Organ Sequences XVII

Rebecca Lane

is a composer and flutist who specializes in just intonation and pure tunings. She plays Kingma system quarter-tone flutes and works closely with composers like Catherine Lamb and performers like Clara de Asís. As a member of the Harmonic Space Orchestra, she consistently challenges conventional tuning systems in her projects.

Listen to Rebecca Lane: https://discreeteditions.bandcamp.com/album/distances-bending

Pharoah Chromium

Pharoah Chromium is the project of German-Palestinian musician Ghazi Barakat. Named after a track by the band Chrome, his music combines elements of Krautrock, Industrial, Free Jazz, and Arabic soundscapes. His work, released on labels like Grautag and Labelle69 and often in collaboration with artists like Günter Schickert, results in ritualistic sound performances that blur the line between trance and presence.

Listen to Pharoah Chromium: https://pharoahchromium.bandcamp.com/album/jean-genet

Clara de Asís

Clara de Asís is a composer and sound artist born in Spain in 1988. Her work explores the interplay of acoustics, time, and attention. Using both electronic and acoustic instruments, often in unconventional setups, she creates performances, installations, and interdisciplinary collaborations. She has been an artist in residence at Q-O2 in Brussels and EMS in Stockholm, and she is currently the co-artistic director of the Göteborg Art Sounds Festival.

Listen to Clara de Asís: https://discreeteditions.bandcamp.com/album/distances-bending

Gomāsan (Romain C. Bertheau)

Gomāsan, also known as Romain C. Bertheau, is a composer, organist, harpsichordist, and no-input mixing board performer based in Berlin and Java. His work blends a minimalist sound aesthetic with improvised noise music. After several years in Asia recording traditional music, he returned to Europe to focus on creating texture-rich works for the organ.

Listen to Gomāsan: https://romainbertheau.bandcamp.com/album/anatomy-of-a-bird