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DTSTART;VALUE=DATE:20251121
DTEND;VALUE=DATE:20260129
DTSTAMP:20260424T223059
CREATED:20250908T083526Z
LAST-MODIFIED:20250908T083526Z
UID:29938-1763683200-1769644799@www.phantanoise.com
SUMMARY:CoFestival\, the international festival of contemporary dance
DESCRIPTION:co-produced by Kino Šiška and Nomad Dance Academy\, returns with its 14th edition\, taking place from 21 to 28 November 2025 at Kino Šiška and other venues across Ljubljana. This year’s festival once again offers an outstanding international programme\, bringing together top-tier artists\, fresh choreographic approaches\, and a rich accompanying programme of talks\, workshops\, and social gatherings. \n\nThe title of Sonja Pregrad’s solo Object of Dance (2022) sets the tone for the artistic landscape addressed by the works of Berlin’s Dance On Ensemble under the joint name Making Dances. A short solo by Martha Graham\, Deep Song (1937)\, will be accompanied by an installation by director and performer Tim Etchells titled Everything/Nothing (2021)\, marking the first live presentation of Graham’s work in Slovenia. Dance On Ensemble also reconstructed Story (1963)\, Merce Cunningham’s legendary open work\, which prompted a choreographic response from French choreographer Mathilde Monnier\, titled Never Ending (Story) (2021). \nIn collaboration with the Forum for New Music\, the Old Power Station will host the premiere of Open Cage\, choreographed by Andreja Rauch Podrzavnik and Milan Tomášik\, featuring live performances of works from John Cage’s repertoire\, along with Rauch Podrzavnik’s own recent piece A Fold (2024). German choreographer Isabelle Schad returns with her latest piece Studies of Infinity #2 – Nudity and Landscape (2024)\, a sensitive closing to the Object of Dance section. \nFour contemporary expressions of subjectivity will unfold through four solo works: South African choreographer and dancer Tiran Willemse’s Blackmilk (2022)\, exploring the specific masculinities in South African pop culture; Batty Bwoy (2022)\, an anthological queer solo by rising European contemporary dance star Harald Baharie; and debut pieces by local dance artists Petja Golec Horvat (my own private\, Spring 2025) and Bor Prokofjev (Equilibrium\, 2024)\, the latter premiered at the Dance Theatre Ljubljana. \nThe programme also includes a presentation of choreographic artworks blending art and technology as part of the European project MODINA\, where dance artists collaborate with technologists and engineers to create choreo-digital situations\, accompanied by a dedicated conference strand. \nCo-produced by Kino Šiška and Nomad Dance Academy Slovenia\, the festival will also host talks\, workshops\, and social events that invite collective reflection on the programme. \nMark your calendars and stay tuned to the CoFestival channels — more programme details coming soon!
URL:https://www.phantanoise.com/event/cofestival-the-international-festival-of-contemporary-dance/
LOCATION:Kino Šiška – Centre for Urban Culture\, prekomorskih brigad 3\, Ljubljana\, Ljubljana\, SI-1000\, Slovenia
CATEGORIES:Dance
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DTSTART;TZID=Europe/Vienna:20260116T170000
DTEND;TZID=Europe/Vienna:20260118T233000
DTSTAMP:20260424T223059
CREATED:20260105T174839Z
LAST-MODIFIED:20260105T174839Z
UID:30235-1768582800-1768779000@www.phantanoise.com
SUMMARY:Orbits Festival
DESCRIPTION:The Orbits Festival is an annual celebration of improvised music in Amsterdam.\nWith an eclectic curatorial style\, the festival showcases this music in its many forms and intersections\, including free improvisation\, electronics\, modern jazz\, and contemporary music. At its core is a focus on the young generation of creative and adventurous musicians.\nFrom the Amsterdam scene\, the featured acts will be: Omer Govreen Trio\, Marcus Wärnheim\, Manderjan\, Wazo Bean\, tatatacouF\, Vera Morais & Marcos Cavaleiro\, Aviv Noam ‘The Avant-Groove Session’\, Hristo Goleminov ‘Diagonal Shift’\, Foon\, and AgusFulka’s · Aletheia ·.\nThis year’s edition also includes two acts showcasing improvised music from the north and south of Portugal\, in a new collaboration between Orbits and two Portuguese associations from Porto and Lisbon: Joana Raquel ‘queda áscua’ (Porta-Jazz)\, and Garfo (Robalo Music).\nTickets day 1:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026\nTickets day 2:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026\nTickets day 3:\nhttps://www.splendoramsterdam.com/…/orbits-festival-2026 \nDaily Ticket: 16€\nStudent Daily Ticket: 12€
URL:https://www.phantanoise.com/event/orbits-festival/
LOCATION:splendor\, Nieuwe Uilenburgerstraat 116\, Amsterdam\, 1011LX\, Netherlands
CATEGORIES:Festival
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DTSTART;TZID=Europe/Vienna:20260117T190000
DTEND;TZID=Europe/Vienna:20260117T230000
DTSTAMP:20260424T223059
CREATED:20260105T175415Z
LAST-MODIFIED:20260105T175415Z
UID:30238-1768676400-1768690800@www.phantanoise.com
SUMMARY:Lisk Janje Kafka
DESCRIPTION:Anlässlich ihres Abschiedskonzerts in ihrer Heimat Philadelphia\, USA wurde Tracy Lisk für die “herausfordernde\, evokative Präsenz ihres warmen Tons und freien Spiels” gelobt. Seit etwas über einem halben Jahr lebt die Schlagzeugerin und Perrkussionstin in Portugal. Jetzt kommt sie mit zwei kroatischen Spielgefährten nach Graz: dem in Ljubljana lebenden Bassisten Boris Janje und den Saxofonisten Capri Kafka. Alle drei ziehen ihre Inspiration aus genreübergreifende Kooperationen und weisen ein großes Vokabular an Standard- und erweiterten Spieltechniken auf.\nTracy Lisk is a percussionist from Philadelphia and currently based in Portugal. Ms. Lisk’s history as a painter informs the substance of her improvisations which contain references to rhythmic structures while maintaining a fluid\, suspended continuity. She has lead percussion ensembles and regularly tours as a drummer in the US and Europe. She is the recipient of several grants for music from the NYC-based Foundation for Contemporary Arts. \nBoris Janje has been researching\, performing\, composing and expanding the sonic and musical possibilities of his instrument\, building individualised musical vocabulary with the use of standard and extended playing techniques mainly in the field of non-idiomatic improvisation. He is drawn to the idea of erasing borders between genres and styles and leaving aside structures and forms. \nCapri Kafka has collaborated with numerous local and foreign musicians\, dancers\, poets and other artists. He has been active on the free improvised and experimental music scene and composes music for animated films and theatre performances. He was a participant in the Amsterdam experimental music scene and performed in the series Kraak geluiden. Currently\, Kafka performs in various international ad hoc line-ups in clubs and festivals in Europe and the US. He is the principal organiser of the International Impromonday Festival in Zagreb.
URL:https://www.phantanoise.com/event/lisk-janje-kafka/
LOCATION:Kulturkotter\, Schillerstraße 53\, graz\, Styria\, 8010
CATEGORIES:Concert
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DTSTART;TZID=Europe/Vienna:20260117T200000
DTEND;TZID=Europe/Vienna:20260117T220000
DTSTAMP:20260424T223059
CREATED:20260105T160432Z
LAST-MODIFIED:20260105T160432Z
UID:30187-1768680000-1768687200@www.phantanoise.com
SUMMARY:Jukka Kääriäinen\, Richard "Richie" Herbst\, Michael Masen
DESCRIPTION:Jukka Kääriäinen is a musician focused on experimental music. Depending on the situation\, Jukka’s instruments of choice include an acoustic guitar with preparations or an electric guitar with a bag full of effects. Kääriäinen has performed in many European countries and at international festivals in the United Kingdom\, Spain\, and France. In addition to solo concerts\, he regularly performs in bands and has collaborated with many leading European improvisers such as Teppo Hauta-Aho\, Kalle Kalima\, Harri Sjöström\, Axel Dörner\, Kriton Beyer\, Rieko Okuda\, Anil Eraslan\, Mikko Innanen\, and Joel Grip\, premiering works by composers such as Riikka Talvitie\, Sebastian Hilli\, Sami Klemola\, Clara de Asis\, and Tytti Arola. \nRichard “Richie” Herbst  is an austrian sound activist based in Graz\, often simply credited as Herbst. Besides being passionate about field recordings\, his interest lies in the creation of soundscapes with modular synth and effects. \nIn addition to his solo work he is a regular member of ASTRO BLACK (/w Michael Masen)\, the MRM Trio (/w Marina Džukljev & Miodrag Gladović)\, MULM (/w Sara Zlanabitnik & Stephan Roiss) and Regolith (/w Christian Zollner). \nIn 2019 he started the Bordone Ensemble\, an improvisation group of musicians and artists with varying line-up\, who focus on drone\, noise and ambient music. He is frequently involved in collaborations with Yvonne Hofmeister\, Stephan Roiss\, Sara Zlanabitnig\, Rudi Fischerlehner\, Michl Laab\, Michael Masen\, Michael Eisl\, Max Winter\, Markus Krispel\, Irene Kepl\, Harald Hofmeister\, Gigi Gratt\, Angélica Castelló\, Alexandra Steßl… . Herbst is part of the vibrant free impro music scene in Graz and Bistrica Ob Sotli\, participating in STIO (Styrian Improvisers Orchestra) and the GIS orchestra (Schl8hof Wels). \nIn 2001 he cofounded Interstellar Records\, a noise-experimental label. He organizes concerts in irregular intervals\, most recently the concert series Soundscapes\, and contributes articles and reviews for the Freistil Magazin. Richie Herbst is part of the klingt.org-collective. \nMICHAEL MASEN spielt Saxophon in den Bands FS Massaker\, Mozo Mozo\, Ouls und Astro Black. Konzert- und Festivalauftritte führten ihn neben Locations in ganz Österreich bisher auch nach Deutschland\, Slowenien\, Kroatien und Tschechien\, wo er mit lokalen und internationalen Musiker*innen die Bühne teilte\, darunter Linda Sharrock (US)\, Mario Rechtern (AT)\, Eric Zinman (US)\, Virginia Genta (IT)\, David Vanzan (IT)\, Michael Fischer (AT) uva. Zwischendurch wirkte er auch in den Bands BANANA CHAIN und DARWINISM 4 DUMMIES und war an Studioaufnahmen und Konzerten von Pulverin\, Hella Comet\, Rolltreppe\, Meltdowner und Desolat als Gastmusiker beteiligt. Michael Masen lebt und arbeitet in Wien.
URL:https://www.phantanoise.com/event/jukka-kaariainen-richard-richie-herbst-michael-masen/
LOCATION:v.e.k.k.s.\, Ratschkygasse 14/1\, Wien\, 1120\, Austria
CATEGORIES:Concert,Vienna
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260117T200000
DTEND;TZID=Europe/Vienna:20260117T220000
DTSTAMP:20260424T223059
CREATED:20260105T162339Z
LAST-MODIFIED:20260105T162339Z
UID:30202-1768680000-1768687200@www.phantanoise.com
SUMMARY:L’Oriole · Bennardo / Svensson / Nillesen
DESCRIPTION:Maya Bennardo – violin\nKristofer Svensson – Kacapi\nEtienne Nillesen – extended Snare Drum \nThe trio of Maya Bennardo\, Etienne Nillesen\, and Kristofer Svensson presents an improvisation for violin\, snare drums\, and kacapi. Through close attunement and alignment of the instruments\, the group has developed a new Just Intonation mode whose resonant relations delimit a shared harmonic field\, guiding an exploration that extends from pitch into the spectrum and beyond it\, through noise\, decay\, and silence. Drawing on both contemporary free improvisation and traditional modal approaches\, the trio treats harmonic relations and timbral complexity with the same meditative focus. What emerges is music of ritual austerity and melodic lyricism. In 2025\, the trio released their debut album\, ‘For Violin\, Snare & Kacapi’\, on the kuyin label. \nMaya Bennardo is a performer and composer living in Stockholm\, Sweden. She is a founding member of the violin/viola duo andPlay\, described by I Care If You Listen as “enthusiastic champions for new music and collaboration”. She performs new and traditional repertoire for violin and piano with pianist Karl Larson in their Bennardo-Larson Duo and has previously been a member of the internationally renowned Mivos Quartet. She works closely with improvisers\, Etienne Nillesen\, Lisa Ullén\, Erik Blennow-Calälv\, and Kristofer Svensson where she explores subtle noise shifts\, Justly tuned harmonies\, and the close timbral relationships between instruments. \nEtienne Nillesen is a snare drum player who pushes the boundaries of the instrument’s tonal and harmonic possibilities through innovative techniques and a meticulous approach to sound. By employing circular motions and precise control of contact points\, he draws out an extensive range of pitches\, harmonics\, and overtones from the drumhead. His work reimagines the snare drum as a complete sonic entity\, transforming it from a percussive instrument into a rich source of melodic and harmonic material. His interest in diverse forms of music and art has given him the opportunity to work alongside artists and composers such as Nate Wooley\, Axel Dörner\, Christian Wolff\, Ingar Zach\, Sarah Davachi\, Michael Thieke\, Marta Warelis\, Magda Mayas and Sofia Jernberg. \nKristofer Svensson is a kacapi musician and composer from Sweden. Svensson’s solo composition for justly tuned kacapi\, Andra Segel\, was released in 2020 on the kuyin label\, and a trio album\, two skies\, with Maya Bennardo and Erik Blennow Calälv was released in 2022 on the thanatosis label. Svensson’s music has been performed by soloists and groups such as Miyama McQueen-Tokita\, Quatuor Bozzini and the Hong Kong New Music Ensemble\, and at festivals such as MATA (US)\, Frequency Festival (US)\, and Edition Festival for Other Music (SE). \nhttps://kuyin.bandcamp.com/album/for-violin-snare-kacapi
URL:https://www.phantanoise.com/event/loriole-%c2%b7-bennardo-svensson-nillesen/
LOCATION:Vienna
CATEGORIES:Concert,Vienna
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