and Arabic soundscapes. His work\, released on labels like Grautag and Labelle69 and often in collaboration with artists like Günter Schickert\, results in ritualistic sound performances that blur the line between trance and presence. \nListen to Pharoah Chromium: https://pharoahchromium.bandcamp.com/album/jean-genet \nClara de Asís\nClara de Asís is a composer and sound artist born in Spain in 1988. Her work explores the interplay of acoustics\, time\, and attention. Using both electronic and acoustic instruments\, often in unconventional setups\, she creates performances\, installations\, and interdisciplinary collaborations. She has been an artist in residence at Q-O2 in Brussels and EMS in Stockholm\, and she is currently the co-artistic director of the Göteborg Art Sounds Festival. \nListen to Clara de Asís: https://discreeteditions.bandcamp.com/album/distances-bending \nGomāsan (Romain C. Bertheau)\nGomāsan\, also known as Romain C. Bertheau\, is a composer\, organist\, harpsichordist\, and no-input mixing board performer based in Berlin and Java. His work blends a minimalist sound aesthetic with improvised noise music. After several years in Asia recording traditional music\, he returned to Europe to focus on creating texture-rich works for the organ. \nListen to Gomāsan: https://romainbertheau.bandcamp.com/album/anatomy-of-a-bird
URL:https://www.phantanoise.com/event/organ-sequences-xvii/
LOCATION:Taborkirche Berlin Kreuzberg\, Taborstraße 17\, Berlin\, Berlin-Kreuzberg\, 10997\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250823T210000
DTEND;TZID=Europe/Vienna:20250823T220000
DTSTAMP:20260514T145311
CREATED:20250823T154557Z
LAST-MODIFIED:20250823T154557Z
UID:29623-1755982800-1755986400@www.phantanoise.com
SUMMARY:Experimontag  Marta Zapparoli + Andrea Parkins + Lichene (DJ-Set)
DESCRIPTION:Marta Zapparoli\nExperimental\, sound art\, noise / From Italy based in Berlin \nIlektrofonitikos – is an improvised performance by Marta Zapparoli which explores the invisible web of radio waves throught real time detection of wireless\, using antennas and radio receivers incorporating CV synth and recorded signals on tapes. \nShe will create a captivating sonic landscape \, a real time flow of the inaudible. \n— .- .-. – .- / –.. .- .–. .–. .- .-. — .-.. .. \n \nhttps://martazapparoli.bandcamp.com/ \n \nhttps://www.facebook.com/marta.zapparoli.3/ \n  \nAndrea Parkins\nElectroacoustic / Berlin \nAndrea Parkins will perform a new electroacoustic set for amplified objects\, electronics and small acoustic instruments. \nParkins’ works in sound incorporate subtle sonic examination of everyday objects and surfaces\, sculpted electronic feedback\, and investigation of embodiment and gesture with her custom-designed instruments. \nHer current research addresses her materials both past and present: amplified drawing tools\, electronic and acoustic instruments\, objects\, images\, and the-body-as-Foley. \nParkins’ performances and intermedia installations have been presented internationally\, at venues including the Whitney Museum of American Art\, Experimental Intermedia\, and Kunsthalle Basel; and festivals such as All Ears! (Oslo)\, Next (Bratislava)\, and Akousma (Montreal). \n \nhttps://andreaparkins.bandcamp.com/album/two-rooms-from-the-memory-palace \n \nhttps://www.instagram.com/andreamparkins/ \nhttps://www.facebook.com/andrea.parkins.16 \n  \n  \nLichene (DJ-Set)\nDrone / Ambient / Ritualist \nhttps://m.mixcloud.com/licia-lithium/ \nhttps://www.facebook.com/licia.elle \nhttps://www.instagram.com/licia_lithium_lichene/ \n 
URL:https://www.phantanoise.com/event/experimontag-marta-zapparoli-andrea-parkins-lichene-dj-set/
LOCATION:Madame Claude\, Lübbener Straße 19\, Berlin-Kreuzberg\, Berlin\, 10997
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250823T200000
DTEND;TZID=Europe/Vienna:20250823T223000
DTSTAMP:20260514T145311
CREATED:20250814T154712Z
LAST-MODIFIED:20250817T122836Z
UID:28858-1755979200-1755988200@www.phantanoise.com
SUMMARY:G A R A G E : < g h o s t s > sound [action:movement] poetry
DESCRIPTION:doors 19:30\nstart 20:00 sharp\nend 22:30\nFREE ADMISSION !\nbut donations for the artists are welcome. \nperformances I actions by\nZONE NULL\nTony Elieh – bass guitar\, live-electronics\nBurkhard Beins – bass guitar\, live-electronics\nhttps://www.burkhardbeins.de/groups/zone_null.html\n_____\nTHE SLANTED-STAGE EPISODE ABOUT FUTURE HAUNTINGS\nbroken imaginings in voice and fractured piano with a few guitar emissions\nDora Bleu\, narration\, voice impression\, guitar\, electronics\nU Moellhusen: fractured & detuned piano played with a number of objects\nhttps://soundcloud.com/dora-bleu/lion-and-mousehttps:// http://elektroakustischegarage.bandcamp.com/…/demagneti…\n_____\nGHOST IN THE SOUND\nby Tarufu [Japan]\nA set of several bone conduction transducers are used to vibrate all kinds of objects and produce special sounds. Woods\, glasses\, cans\, shells and other objects will tremble and their songs “Ghosts” will rise in the space.\n\nhttps://www.instagram.com/tarufumusic/\n_____\nand an unnamed special guest !!!\n_____
URL:https://www.phantanoise.com/event/g-a-r-a-g-e-g-h-o-s-t-s-sound-actionmovement-poetry/
LOCATION:Garage – Berlin Neukölln\, Karl- Marx-Strasse 204-206\, Berlin - Neukölln\, Berlin\, 12055\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
END:VCALENDAR