BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Phantanoise© - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.phantanoise.com
X-WR-CALDESC:Events for Phantanoise©
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Vienna
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20261025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251016
DTEND;VALUE=DATE:20251026
DTSTAMP:20260425T051911
CREATED:20250905T154026Z
LAST-MODIFIED:20250905T154026Z
UID:29831-1760572800-1761436799@www.phantanoise.com
SUMMARY:shut up and listen! 2025: PAST_20 → NEXT_∞ Transdisziplinäres Festival für Musik und Klangkunst
DESCRIPTION:Donnerstag\, 16. bis Samstag\, 18. Oktober 2025: echoraum (1150 Wien) sowie Livestreaming Sonntag\, 19. bis Samstag\, 25. Oktober 2025: SP•CE (\, 1190 Wien) \nIn Kooperation mit sp·ce – Verein zur Förderung von Kunst und Transdisziplinarität \nIn 2025\, the transdisciplinary festival shut up and listen! will celebrate its twentieth anniversary with a particularly extensive anniversary edition. Under the artistic direction of composer and curator Belma Bešlić-Gál\, the title PAST_20 → NEXT_∞ unfolds a transgressive structure between archive and speculation\, memory and still-unheard spaces of possibility. The festival once again transcends the character of a mere concert series and moves through time as a resonant space\, unfolding both backward and forward. In addition to the established echoraum venue\, the SP•CE audio gallery will also be used in 2025 – an addition that should be understood not only as a physical expansion but also as a conceptual extension. Since the COVID-19 pandemic\, a large portion of the performative contributions have been presented both via livestreaming and in the tried-and-tested format of collective experience on site. \nAcross nine festival days\, sual! connects the festival’s diverse audiences. 2025 will feature concerts\, performances\, audiovisual works\, sound installations\, and exhibition contributions within an open structure in which historical positions not only engage in dialogue with new works\, but also challenge each other. The media archive SUAL ARCHIVES #20 documents interdisciplinary diversity through selected artistic contributions from 20 festival editions. \nsual! 2025 includes twelve performative contributions\, including numerous premieres and new works by Petra Sandner\, an installation by Kolektiv ПROSTORЪ\, and discursive formats. The SP•CE listening gallery will present a multi-channel listening room and a comprehensive media archive with contributions from 20 festival years\, as well as a new quadraphonic sound installation by Berlin-based composer-performer Kai Fagaschinski\, created as part of the artistic research project AUDIO GHOSTS. \nThe musical program expands the concept of composition toward processual\, intermedial\, and auditory-theatrical formats. The opening at echoraum brings together works by Gertrude Moser-Wagner | Ulrich Kaufman and Radu Malfatti\, and the Ensemble Zimt (extended) featuring Franz Hautzinger create sonic structures that oscillate between reduction\, micro-interventions\, and condensation. The second day of the festival is dedicated to current developments in the post-Yugoslav space\, featuring an electroacoustic performance by Svetlana Maraš\, a lecture by Damjan Jovičin on sound and social engagement in Belgrade\, and a collective sound action by the formation metacounterpoint. The festival continues with a sound projection by noid and performances by Ensemble echo_von_nichts and Manuel Pessoa de Lima\, which explore the boundaries of sound\, language\, and body as semiotic carrier structures. \nWith the relocation to the SP•CE listening gallery\, the focus shifts from performance to space-related sound research. In addition to Kai Fagaschinski’s premiere of a sound installation for a virtual clarinet quartet\, the multi-channel listening space SHUT UP AND LISTEN! 2006-2025 forms an immersive acoustic topology of the festival’s history. \nshut up and listen! 2025 is not a retrospective look back\, but rather a dynamic reconstruction of temporality through sound – a festival that sees itself not as a closed edition\, but as an open resonance structure across time. \nBelma Bešlić-Gál\, Artistic Director
URL:https://www.phantanoise.com/event/shut-up-and-listen-2025-past_20-%e2%86%92-next_%e2%88%9e-transdisziplinares-festival-fur-musik-und-klangkunst/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Festival,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251021
DTEND;VALUE=DATE:20251024
DTSTAMP:20260425T051911
CREATED:20250817T112714Z
LAST-MODIFIED:20250817T112714Z
UID:29227-1761004800-1761263999@www.phantanoise.com
SUMMARY:AMP x STF25: Lecture Performances
DESCRIPTION:WUK – Museumsräume \nSonic Territories 25 \n \n 
URL:https://www.phantanoise.com/event/amp-x-stf25-lecture-performances/
LOCATION:Vienna
CATEGORIES:Sonic Territories,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251022T190000
DTEND;TZID=Europe/Vienna:20251022T220000
DTSTAMP:20260425T051911
CREATED:20250908T163023Z
LAST-MODIFIED:20250908T163023Z
UID:29973-1761159600-1761170400@www.phantanoise.com
SUMMARY:Improvised & Experimental No. 261 (sound installation)
DESCRIPTION:-Set 1- Leonie Roessler (field recordings\, live electronics)\, Soheil Soheili (electronics)\, Diana Fonseca (electronics)\n-Set 2- Mire (midi keyboard drones\, audio-reactive video)\, von jeglichem wort (base\, guitar)\, Paul Brody (trumpet\, objects)
URL:https://www.phantanoise.com/event/improvised-experimental-no-261-sound-installation/
LOCATION:Hošek Contemporary\, Fischerinsel 3\, Berlin - Mitte\, Berlin\, 10179\, Germany
CATEGORIES:Berlin,Concert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251022T193000
DTEND;TZID=Europe/Vienna:20251022T220000
DTSTAMP:20260425T051911
CREATED:20250929T130658Z
LAST-MODIFIED:20250929T130658Z
UID:30145-1761161400-1761170400@www.phantanoise.com
SUMMARY:Solo-Gitarrengipfel : Joseph Allred (Tennessee\, US)\, Son of Buzzi (CH)\, Eric Arn (US/AT)
DESCRIPTION:Psychic Vienna präsentiert:\nIn dem reichen Umfeld der American Primitive Guitar steht Joseph Allred für deren innovative Entwicklung. Wie seine Vorgänger John Fahey\, Peter Walker und Robbie Basho verbindet er meisterhaft östliche und westliche Einflüsse und verwebt Ragas\, Rags und die gefühlvollen Klänge der Appalachen miteinander. Josephs musikalisches Spektrum geht über die Akustikgitarre hinaus und umfasst auch das Harmonium\, das Banjo und andere Folkinstrumente\, um eine vielfältige Klangpalette zu schaffen. Allreds neuestes (und 23.!) Album\, Old Time Fantasias (Scissor Tail Records)\, ist weder radiotauglicher Folk des späten 20. Jahrhunderts noch traditioneller Folk aus dem ländlichen Tennessee. Es ist nachdenklich\, aber nicht düster\, zielgerichtet in seinen Windungen und letztendlich zutiefst zentrierend.\nhttps://josephallred.bandcamp.com/   https://klofmag.com/2025/06/joseph-allred-old-time-fantasias/   https://bigtakeover.com/interviews/the-centering-sound-of-joseph-allred-s-old-time-fantasias\n—\nDer Zürcher Sebastian Bischoff\, alias Son of Buzzi\, ist ein begeisterter europäischer Musiker\, der sich vom American Primitive Guitar inspirieren lässt. Seit 2019 hat er mehrere Alben bei Labels aus Belgien (Dadaist Tapes) und den USA (fire is free\, Centripetal Force) veröffentlicht und war auf der Compilation „Imaginational Anthem X” von Tompkins Square Records vertreten. Sein neuestes Album\, Ein Hase\, ein Phönix\, ein Schwan\, wurde im Dezember 2024 in einer Hütte in den Tessiner Bergen in der Schweiz aufgenommen. Die elektronische Begleitmusik wurde gemeinsam mit Michael Potter (The Electric Nature) arrangiert. Es wurde im Mai 2025 bei Shrimper Records veröffentlicht.    https://sonofbuzzi.bandcamp.com/    https://magnetmagazine.com/2025/04/08/magnet-exclusive-premiere-of-son-of-buzzis-spiegelebene-video/    https://skug.at/son-of-buzzi-ein-hase-ein-phoenix-ein-schwan-shrimper-records/\n—\nDer Wiener-Ami Eric Arn spielt Gitarre und hat schon 14 Alben mit weitreichenden Solo-\, Duo- und Triokompositionen sowie Improvisationen veröffentlicht und freut sich\, regelmäßig in ganz Europa und Nordamerika live aufzutreten. Sein neuestes Album „fixe Idee“ wurde im Mai 2025 bei Feeding Tube/Carbon Records veröffentlicht.  „Arn entlockt seiner Gitarre… meditative Improvisationen\, bevor dann mit eine Komposition folgt\, die sich auch im klassischen Takoma-Katalog gut gemacht hätte.“ (Holger Adam\, Skug)     „Eric bewegt sich mit absoluter Sicherheit durch riesige Stilfelder… Er kann akustische Fantasiegebilde spielen\, die (John) Fahey zum Fluchen gebracht hätten… Einer unserer Lieblingsgitarristen. Irgendwo zwischen John Renbourn & Eugene Chadbourne.“ (Byron Coley\, Feeding Tube Records)    ericarn.bandcamp.com    https://skug.at/eric-arn-fixe-idee-carbon-records-feeding-tube/    https://klofmag.com/2025/07/eric-arn-fixe-idee/
URL:https://www.phantanoise.com/event/solo-gitarrengipfel-joseph-allred-tennessee-us-son-of-buzzi-ch-eric-arn-us-at/
LOCATION:Henriette Kulturverein | Café | Bar\, Staudingergasse 10\, Wien\, Wien\, 1200\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251022T200000
DTEND;TZID=Europe/Vienna:20251022T220000
DTSTAMP:20260425T051911
CREATED:20250905T155350Z
LAST-MODIFIED:20250905T155350Z
UID:29844-1761163200-1761170400@www.phantanoise.com
SUMMARY:Margareth Kammerer & LK
DESCRIPTION:Margareth Kammerer: Guitar\, voice. LK: Cornet \nMargareth Kammerer is an Italian avant-garde musician\, singer\, and composer known for expanding the traditional song form. She incorporates diverse influences\, including sound art\, early blues\, folk\, and electronics\, into her work. Based in Berlin\, she is active in the experimental “Echtzeit” music scene.\nDespite a niche following\, Kammerer’s unique sound and boundary-pushing compositions have earned her acclaim within the avant-garde music scene. She has performed in the U.S.\, Europe\, and Japan.\nListen to:\nhttps://mikroton.bandcamp.com/album/why-is-the-sea-so-blue\nhttps://christofkurzmann.bandcamp.com/…/to-be-an-animal…\nhttps://erstwhilerecords.bandcamp.com/…/till-my-breath…
URL:https://www.phantanoise.com/event/margareth-kammerer-lk/
LOCATION:Dim\, Cetinjska 15a\, Beograd\, Beograd\, 11000\, Serbia
CATEGORIES:Concert
END:VEVENT
END:VCALENDAR