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X-WR-CALDESC:Events for Phantanoise©
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DTSTART;VALUE=DATE:20250911
DTEND;VALUE=DATE:20250913
DTSTAMP:20260425T102159
CREATED:20250717T153538Z
LAST-MODIFIED:20250817T122405Z
UID:27807-1757548800-1757721599@www.phantanoise.com
SUMMARY:Sounding objects for societal impact
DESCRIPTION:Symposium on Sound-Driven Design
URL:https://www.phantanoise.com/event/sounding-objects-for-societal-impact/
LOCATION:IRCAM\, 1\, place Igor-Stravinsky\, Paris\, 75004\, France
CATEGORIES:Symposium
ORGANIZER;CN="IRCAM":MAILTO:billetterie@ircam.fr
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T181500
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260425T102159
CREATED:20250901T083107Z
LAST-MODIFIED:20250902T165643Z
UID:29703-1757700900-1757714400@www.phantanoise.com
SUMMARY:Circuit Fantôme - Season 5 Episode 8: Jorge Sad
DESCRIPTION:https://floatingsound.at\n\nCircuit Fantôme – series of octophonic / acousmatic listening sessions and performances\,curated by Daniel Teruggi and Anton Iakhontov (Patrick K.-H.)\nSeason 5 Episode 8: Jorge Sad\nDinámica de lo impensado (2020 ) 10′ 22″Vautours (2017) 15’24”Lo nuevo es la memoria radiante del pasado (2022) 10′ 22″Cognitive Rebirth (2024 ) 9′ 06″\n\n12 September\,four shows:at 18:15\, 19:15\, 20:15 and 21:15works of Jorge Sad performed by Patrick K.-H.Pay as you wish.
URL:https://www.phantanoise.com/event/circuit-fantome-season-5-episode-8-jorge-sad/
LOCATION:Vronihof Kulturverein\, Veronikagasse 24\, Wien\, 1170\, Austria
CATEGORIES:Concert,Vienna
ORGANIZER;CN="Floating Sound Gallery":MAILTO:floatingsound.vienna@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T190000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260425T102159
CREATED:20250904T182506Z
LAST-MODIFIED:20250904T182907Z
UID:29808-1757703600-1757714400@www.phantanoise.com
SUMMARY:Sommes-nous fous?
DESCRIPTION:sound art – electroacoustic action -sound poetry/ exp.poetry – movementFriday – September 12thdoors 18:30 start 19:00 sharpend 00:00 sharp\n. . . Volume 6 of the series ETES-VOUS FOU[S] ? – now called SOMMES – NOUS FOUS ? during the berlin artweek 2025.It is part of the simultaneous exhibition < darkly pushed to the edge . . . >.\nFREE ADMISSION\, but donations for the artists are welcome.\n“. . . in recent years i have been particularly interested inconfrontation or mixture of different strategies in sound\, poetry and action … especially in an unfinished\, process-like manner\, associated with a certain risk \, to provoke the unexpected special.” u.m.\nperformances/actions by:\nV i b r a k ūVibrakū (Tarufu and Ira Hadžić) is a duo whose name combines vibration and kuu—the Japanese word for emptiness—They perform a set featuring gong and bone conduction\, objectshttps://youtu.be/Hg7hCJ3_iBkhttps://www.irahadzic.com/https://www.tarufu.com/about____\nB u r h a r d . B e i n sBerlin sound artist with floor tom-objects actionhttps://www.burkhardbeins.de/____\nS t o r i e s . I n . C o l o u r / Alan LaytonBorn in London\, he studied urban planning\, then received training in vocal technique\, music theory and bass guitar. After appearing at singer songwriter events in London he played bass in various bands\, relocating to Berlin where he started Stories In Colour – a combination of sound collage and spoken word inspired by the urban studies. He has performed at various venues and festivals such as 48 Stunden Berlin\, Fete de la Musique and Glemmingbro cultural festival in Sweden. https://soundcloud.com/bill-bumpstead_____\nS a c h a . Ka h i r + U . M o e l l h u s e nThe two artists have been friends for years and perform together from time to time. Sacha lives in the UK and traveled to Berlin especially for this event. Their current piece will most likely be an action-packed happening consisting of strange voices\, cut-up poetry ?\, body sounds\, amplified objects such as wooden sticks\, aluminum\, cardboard boxes and a lot of other stuff. played in the tension of physical action and audibility. U Moellhusen called it the CRISIS OF OBJECTS.Here are some old\, ultra lo-fi and non-representative examples from the archive of our collaboration :https://elektroakustischegarage.bandcamp.com/…/demagnet…https://elektroakustischegarage.bandcamp.com/…/wallstre…https://elektroakustischegarage.bandcamp.com/…/after…_____\nA s t a . D. poetry-sound-action https://www.asta-d.online/about-asta-d_____\nD o r a . B l e u & E d i t h . S t e y e rDora Bleu: Slanted storytelling\, deconstructed songs\, vocal and guitar expressionsEdith Steyer: processed clarinet\, electronic deviceshttps://www.edith-steyer.de/https://soundcloud.com/dora-bleu_____\nV s e v o l o d . L i s o v s k ymajor figure of conceptual theatre in Russia. After been held in prison under absurd pretexts he currently lives in South Germany. He performs the poem “I Hate Blyat” . It will never be published. Each fragment of the poem is created at the moment of performance\, and these fragments will never repeated. The author simply expresses his displeasure using an arbitrary rhythm and the single rhyme blyat-blyat. In Russian\, blyat is a profanity and is used as an interjection\, similar to the word “shit” in English.https://ru-m-wikipedia-org.translate.goog/…/%D0%9B%D0…
URL:https://www.phantanoise.com/event/sommes-nous-fous/
LOCATION:KuLe Kunsthaus\, Auguststraße 10\, Berlin\, Berlin\, 10117\, Germany
CATEGORIES:Berlin,Performance
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DTSTART;TZID=Europe/Vienna:20250912T190000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260425T102159
CREATED:20250905T152823Z
LAST-MODIFIED:20250905T152823Z
UID:29815-1757703600-1757714400@www.phantanoise.com
SUMMARY:Vernissage Stephanie Geiger / Vinzenz Schwab / FM Einheit: Feldspate · Contagious
DESCRIPTION:Konzerte: FM Einheit (Objekte\, Elektronik) & Vinzenz Schwab (Elektronik) · Contagious: Sabine Ercklentz (Trompete\, Elektronik) / Andrea Neumann (Inside Piano\, Mixer) / Mieko Suzuki (Elektronik\, Turntables) \nVernissage Stephanie Geiger / Vinzenz Schwab / FM Einheit: Feldspate · Contagious
URL:https://www.phantanoise.com/event/vernissage-stephanie-geiger-vinzenz-schwab-fm-einheit-feldspate-%c2%b7-contagious/
LOCATION:echoraum\, Sechshauserstrasse 66\, Wien\, Wien\, 1150\, Austria
CATEGORIES:Concert,Vienna
END:VEVENT
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DTSTART;TZID=Europe/Vienna:20250912T200000
DTEND;TZID=Europe/Vienna:20250912T220000
DTSTAMP:20260425T102159
CREATED:20250823T155440Z
LAST-MODIFIED:20250823T155440Z
UID:29627-1757707200-1757714400@www.phantanoise.com
SUMMARY:Convergence IX
DESCRIPTION:CONVERGENCE IX\, an evening of immersive performances where sound\, text\, and visuals interweave to create a unique sensory experience.\nFor our ninth edition\, we welcome visual artist Keiji Matsuoka from Japan who will perform with musician Makoto Sakamoto. drusnoise & Erbse will present their performance piece ‘Can you hear the Earth breathing?’\, framed around improvisation\, dissolving human-nature boundaries\, and decentering the western concept of ‘the human’ in performance. Rounding off the evening are the collective akademische Noise\, hoch qualifiziertes Poetry (Laura Leiner\, Rocío Rodríguez and Elsye Suquilanda)\, and Kross Collective co-founder MIRE.\n// Tickets €6- available at door or pre-book via link\nKeiji Matsuoka\nA visual artist from Japan. Focusing mainly on the fluid movement of liquids\, he creates improvised visual performances that project live drawings using paper\, wire\, brushes\, glass and other objects. The flow and mixing of liquids is full of chance and improvisation\, and he has collaborated with many musicians\, dancers and performers both in Japan and abroad. His unique theme of ambiguous boundaries allows him to express unconscious sensations and changes in consciousness. In his solo performances\, he performs visual and sound simultaneously in a style he calls “Drawing Drone.”\nhttps://www.youtube.com/@keijimatsuoka-nuee\nhttps://www.instagram.com/keijimatsuoka_/\nMakoto Sakamoto\nMakoto Sakamoto is a Japanese sound artist and improvisational performer based in Berlin\, working at the intersection of electronic and experimental music. He explores the relationship between sound\, space\, and human perception\, often using real-time synthesis across multiple hardware synthesizers. His improvisational approach invites people unexpected incidents\, blending waveforms and electronics sound textures into tactile\, raw sonic experiences. This method emphasizes the immediacy and physicality of sound\, resulting in performances and compositions that are both responsive and immersive.\nhttps://makotosakamotorecordings.bandcamp.com/\nhttps://www.instagram.com/makoto_sakamoto_recordings/ \nMIRE\nMIRE is the sound project of Berlin-based multidisciplinary artist Andreea Hriscu\, co-founder of Kross Collective. Working across dark ambient\, drone\, and noise\, MIRE sculpts long-form\, improvised compositions using synthesizers\, computer processes\, and field recordings. The result is immersive soundscapes shaped like fluid architecture — both intimate and immense\, suspended between industrial decay and subaquatic stillness.\nDescribed as “music forged in flooded ruins” and “a jagged key to a utopian mirage\,” MIRE’s sonic world shimmers with tension between structure and entropy\, silence and obliteration. Releases include “We Left No Message” (LOUDsilence) and “All That Time” with Grabschlamm (ArrhythNia)\, alongside over a dozen independent works. Past performances span Convergence\, Hosek Contemporary\, and Poetic Hafla — with each act an ephemeral organism\, whispered once\, then gone.\nhttps://www.instagram.com/mire.berlin/\nhttps://mire-berlin.bandcamp.com/music\nhttps://www.youtube.com/@mire-berlin \nakademisches Noise\, hoch qualifiziertes Poetry\nakademisches Noise\, hoch qualifiziertes Poetry born by way of rebellion\, has its roots to manifest the opposite to the “established” enjoyment through noise\, punk\, rock\, mantras\, sounds\, immersed with live audiovisual work creating different scenarios where the viewer will be transported to different universes of the hand of posthumanist poetry recited and sung in multilanguage\, including animal language\, voices and movements of all of us.\nhttps://soundcloud.com/…/akademisches-noise-hoch…\nElsye Suquilanda\nElsye Suquilanda is a posthumanist poet\, filmmaker and performance artist\, co-creator of the Dogsofia Chichoismo. Her art raises awareness about human and animal rights as well as the natural environment. Rituals\, courage\, reality-fantasy\, humor intertwined with unique costumes\, audiovisuals\, chants embracing different rhythms such as chanson\, punk\, metal\, rock\, pasillo\, techno\, noise\, ska\, mantras.\n\nhttps://elsyesuquilanda.bandcamp.com/…/lensi-lusikka…\n\nhttps://www.literaturport.de/wab/person/elsye-suquilanda/en/\nLaura.aLL\nLaura.aLL is a guitarist\, experimental composer and curator. As well as playing guitar in different contexts\, ranging from ambient music\, noise and trip rock\, she works with diverse experimental settings\, exploring the sound of strings\, objects or public spaces\, using effects\, synthesizers\, field recordings or recycled instruments. \nHome \n\nhttps://lauraall.bandcamp.com/\nhttps://mipv-musik.com/\nhttps://mipv.bandcamp.com/\nRocío Rodríguez\nRocío Rodríguez is a video artist and videographer specializing in performance. She began her academic journey studying dance\, followed by film and communication\, ultimately earning a Master’s degree in Philosophy and Culture. Her work investigates the intersection of live performance with innovative techniques and technologies\, aiming to expand the ways in which performance can be experienced audiovisually.\n\n \ndrusnoise & Erbse\nErbse (no/ all pronouns) is active in the fields of visual arts\, music\, dance and philosophy\, is queerfeminist\, is learning\, exploring and experimenting\, attempting to create interconnectivity and a blurring of boundaries as resistances. Erbse is based in Berlin and Bremen and currently prefers to work with dance and social sculptures. Steve Williams aka drusnoise is a live\, electronic music producer\, sound artist and curator of sustain.fm. drusnoise integrates analog modular synthesizers with digital FX and organic samples to create a style that flows from lush ambient tones to gritty techno. Known in the outside world as Dr. Steve Williams\, his academic work includes conducting and publishing research on sustainable energy transition\, energy justice\, and sociomaterial acoustic methods in Canada\, Germany\, Norway\, and Sweden\nhttps://www.instagram.com/drusnoise/\nhttps://www.instagram.com/ochjoa/
URL:https://www.phantanoise.com/event/convergence-ix/
LOCATION:kross collective\, Veteranenstraße 21\, Berlin\, Berlin\, 10119\, Germany
CATEGORIES:Berlin,Festival
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250912T203000
DTEND;TZID=Europe/Vienna:20250912T230000
DTSTAMP:20260425T102159
CREATED:20250812T104027Z
LAST-MODIFIED:20250817T122322Z
UID:28623-1757709000-1757718000@www.phantanoise.com
SUMMARY:OK Cicada
DESCRIPTION:Avantgardistischer Jazz aus New York. \nHier kommen vier ausgeprägte Individualisten zusammen\, die mit ihren eigenen Kompositionen die vielen Strömungen und ihre musikalischen Einflüsse widerspiegeln. Trompeter Kenny Warren und Tenorist Jeremy Viner beeindrucken durch ihren wandelbaren\, direkten Klang. Zusammen umfassen sie einen weiten\, offenen\, experimentellen Bereich des freien Jazz. Ihre Musik reicht von ausgedehnten akustischen Erkundungen bis zu spiritueller Melodik und komplexen Rhythmen. Für alle Fans des Jazz\, der sich weit aus allen konventionellen Schubladen lehnt.
URL:https://www.phantanoise.com/event/ok-cicada/
LOCATION:Bird’s Eye Jazz Club Basel\, Kohlenberg 20\, Basel\, 4051\, Switzerland
CATEGORIES:Concert
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