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X-ORIGINAL-URL:https://www.phantanoise.com
X-WR-CALDESC:Events for Phantanoise©
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TZID:Europe/Vienna
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251001T190000
DTEND;TZID=Europe/Vienna:20251001T220000
DTSTAMP:20260514T180342
CREATED:20250812T113004Z
LAST-MODIFIED:20250817T121351Z
UID:28660-1759345200-1759356000@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 258 (sound installation)
DESCRIPTION:-Set 1- Heather Green\, Mamiko Kan\, Mary Molnar (voices) \n-Set 2- Félicie Bazelaire (double bass)\, Michiyasu Furutani (butoh dance)\, Norbert R. Stammberger (saxophone\, graphics)
URL:https://www.phantanoise.com/event/improvised-experimental-no-258-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251001T200000
DTEND;TZID=Europe/Vienna:20251001T220000
DTSTAMP:20260514T180342
CREATED:20250908T085815Z
LAST-MODIFIED:20250908T085815Z
UID:29951-1759348800-1759356000@www.phantanoise.com
SUMMARY:TOPO11 Liberatori // 나이테 – [na̠itʰe̞]
DESCRIPTION:The term TOPO comes from “topology\,” a concept that deals with the deformation of spaces. TOPO stands for the creation of sonic spaces that emerge through improvisation in the resonance between musicians and audience and that continually change while always preserving their core qualities. \nligialiberatori.net\nandreasvoccia.de/naite
URL:https://www.phantanoise.com/event/topo11-liberatori-%eb%82%98%ec%9d%b4%ed%85%8c-na%cc%a0it%ca%b0e%cc%9e/
LOCATION:Zwitschermaschine\, Potsdamer Straße 191\, Berlin\, Berlin\, 10783\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251002T200000
DTEND;TZID=Europe/Vienna:20251002T220000
DTSTAMP:20260514T180342
CREATED:20250908T085916Z
LAST-MODIFIED:20250908T085916Z
UID:29954-1759435200-1759442400@www.phantanoise.com
SUMMARY:Alan Licht pres. Havens + Abigail Toll
DESCRIPTION:Over the past two decades\, guitarist Alan Licht has collaborated with a veritable who’s who of the experimental world. Now he returns with Havens\, a sprawling double album of guitar-based compositions forged from the myriad possibilities that arise when strings collide with electricity and space. His work is characterized by contrasts and contradictions: maximalism versus minimalism; rockist leanings versus avant-garde\, field-expanded expression; loose improvisation versus considered performance. // Abigail Toll creates a blend of abstract minimalism\, thoughtful drone\, and droning electronics. In her live shows\, psychoacoustics and noise merge with the trance-like atmosphere of ancient spaces.
URL:https://www.phantanoise.com/event/alan-licht-pres-havens-abigail-toll/
LOCATION:silent green\, Gerichtstraße 35\, Berlin\, 13347
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251005T150000
DTEND;TZID=Europe/Vienna:20251005T163000
DTSTAMP:20260514T180342
CREATED:20250908T090203Z
LAST-MODIFIED:20250908T090203Z
UID:29956-1759676400-1759681800@www.phantanoise.com
SUMMARY:Trans-traditionelles Encounter IV: Mikrotonalität
DESCRIPTION:Grégoire Simon | Viola\nTilmann Dehnhard | Flöten\nBassem Alkhouri | Kanun\, Stimme\nMohamad Fityan | Nay\, Kawala\nMatthew Bookert | Tuba\nHindol Deb | Sitar\nAzin Zahedi | Santoor\nCedric Fermont | Gast\nCatherine Lamb | Gast\nCymin Samawatie | Ko-Kreative\nKetan Bhatti | Ko-Kreativer\n\nQuestions of tonality and mood are central to all musical traditions. How instruments are tuned determines what kind of music can be heard and which instruments can play together. The dogma of tuning defines a tonal space that belongs to tradition and characterizes that which lies outside it.\nIn the fourth encounter of its trans-traditional music laboratory\, the Berlin Trickster Orchestra\, together with its guests\, focuses on the microtonal realm. The potential and possibilities this offers for trans-traditional practices\, whose goal is a music that values ​​and acknowledges different traditions and simultaneously seeks a “third” that is neither one’s own nor foreign.\nThe Trickster Orchestra’s trans-traditional music laboratory is a public\, experimental\, and future-oriented working process\, which the audience is invited to experience live from the very beginning. Together with changing guests\, the Trickster Orchestra embarks on an artistic journey of discovery with an uncertain destination\, presenting the latest findings and musical experiments surrounding trans-traditional contemporary music practice in workshop concerts.
URL:https://www.phantanoise.com/event/trans-traditionelles-encounter-iv-mikrotonalitat/
LOCATION:Akademie der Künste\, Hanseatenweg 10\, Berlin\, Berlin - Tiergarten\, 10557\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251008T190000
DTEND;TZID=Europe/Vienna:20251008T220000
DTSTAMP:20260514T180342
CREATED:20250908T162430Z
LAST-MODIFIED:20250908T162430Z
UID:29965-1759950000-1759960800@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 259 (sound installation)
DESCRIPTION:-Set 1- Fidan Aghayeva-Edler (piano)\, Hui-Chun Lin (cello)\, Sabine Vogel (flute\, objects) \n-Set 2- Vasco Furtado (drums)\, Clara Lai (piano)\, Vinicius Cajado (double bass)
URL:https://www.phantanoise.com/event/improvised-experimental-no-259-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251011T193000
DTEND;TZID=Europe/Vienna:20251011T220000
DTSTAMP:20260514T180342
CREATED:20250908T162717Z
LAST-MODIFIED:20250908T162717Z
UID:29967-1760211000-1760220000@www.phantanoise.com
SUMMARY:Dierich - Matzke | Ramm | Merenda - Muttikan
DESCRIPTION:Neither kinky parties nor Beyoncé have succeeded in cracking the hard core of the millennia-old Roman Catholic tradition—a tradition that continually legitimises itself through the repeated performance of rituals. A tradition that systematically excludes\, among others\, women and queers. But now we say: enough with the Vatican – it’s time to open the Muttikan.\nMUTTIKAN appropriates the Roman Catholic Mass as a performative format and develops a secular counter-model to it. Marco Merenda\, Linda Lou Dierich-Matzke\, and Christopher Ramm guide the audience through experiences that mischievously sneak new meanings into the actions and proceedings of the Mass. Catholic rituals and liturgical choreographies are translated on three interconnected levels: ritual-symbolic\, content-based\, and spatial-choreographic. \nBY & WITH:\nLinda Lou Dierich-Matzke\, Marco Merenda [Concept\, artistic direction\, choreography\, performance\, dramaturgy]\nChristopher Ramm [Sound\, performance\, dramaturgy]\nCarolina Burandt & Anastasia Kriwoscheja [Stage design & visuals]\nSteve Leander Oelmann [Costume]\nDoria Worden [Light design]\nNathalie Giele\, Su Jin Kim [Mentoring dramaturgy & choreography]\nKerstin Henky [Production]\nLorenz Vetter [Photography and graphic arts]\nMade possible through the „Wiederaufnahme- und Gastspielförderung“ provided by the Dachverbands freie darstellende Künste Hamburg with the support of Freie und Hansestadt Hamburg\, Behörde für Kultur und Medien.
URL:https://www.phantanoise.com/event/dierich-matzke-ramm-merenda-muttikan/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251012T173000
DTEND;TZID=Europe/Vienna:20251012T210000
DTSTAMP:20260514T180342
CREATED:20250908T162811Z
LAST-MODIFIED:20250908T162811Z
UID:29969-1760290200-1760302800@www.phantanoise.com
SUMMARY:Dierich - Matzke | Ramm | Merenda - Muttikan
DESCRIPTION:Neither kinky parties nor Beyoncé have succeeded in cracking the hard core of the millennia-old Roman Catholic tradition—a tradition that continually legitimises itself through the repeated performance of rituals. A tradition that systematically excludes\, among others\, women and queers. But now we say: enough with the Vatican – it’s time to open the Muttikan.\nMUTTIKAN appropriates the Roman Catholic Mass as a performative format and develops a secular counter-model to it. Marco Merenda\, Linda Lou Dierich-Matzke\, and Christopher Ramm guide the audience through experiences that mischievously sneak new meanings into the actions and proceedings of the Mass. Catholic rituals and liturgical choreographies are translated on three interconnected levels: ritual-symbolic\, content-based\, and spatial-choreographic. \nBY & WITH:\nLinda Lou Dierich-Matzke\, Marco Merenda [Concept\, artistic direction\, choreography\, performance\, dramaturgy]\nChristopher Ramm [Sound\, performance\, dramaturgy]\nCarolina Burandt & Anastasia Kriwoscheja [Stage design & visuals]\nSteve Leander Oelmann [Costume]\nDoria Worden [Light design]\nNathalie Giele\, Su Jin Kim [Mentoring dramaturgy & choreography]\nKerstin Henky [Production]\nLorenz Vetter [Photography and graphic arts]\nMade possible through the „Wiederaufnahme- und Gastspielförderung“ provided by the Dachverbands freie darstellende Künste Hamburg with the support of Freie und Hansestadt Hamburg\, Behörde für Kultur und Medien.
URL:https://www.phantanoise.com/event/dierich-matzke-ramm-merenda-muttikan-2/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Performance
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251015T190000
DTEND;TZID=Europe/Vienna:20251015T220000
DTSTAMP:20260514T180342
CREATED:20250908T162921Z
LAST-MODIFIED:20250908T162921Z
UID:29971-1760554800-1760565600@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 260 (sound installation)
DESCRIPTION:-Set 1- Reiner Hess (alt saxophone)\, Gerhard Gschlößl (trombone)\, Angela Wingerath (voice)\n-Set 2- Anna Stern (vocals\, electronics)\, Michael Kolberg (electric guitar)\, Anja Kreysing (accordion\, electronics)
URL:https://www.phantanoise.com/event/improvised-experimental-no-260-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251018T200000
DTEND;TZID=Europe/Vienna:20251018T230000
DTSTAMP:20260514T180342
CREATED:20250812T104343Z
LAST-MODIFIED:20250817T121106Z
UID:28625-1760817600-1760828400@www.phantanoise.com
SUMMARY:KellKuhnSchrot
DESCRIPTION:Christian Kühn – gtr\,\nKellen Mills – bass\,\nDaniel Schröteler – drums \nKellKuhnSchrot is the collision point where noise\, free improvisation\, and the raw spirit of rock and punk explode into something entirely new. Formed in 2024\, the trio brings together three deeply seasoned experimentalists: Christian Kühn\, Kellen Mills\, and Daniel Schröteler—each with roots in jazz\, rock\, and the outer edges of sonic exploration.\nWhat they create together is not easily categorized. It’s loud\, heavy\, and unrelentingly intense—equal parts chaotic energy and razor-sharp interplay. Their sound swerves between ferocious punk immediacy and sprawling\, atonal improvisation\, drawing from the vocabulary of avant-garde jazz while staying grounded in the visceral power of rock.
URL:https://www.phantanoise.com/event/kellkuhnschrot/
LOCATION:Peppi Guggenheim\, Weichselstraße 7\, Berlin - Neukölln\, Berlin\, 12043
CATEGORIES:Berlin
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251022T190000
DTEND;TZID=Europe/Vienna:20251022T220000
DTSTAMP:20260514T180342
CREATED:20250908T163023Z
LAST-MODIFIED:20250908T163023Z
UID:29973-1761159600-1761170400@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 261 (sound installation)
DESCRIPTION:-Set 1- Leonie Roessler (field recordings\, live electronics)\, Soheil Soheili (electronics)\, Diana Fonseca (electronics)\n-Set 2- Mire (midi keyboard drones\, audio-reactive video)\, von jeglichem wort (base\, guitar)\, Paul Brody (trumpet\, objects)
URL:https://www.phantanoise.com/event/improvised-experimental-no-261-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251026T183000
DTEND;TZID=Europe/Vienna:20251026T213000
DTSTAMP:20260514T180342
CREATED:20250814T163542Z
LAST-MODIFIED:20250814T163542Z
UID:28866-1761503400-1761514200@www.phantanoise.com
SUMMARY:Organ Sequences XXVIII
DESCRIPTION:Frank and Zeynep Ayşe Hatipoğlu at Taborkirche – Kreuzberg. \nZeynep Ayşe Hatipoğlu performs with cello\, electronic processes\, sound recording\, and voice\, moving between free improvisation and composition. Background is rooted in Istanbul: Turkish Makam music\, Eurogenetic classical music\, experimental\, and sonic practices. Music switches between musical genres\, creating through gestural and embodied movements of textural acoustic and electroacoustic sounds. \nAside from performing-composing practices\, interested in the social dynamics of musical acts as a creative\, interpretative way of synchronization\, exploring ‚oneness with others‘ and fostering small-scale supportive communities. Holds a PhD from Istanbul ITU MIAM on improvisational playful thinking as a tool for supporting creative communities. Lives and works in Berlin since 2023.
URL:https://www.phantanoise.com/event/organ-sequences-xxviii/
LOCATION:Taborkirche Berlin Kreuzberg\, Taborstraße 17\, Berlin\, Berlin-Kreuzberg\, 10997\, Germany
CATEGORIES:Berlin
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251029T190000
DTEND;TZID=Europe/Vienna:20251029T220000
DTSTAMP:20260514T180342
CREATED:20250908T163129Z
LAST-MODIFIED:20250908T163129Z
UID:29975-1761764400-1761775200@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 262 (sound installation)
DESCRIPTION:-Set 1- Tangerine – Danielle Friedman (piano)\, Aviv Noam (alto saxophone)\n-Set 2- Taupe Étoile Ext. – Johanna Sandels (voice\, looper\, effects)\, Grisha Pankert (E-violin\, FX)\, Mathieu Sylvestre (field recordings\, tapes)
URL:https://www.phantanoise.com/event/improvised-experimental-no-262-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
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